Empathy in the Arts
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Empathy in the Arts
Empathy and Compassion in the Arts (Drawing, Writing, Stories, Poetry, Music, Dance, Fine Art, etc) - CultureOfEmpathy.com
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Empathy Cafe Magazine Front Page

Empathy Cafe Magazine Front Page | Empathy in the Arts | Scoop.it

Empathy Cafe Magazine Front Page


Visit the individual magazines specifically for empathy and;

*   Main Page All
*   Animals
*   Art
*   Compassion

*   Compassionate Communications (NVC)

*   Curriculums
*   Education
*   Empaths

*   Empathy Quotes

*   Empathic Design - Empathy in Human-Centered Design (New!)
*   Health Care

*   Justice

*   Self-Empathy & Self-Compassion
*   Teaching - Learning
*   Work 

*   etc.


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Thanks so much.

Edwin Rutsch, Editor

Join us on Facebook Center for Building a Culture of Empathy
http://CultureOfEmpathy.com

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Pixar Storytelling Rules #3: Character Empathy

We easily empathize with characters that are like us, and even more easily with characters that we wish we were like, usually confident, sexy, successful people. Pixar got us to empathize with a mute robot, a rat, monsters and many other unusual suspects. How did they do it?


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Learning From Live Theater: Students realize gains from theater trips - Research

Learning From Live Theater: Students realize gains from theater trips - Research | Empathy in the Arts | Scoop.it

We also employed a measure known as the Reading the Mind in the Eyes Test (RMET), which captures the ability to infer what other people are thinking or feeling by looking at their eyes.


The test was developed by British psychologist Simon Baron-Cohen and his colleagues as a tool for studying theory of mind, particularly for people with autism.


It is now widely used by researchers interested in studying theory of mind and empathy for people developing typically, as well as for those with autism.


Researchers using RMET have found that reading literary fiction or engaging in theatrical role-playing enhances people’s ability to read the emotions of others. We suspected that watching live theater might have a similar effect and decided to include RMET in our survey.


The version of RMET we employed was developed for use with adolescents and has 28 photographs cropped to show only people’s eyes. Subjects are asked to pick one of four words that best describes what the photographed person is thinking or feeling.



by Jay P. Greene

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Does Literature Make You Empathic?

Does Literature Make You Empathic? | Empathy in the Arts | Scoop.it

An article published last year in Science presented evidence that literary fiction makes readers more empathic than popular fiction; that is, it claims LitFic is better for you than mystery, romance, thrillers, or science fiction. Author Ransom Stephens offers a primer to prepare you to participate in Litquake's Does Literature Make You an Empath? event next week...


My aim here isn’t merely to convince you to mark your calendar; it’s to prepare you to participate in Litquake’s Does Literature Make You an Empath? event next Tuesday at the Mechanics’ Institute Library in San Francisco....


Litquake’s Does Literature Make You an Empath? panel is Tuesday, Oct. 14, 6:30pm at the Mechanics’ Institute Library in San Francisco. For more information, visit litquake.org.


by Ransom Stephens



Does Literature Make You an Empath?
http://www.litquake.org/events/does-literature-make-you-empath  

Our panel of LitFic and genre authors plus experts on the science of empathy (and you!) will investigate why or whether high-brow lit cranks up empathy more than a good mystery, romance, or space opera. For reservations: (415) 393-0100; rsvp@milibrary.org

Litquake Panel

Does literature make you an empath?http://www.milibrary.org/milibrary/events/litquake-does-literature-make-you-empath-oct-14-2014 
Our panel of fiction and genre authors plus experts on the science of empathy (and you!) will investigate why or whether high-brow lit cranks up empathy more than a good mystery, romance, or space opera. What techniques do writers employ to evoke sympathy or distain? What does neuroscience say about how we “mirror behavior?” Join this provocative discussion!
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Barbara Kerr's curator insight, October 11, 3:10 PM

How do we know what others feel?  Literature--which is basically storytelling afterall-- is one good way to feel what others are feeling.

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» Can Reading Fiction Improve Empathy? - Psych Central News

» Can Reading Fiction Improve Empathy?  - Psych Central News | Empathy in the Arts | Scoop.it

An emerging theory suggests exposure to narrative fiction can improve an individual’s ability to understand what other people are thinking or feeling.


Dr. Raymond Mar, a psychologist at York University in Canada, said, “we understand stories using basic cognitive functions, and there is not a special module in the brain that allows us to do this. Understanding stories is similar to the way we understand the real world.”


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There is some evidence that adults who process stories deeply and are highly engaged in the story report more empathy, but the results have been inconsistent.

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By RICK NAUERT PHD 

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Empathic Critique: Using empathic critique to foster the culture of collaborative discovery in studio art class

Empathic Critique:  Using empathic critique to foster the culture of collaborative discovery in studio art class | Empathy in the Arts | Scoop.it

Are you an art teacher that avoids critique sessions? Art teachers tell me that they are skipping the critique because it has been a negative experience. How much learning are your students missing?


Empathic critique is collaboration,
not competition. Empathic class critique
in studio art is not a debate session.


It is a hunt for visual effects, meaning, purpose, and new ideas. All participants are acting in their own best interest by being their naturally helpful selves. Competition is replaced by mutual discovery.


In addition to facilitating art learning, the empathic critique culture helps students rediscover their basic relationship intelligence.


They learn to leverage their own natural goodness and helpful instinct to intuit how to make the world a better place. In place of defensiveness and conflict, they experience the mutual benefits of cooperatively hunting and gathering good ideas. What may have been feared as mistakes, become coveted discoveries that promote new insights and learning.


by Marvin Bartel 

Image: 

Gabriel Cornelius von Max,   Monkeys as Judges of Art 

http://en.wikipedia.org/wiki/Art_criticism

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Poem: Empathy by George Eliot

Poem: Empathy by George Eliot | Empathy in the Arts | Scoop.it

Empathy

Oh, the comfort, the inexpressible
Comfort of feeling safe with a person,
Having neither to weight thoughts,
Nor measure words--but pouring them
All right out--just as they are
Chaff and grain together,
Certain that a faithful hand will
Take and sift them,
Keep what is worth keeping,
And with the breath of kindness
Blow the rest away.


 Author: George Eliot (English novelist)
image http://en.wikipedia.org/wiki/George_Eliot ;

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Barbara Kerr's curator insight, June 29, 10:20 AM

Wise woman of the 19th century--

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Empathy School | Experimental Media and Performing Arts Center (EMPAC)

Empathy School | Experimental Media and Performing Arts Center (EMPAC) | Empathy in the Arts | Scoop.it

 Produced in collaboration with visual artist and filmmaker Brent Green, Empathy School combines theater, travel, and audio in a contained space where listen

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Call for Submissions dealing with Empathy

Call for Submissions dealing with Empathy | Empathy in the Arts | Scoop.it

The Empathy Circuit | The Artform of Outrospection 


Empathy is a  “feeling into” that evokes simultaneous knowledge of theselfand theother. Indeed, empathy has the capacity for a revolutionary epistemology, even a counter-ontology; the capacity to counter the polarisation and signifying isolation through Hegelian dialectics of these two terms; instead, we have an emotional equivalent to Humpty Dumpty’s “slithe”, a psychological portmanteau!..


A long-term and rolling project, The Brentwood Road Gallery are looking for artists, writers, psychologists, neuroscientists, educators, community activists, art therapists and anybody whose practice and research looks at the understanding and development of empathy within both the contemplative and scientific perspectives.



image: http://en.wikipedia.org/wiki/File:The_Gallery_of_Cornelis_van_der_Geest.JPG


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The Force of empathy in advocacy storytelling

The Force of empathy in advocacy storytelling | Empathy in the Arts | Scoop.it

By Ted Fickes 

You need not have watched the first U.S. presidential debate on October 3rd to know what happened. Mitt Romney won the debate in the eyes of most that watched. He succeeded, in part, by creating a narrative, telling stories, and using a strong sense of empathy to connect with  citizens.


The power of empathy in Governor Romney’s debate performance (and the lack of it displayed by President Obama) has been declared significant enough to perhaps turn Romney’s campaign from a languishing also-ran to a possible winner.


But it is empathy that gives stories
their power in advocacy and
campaign communications.

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EMPATHY

EMPATHY | Empathy in the Arts | Scoop.it
Beautiful, inspiring & mind-blowing images on HighExistence
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Building empathy in children through theater By Blair Howell,

Building empathy in children through theater By Blair Howell, | Empathy in the Arts | Scoop.it
The Deseret News assembled a panel to review the many benefits of theater for young audiences in recognition of the World Day of Theatre for Children and Young People.


Children learn social skills through theater, and the experience gleaned through both performing and attending theater has been likened to a gym for empathy, because it’s a place where muscles of compassion can be strengthened.


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Children learn to understand and engage

with people who are different from them.

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The Empathy Project on Typography Served

The Empathy Project on Typography Served | Empathy in the Arts | Scoop.it
The Empathy Project is a collaborative, participatory art project initiated by Paul Rucker and Curated by Marcus Civin at the Maryland Institute College of Art (MICA) Baltimore. It invites participants to explore their experiences with empathy through visual art, writing, installations, performances etc. Many classes added an assignment for the students in the institute to participate in the project where a wide variety of work was created, from collaborative installations to anonymous written posts. The project itself is a sum of all these parts and serves to celebrate the diversity that exists among any community of people. 
When i was brought on the team to design the identity and collateral for the project I was faced with a few specific problems that I must try to solve:
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Why Your Brain Loves Good Storytelling

Why Your Brain Loves Good Storytelling | Empathy in the Arts | Scoop.it

Many business people have already discovered the power of storytelling in a practical sense – they have observed how compelling a well-constructed narrative can be. But recent scientific work is putting a much finer point on just how stories change our attitudes, beliefs, and behaviors.


As social creatures, we depend on others for our survival and happiness. A decade ago, my lab discovered that a neurochemical called oxytocin is a key “it’s safe to approach others” signal in the brain. Oxytocin is produced when we are trusted or shown a kindness, and it motivates cooperation with others. It does this by enhancing the sense of empathy, our ability to experience others’ emotions.


Empathy is important for social creatures because it allows us to understand how others are likely to react to a situation, including those with whom we work.


by Paul J. Zak 


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Major benefits for students who attend live theater, study finds: theater enhance literary knowledge, tolerance and empathy

Major benefits for students who attend live theater, study finds: theater enhance literary knowledge, tolerance and empathy | Empathy in the Arts | Scoop.it

Field trips to live theater enhance literary knowledge, tolerance and empathy among students, according to a study published this week by researchers in the University of Arkansas Department of Education Reform.


The research published in Education Next examines the impact on students of attending high-quality theater productions of either Hamlet or A Christmas Carol.


The researchers found that viewing the productions leads to enhanced knowledge of the plot, increased vocabulary, greater tolerance and improved ability to read the emotions of others.


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Two years ago, researchers found significant benefits in the form of knowledge, future cultural consumption, tolerance, historical empathy and critical thinking for students assigned by lottery to visit Crystal Bridges Museum of American Art in Bentonville, Arkansas.

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Karen B Wehner's curator insight, October 23, 10:17 AM

Really interesting to see evidence that tolerance and empathy rise even in students who watch (vs perform) theater. 

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UCLA Department of Art | Exhibitions: Compassion Fatigue

UCLA Department of Art | Exhibitions: Compassion Fatigue | Empathy in the Arts | Scoop.it

The UCLA New Wight Biennial, Compassion Fatigue, will present work from 16 international emerging artists using installation, performance, video, photography and sound to enable intimate ways of viewing political crisis.


Curated by UCLA Department of Art graduate students Damir Avdagic and Abigail Collins.

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Reading fiction stories increases 'empathy' in people

Reading fiction stories increases 'empathy' in people | Empathy in the Arts | Scoop.it

Scientists have claimed that reading fiction stories can make one more empathetic.
 

Raymond Mar, a psychologist at York University in Canada, discussed how exposure to narrative fiction may improve our ability to understand what other people are thinking or feeling in his session at the American Psychological Association's 122nd Annual Convention.

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Here's Why Empathy is The Key to Good Storytelling

Here's Why Empathy is The Key to Good Storytelling | Empathy in the Arts | Scoop.it

In this guest post, the filmmakers of the forthcoming feature documentary, "My Country, No More" explain the importance of empathy in the storytelling process.


If empathy is feeling with someone, sympathy is feeling for them. Sympathetic storytelling lets sentimentality get in the way of a good story. In the film "Into the Abyss," Werner Herzog declares to a death row inmate, "I don't have to like you, but you are a human being."

Just because we dislike someone does not mean they don't have a story worth sharing. How many TV shows out right now are about putting yourself in the headspace of a mad man?...

1. Storytelling is about shared experience.
2. Empathy is not sympathy.
3. Empathy is difficult.
4. Empathy leaves us with a feeling instead of telling us what to feel.

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Empathy fuels our curiosity and reveals a
more nuanced way of looking at the world.
To approach situations empathetically is
to keep an open mind.

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By Rita Baghdadi and Jeremiah Hammerling

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Authors to Share "Radical Empathy" Through Storytelling

Authors to Share "Radical Empathy" Through Storytelling | Empathy in the Arts | Scoop.it
Three of the world’s most influential writer/activists will discuss Narrative 4, a program that breaks down barriers through story exchanges.


Storytelling has always been with us, and the exchange of personal stories can open doors of communication.


To harness this power, global organization  Narrative 4 (N4) aims to promote “radical empathy” through story exchanges, a process that can break down barriers and shatter stereotypes.

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Barbara Kerr's curator insight, June 15, 10:34 AM

We can all benefit from greater empathy. 

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Empathy as Related to Creativity, Dogmatism, and Expressiveness

Empathy as Related to Creativity, Dogmatism, and Expressiveness | Empathy in the Arts | Scoop.it

Empathy (affective sensitivity) was hypothesized to be positively related to creativity and expressiveness and inversely related to dogmatism, when gender and age were controlled.


Participants were 56 graduate students enrolled in counseling and educational psychology courses at a large southwestern (U.S.) university. Participants were administered the Affective Sensitivity Scale (Kagan & Schneider, 1977) to measure empathy, the Statement of Past Creative Activities (Bull & Davis, 1980) to measure creativity, the Opinion Scale (Kleiber, Veldman, & Menaker, 1973) to measure dogmatism, and the Extended Personal Attributes Questionnaire (Spence, Helmreich, & Holahan, 1979) to measure expressiveness.


The results of multiple regressions provide support for the hypotheses that empathy is positively related to creativity and inversely related to dogmatism,


but the results do not support the hypothesized positive relationship between empathy and expressiveness. Implications of these findings for persons serving as counselors and counselor educators are discussed.

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Art: An Occupation With Promise for Developing Empathy

Art: An Occupation With Promise for Developing Empathy | Empathy in the Arts | Scoop.it

by Suzanne M. Peloquin

Empathy is central to the interactions of occupational therapists who value personal dignity. Persons from various sectors of the behavioral sciences and the medical humanities have proposed that engagement with the arts can develop empathy, an assumption that prompted this inquiry.


The observations of artists and art philosophers suggest that the assumption that art may develop empathy is grounded in the kindred natures of the two practices and in the actions that occur when a person engages with a work of art.


The assumption that art may develop empathy is grounded in the kinship of the actions common to both practices: response, emotion, and connection. Artists and art philosophers’ observations of human practices have uncovered three rules of art that may dispose one toward empathy: reliance on bodily senses, use of metaphor, and occupation by virtual worlds.


Analysis of art’s potential suggests that a person who would derive empathy from art must

(a) use the senses to grasp feeling,

(b) stretch the imagination to see a new perspective, and

(c) invite an occupation that enhances understanding.


Persons who hope to develop empathy must pursue an experience that evokes the fellow feeling that inspires it. Art can offer this experience.

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Embers of Empathy artworks to be unveiled this week as part of ad campaign via GPY&R, Sydney

Embers of Empathy artworks to be unveiled this week as part of ad campaign via GPY&R, Sydney | Empathy in the Arts | Scoop.it

Artworks created from a collaboration between Australian Red Cross, GPY&R Sydney and 12 of Australia's leading and emerging artists to raise awareness about the impact of bushfires on the nation will be unveiled this week.


The campaign, 'Embers of Empathy', utilises charcoal from the 2013 bushfires in the Blue Mountains to create unique artworks that convey an emotive bushfire story, inspiring lessons for the future.

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Reader Empathy: Catch It & Keep It - by Angela Ackerman

Reader Empathy: Catch It & Keep It - by Angela Ackerman | Empathy in the Arts | Scoop.it
Gluing readers to the page. This is a writer’s goal each step of the way, from gaining the attention of an agent, to compelling an editor to make an offer, and finally, to enthralling an audience.


We strive to make people experience something powerful when they read our words. To genuinely FEEL. To care. Sounds...um, not easy? I know! Building empathy requires skill, knowledge and practice. Writers must become deeply in tune with a reader’s emotions and learn how to use these feelings to bind them to the story...


5 Ways To Encourage Reader Empathy


  1. Humanize your character....
  2. Get inside their bones. ...
  3. Clearly define the needs, goals, and stakes....
  4. Hobble characters through challenges that readers sympathize with....
  5. ....
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The Neurochemistry of Empathy, Storytelling, and the Dramatic Arc, Animated

The Neurochemistry of Empathy, Storytelling, and the Dramatic Arc, Animated | Empathy in the Arts | Scoop.it

This week, I’m headed to the Future of Storytelling summit, an unusual cross-disciplinary unconference exploring exactly what it says on the tin. Among the presenters is neuroeconomics pioneer Paul Zak, director of the Center for Neuroeconomic Studies and author of The Moral Molecule: The Source of Love and Prosperity.


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this short film on empathy,

neurochemistry, and the dramatic arc

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In this short film on empathy, neurochemistry, and the dramatic arc, directed and edited by my friend Kirby Ferguson and animated by Henrique Barone, Zak takes us inside his lab, where he studies how people respond to stories.


by Maria Popova


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