Seeking a shelter buried deep within Dry and warm where peace you'll find...
Empathy is a special quality, giving a compassionate ear to others is important but it is also important to be compassionate with ourselves. At times retreat makes us stronger.
The reason, Catala says, is that “empathy is too intense or too raw and can become a hindrance rather than a help.” He rebranded this feeling as something called “distant feel.”
“Distant feel is a cool, detached, focused form of empathy,” he says. “It acknowledges that it's paradoxically OK to be distant and encourages us to express our empathy in an effective way.
“Empathy is fundamental to our shared human experience, core to our biology, our evolution, our culture, our society,” he says. “It is the raw, unprocessed emotional connective tissue between people. It is the glue that holds the human race together.”
Conversely, the distant-feel symbol, those mirrored Es, is mutable. It can be drawn, typed or gestured, as in holding three fingers in each hand to make the design.
The Empathy Project is a collaborative, participatory art project initiated by Paul Rucker and Curated by Marcus Civin at the Maryland Institute College of Art (MICA) Baltimore. It invites participants to explore their experiences with empathy through visual art, writing, installations, performances etc. Many classes added an assignment for the students in the institute to participate in the project where a wide variety of work was created, from collaborative installations to anonymous written posts. The project itself is a sum of all these parts and serves to celebrate the diversity that exists among any community of people. When i was brought on the team to design the identity and collateral for the project I was faced with a few specific problems that I must try to solve:
Many business people have already discovered the power of storytelling in a practical sense – they have observed how compelling a well-constructed narrative can be. But recent scientific work is putting a much finer point on just how stories change our attitudes, beliefs, and behaviors.
As social creatures, we depend on others for our survival and happiness. A decade ago, my lab discovered that a neurochemical called oxytocin is a key “it’s safe to approach others” signal in the brain. Oxytocin is produced when we are trusted or shown a kindness, and it motivates cooperation with others. It does this by enhancing the sense of empathy, our ability to experience others’ emotions.
Empathy is important for social creatures because it allows us to understand how others are likely to react to a situation, including those with whom we work.
Field trips to live theater enhance literary knowledge, tolerance and empathy among students, according to a study published this week by researchers in the University of Arkansas Department of Education Reform.
The research published in Education Next examines the impact on students of attending high-quality theater productions of either Hamlet or A Christmas Carol.
The researchers found that viewing the productions leads to enhanced knowledge of the plot, increased vocabulary, greater tolerance and improved ability to read the emotions of others.
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Two years ago, researchers found significant benefits in the form of knowledge, future cultural consumption, tolerance, historical empathy and critical thinking for students assigned by lottery to visit Crystal Bridges Museum of American Art in Bentonville, Arkansas.
The UCLA New Wight Biennial, Compassion Fatigue, will present work from 16 international emerging artists using installation, performance, video, photography and sound to enable intimate ways of viewing political crisis.
Curated by UCLA Department of Art graduate students Damir Avdagic and Abigail Collins.
Scientists have claimed that reading fiction stories can make one more empathetic.
Raymond Mar, a psychologist at York University in Canada, discussed how exposure to narrative fiction may improve our ability to understand what other people are thinking or feeling in his session at the American Psychological Association's 122nd Annual Convention.
In this guest post, the filmmakers of the forthcoming feature documentary, "My Country, No More" explain the importance of empathy in the storytelling process.
If empathy is feeling with someone, sympathy is feeling for them. Sympathetic storytelling lets sentimentality get in the way of a good story. In the film "Into the Abyss," Werner Herzog declares to a death row inmate, "I don't have to like you, but you are a human being."
Just because we dislike someone does not mean they don't have a story worth sharing. How many TV shows out right now are about putting yourself in the headspace of a mad man?...
1. Storytelling is about shared experience. 2. Empathy is not sympathy. 3. Empathy is difficult. 4. Empathy leaves us with a feeling instead of telling us what to feel.
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Empathy fuels our curiosity and reveals a more nuanced way of looking at the world. To approach situations empathetically is to keep an open mind.
Three of the world’s most influential writer/activists will discuss Narrative 4, a program that breaks down barriers through story exchanges.
Storytelling has always been with us, and the exchange of personal stories can open doors of communication.
To harness this power, global organization Narrative 4 (N4) aims to promote “radical empathy” through story exchanges, a process that can break down barriers and shatter stereotypes.
I look around me, breathing in deeply as I reflect on the totality of what I see. Before me, a man lays sleeping on a downtown street that jumps with a crisp four/four time Hip-Hop beat, bouncing from an upbeat retreat, where folks hang out, chillaxed to the max as it’s the “Thank God it’s Friday,” day of the week. The man is wrapped up in a tattered army sleeping bag lined with a bed sheet that had long ago given up on the idea of being a sheet and the forecast calls for snow or sleet and a passerby pinches her nose with her forefinger and her thumb, thinking why doesn’t somebody arrest this bum?
You seek a crown of gold And yet the heart is fallow A famine of the soul Unbeknownst and unconcerned The poor hunger for food and shelter And you have an appetite that’s never satiated The many feasts of endless delicacies and wealth Has not spoiled your cravings ...
Sabra Williams, an actor and the Actors' Gang prison program director, explains that once inmates are given the tools and the opportunity to work as a team they develop empathy and start to create healthy relationships.
'People in prisons survive by numbing their emotions, and when people are numb they have no empathy and continue to commit crimes,' she says. One inmate confirms, 'I came here to learn how to control my emotions rather than let my emotions control me.'
Another who has done the course several times explains, 'It puts your head in a different mind-set.'
Interested in exploring the idea of empathy from multiple perspectives, Phelps asked eight playwrights he admires and has worked with to write brief solo pieces on the question, “What does it mean to engage in an act of compassion?”
“Eight is significant to me,” says Phelps. “I had the idea for this show and picked an animal Tarot card around New Year’s—it was an eight, which represents a spider, so the spider is a symbol of creativity and making a web. Compassion is connected to the number eight in Buddhist thinking and practice. And my birthday has eights in it, plus eight is the symbol of infinity, so it’s very significant.”
We easily empathize with characters that are like us, and even more easily with characters that we wish we were like, usually confident, sexy, successful people. Pixar got us to empathize with a mute robot, a rat, monsters and many other unusual suspects. How did they do it?
We also employed a measure known as the Reading the Mind in the Eyes Test (RMET), which captures the ability to infer what other people are thinking or feeling by looking at their eyes.
The test was developed by British psychologist Simon Baron-Cohen and his colleagues as a tool for studying theory of mind, particularly for people with autism.
It is now widely used by researchers interested in studying theory of mind and empathy for people developing typically, as well as for those with autism.
Researchers using RMET have found that reading literary fiction or engaging in theatrical role-playing enhances people’s ability to read the emotions of others. We suspected that watching live theater might have a similar effect and decided to include RMET in our survey.
The version of RMET we employed was developed for use with adolescents and has 28 photographs cropped to show only people’s eyes. Subjects are asked to pick one of four words that best describes what the photographed person is thinking or feeling.
An article published last year in Science presented evidence that literary fiction makes readers more empathic than popular fiction; that is, it claims LitFic is better for you than mystery, romance, thrillers, or science fiction. Author Ransom Stephens offers a primer to prepare you to participate in Litquake's Does Literature Make You an Empath? event next week...
My aim here isn’t merely to convince you to mark your calendar; it’s to prepare you to participate in Litquake’s Does Literature Make You an Empath? event next Tuesday at the Mechanics’ Institute Library in San Francisco....
Litquake’s Does Literature Make You an Empath? panel is Tuesday, Oct. 14, 6:30pm at the Mechanics’ Institute Library in San Francisco. For more information, visit litquake.org.
Our panel of LitFic and genre authors plus experts on the science of empathy (and you!) will investigate why or whether high-brow lit cranks up empathy more than a good mystery, romance, or space opera. For reservations: (415) 393-0100; rsvp@milibrary.org
Litquake Panel
Does literature make you an empath?http://www.milibrary.org/milibrary/events/litquake-does-literature-make-you-empath-oct-14-2014 Our panel of fiction and genre authors plus experts on the science of empathy (and you!) will investigate why or whether high-brow lit cranks up empathy more than a good mystery, romance, or space opera. What techniques do writers employ to evoke sympathy or distain? What does neuroscience say about how we “mirror behavior?” Join this provocative discussion!
An emerging theory suggests exposure to narrative fiction can improve an individual’s ability to understand what other people are thinking or feeling.
Dr. Raymond Mar, a psychologist at York University in Canada, said, “we understand stories using basic cognitive functions, and there is not a special module in the brain that allows us to do this. Understanding stories is similar to the way we understand the real world.”
======================== There is some evidence that adults who process stories deeply and are highly engaged in the story report more empathy, but the results have been inconsistent.
Are you an art teacher that avoids critique sessions? Art teachers tell me that they are skipping the critique because it has been a negative experience. How much learning are your students missing?
Empathic critique is collaboration, not competition. Empathic class critique in studio art is not a debate session.
It is a hunt for visual effects, meaning, purpose, and new ideas. All participants are acting in their own best interest by being their naturally helpful selves. Competition is replaced by mutual discovery.
In addition to facilitating art learning, the empathic critique culture helps students rediscover their basic relationship intelligence.
They learn to leverage their own natural goodness and helpful instinct to intuit how to make the world a better place. In place of defensiveness and conflict, they experience the mutual benefits of cooperatively hunting and gathering good ideas. What may have been feared as mistakes, become coveted discoveries that promote new insights and learning.
by Marvin Bartel
Image:
Gabriel Cornelius von Max, Monkeys as Judges of Art
Oh, the comfort, the inexpressible Comfort of feeling safe with a person, Having neither to weight thoughts, Nor measure words--but pouring them All right out--just as they are Chaff and grain together, Certain that a faithful hand will Take and sift them, Keep what is worth keeping, And with the breath of kindness Blow the rest away.
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