I'm not done with the Six Days in Tokyo series just yet, but I'm sidetracking it for today. I've been intrigued by the new Acros film simulation in the new X-Pro2 ever since I got my hands on the prototype and...
Today, SonyAlphaRumors shared some additional information about an upcoming adapter called the TechArt PRO that will make it possible to autofocus with M-mount lenses on compatible Sony E-mount cameras. (We previously wrote about the development of the adapter a few weeks ago.)
The truth is that those who use the Sigma DP series do so for the resulting image quality, which is a statement Eugene Fratkin of Exposed Moment echoes more than once in his excellent review of the most recent model, the DP0 Quattro, with its ultra-wide 21mm equivalent lens.
A few weeks ago I wrote an article explaining why the angle of view is more helpful than the focal length when comparing lenses of different camera systems. I also...
We recently came across a mesmerising gallery of landscape images taken by German photographer Michael Schaake during his three-day trip to Stamsund, Norway. To document the journey, he used his trusty Fujifilm X-T1 and XF 18-135mm, XF 55-200mm, XF 18mm, XF 56mm, XF 10-24mm lenses.
The Inspired Eye is a website, blog, podcast and bi-monthly magazine. The founders and publishers, Don Springer and Olivier Duong, are two photographers who met online and started this project without ever meeting in real life. What linked them, however, was the desire to share their passion for photography with the world. It is for this reason they were inspired to design a website and magazine as a tribute to photographers who are working in the present day.
We always love coming across articles written by passionate photographers who know the products they review inside and out. Today we’ll be looking at two posts, one by Olivier Duong of Inspired Eye and the other by Matthew Maddock of PhotoMADD. They deal with the authors’ respective favourite wide-angle options within the Fuji X range – namely, the XF 10-24mm f/4 and the XF 16mm f/1.4.
Small, sharp, fast, relatively light and comparably inexpensive. All things I love in a lens. ZY Optics has produced yet another ultra fast option for micro 4/3 shooters, but a first option available in a dedicated mount, faster than f/1.4, new for under $400. The question now stands, how does this fit in with all the…
One of my resolutions for 2016 is to do a better job at timely completion of projects, and one of such tasks is to catch up with all the long-overdue revie
The OMD E-M5 revitalized Olympus' mirrorless camera line with it's beautiful, classic styling, but the Pen series has failed to cause much excitement recentl...
Olympus UK recently started up a new series on its Image Space website called My Best Shot. Each post in the series will feature what three Olympus ambassadors consider their best shots from 2015.
After a huge amount of speculation and anticipation, Sony has finally announced the A6300 as the successor to the hugely successful (and powerful) A6000. It has only been 2 years since Sony released the original A6000, but in an age where the tech industry chases the smartphone annual update cycle, Sony users have been clamoring for the next speedy flagship APS-C shooter.
Photo Ninja from picture code has added partial support for Fuji’s new X-Pro 2 camera. Currently the application only supports uncompressed raw files, and compressed raw has yet to be supported. You can get Photo Ninja, including a trial version from Picture Code’s website.
Ah, the age old question: should I shoot RAW or JPG, or both? It is a dilemma that many photographers face, especially now that the JPG engines of many of today’s digital cameras are so good compared to just a half a decade ago.
Nicolas often collaborates with Director of Photography and Filmmaker Jules Guarneri. Their latest project together is Torched, a video shot entirely at night starring Nicolas and other professional skiers coming down a mountain with rescue flares attached to their ski. As you can imagine the visual impact is quite stunning: you see sparkles of red light and black shadows coming down the mountain with some beautiful effects.
XEEN is a recent series of lenses designed by Samyang / Rokinon for video use. They are compatible with full frame 35mm format cameras and stand out for their bright apertures and affordable price (in comparison to other cine lenses). They all feature a calibrated focus scale in metric or imperial units, and de-clicked gear rings in identical locations, allowing you to concentrate more on shooting and less on operating the lenses.
I've decided to share some images from the new Leica 100-400mm lens in this Blog post. There has been a lot of interest and requests from my readers to see
Sony is known for its tendency to release multiple camera bodies (perhaps too many sometimes) in a short period of time and this can often trigger doubt in the minds of potential users about which one to purchase...
Does the lack of a viewfinder on your mirrorless camera make you want to pull your hair out at times? Then you may want to check out this unique DIY idea from Dmitri Popov who owns a Sony NEX-3N.
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