I am generally an avid reader but there is one genre of literature that sends me running in the other direction: official camera manuals. A few pages into reading one, and I can feel my ...
While Mike Evans is getting to grips with the Fuji X100T and comparing it with the X-T1, I've been struggling manfully to get to grips with it's predecessor, the X100S - and frustratingly failing to do so. A couple of years ago, back in 2013, I had my first brush with an X100. At the time the X-E1 was my main camera, and I was thinking that the X100 would be complementary.....
I struggled with it then, and couldn't quite work out why but, a couple of months later, I sold it on.
Considering the music video shoot and the files produced by the cameras, after much thinking about performance and playback scrutiny, if I had to pick a winner, which I do, then it would be the Panasonic Lumix GH4. It has all the features needed for video and produces a beautiful looking file that has lots of detail. When looking at the film, the GH4 file is the file that was the most accurate; as you can see, there are colour and exposure variations between the other cameras.
The , the third camera in the X100 series, has attracted lots of attention much like its predecessors even if it doesn't bring as many outstanding upgrades as the second in line, the X100s.
My rationale is below but – before die hard Panasonic Lumix-ers come after me – yes, on paper some of the details look very similar but… results just speak for themselves. The image colours, the ease of use, the wi-fi connection to my iPhone (so that I can edit on the hop), how incredibly responsive it is, the ridiculously handsome retro-look of the camera itself… and don’t get me started on the viewfinder and how much I ADORE it…
Join talented landscape photographer and Fujifilm user Ugo Cei for an incredible 7-day photography workshop in the beautiful settings of Santorini and Milos.
“I longed for Istanbul. Or Madrid, Cairo, Rio. I longed for the circus, for freight trains, for a rush of uncertainty in long and aimless circumambulations; for an assault on the senses and a total loss of balance, making my way through the unknown, sinking in strange quicksand crowds with my eye to a small window.”
That was me, waxing poetic during the intro of the X100S review almost two years ago. It may have seemed strange to some that a camera, a simple capture device
With a model-specific virtual camera, photographers have the ability to intuitively navigate through information-packed video tutorials that directly reflect what each button and feature on the camera is and does does.
I live in Germany and until now I only traveled across Europe. For example I was hiking with all my big backpack full of heavy Nikon gear through the Alps, and it was horrible.
Although I am planning to fully review the Sony A7 II, I decided to share some quick thoughts on this new mirrorless camera which I have been shooting with for the past few weeks and share a photo of the Bay Bridge that I captured at night. I am currently in San Francisco, testing the …
If recent events are any indication, 2015 will be the year of the entry-level selfie camera. To kick off the trend, we saw the announcement of the Fujifilm X-A2 on January 15th, which was followed ...
We now have no less than four full frame mirrorless options from Sony; the A7R (previously reviewed here); the A7, the A7S, and now the A7II. This appears to be typical Sony strategy: rather than m...
But again, it wasn’t Samsung’s words in the first place that dpreview put in the headline. But I’ll bet that even before I can post this we’ll see the “Samsung says mirrorless will overtake DSLRs” statements all over the photography side of the Internet. And it all will have started with dpreview’s lazy and sensationalist headline.
Let's just start by saying I'm really excited by this lens. I used to own the really nice Samyang 14mm f2.8 when I shot Nikon and it's a focal length I've missed since switching to Fuji. For the la...
Fuji's Mirrorless Camera Lineup with Billy Luong of Fuji Canada In this section of "Picture Perfect with John Goldstein" on Rogers TV, John welcomes Billy Lu...
As theorist Susan Sontag predicted nearly forty years ago, much of our modern way of life is organized around capturing the perfect, most sharable photograph, often at the expense of genuine and authentic experience. Samsung’s What Matters Most campaign (#mattersmostNX), released in conjunction with their new NX camera, brings us back to the core of what photography is really about: remembering unforgettable moments shared with those we care about.
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