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SI NO TIENES UNA C300 PERO QUIERES CONOCERLA O APRENDER A USAR SUS MENUS Y FUNCIONES TE RECOMIENDE ESTE EXCELENTE SIMULADOR VIRTUAL The EOS C300 Menu Simulator is an interactive training tool to help you familiarize yourself with the camera's Custom Picture and Main Menus. 
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Adobe Story Plus software provides standardized screenplay formats and templates to help you produce professional scripts and screenplays.
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The first diffusion I go to time and time again, whether it is film or HD, is smoke. Excelente post de hurlblog sobre el uso de difusión con humo en la produccion de cine digital muy recomendable
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The movie color conversion matrix (RGB -> YUB) for the EOS-1D X and 5D mark III has been changed to BT.709 (sometimes referred to as REC.709) for Full HD and HD movies (On previous EOS products it was BT.601). SD movies remain as BT.601.
Therefore it is recommended that editors use the new version of the EOS MOVIE Plugin-E1 for Final Cut Pro (Ver. 1.3) that supports a BT.709 color conversion matrix when using Final Cut Pro 6.x/7.x for editing. ...
Via Thierry Saint-Paul
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He aquí la dirección que parece ir tomando la tecnología del cine, tras la irrupción del mundo hdslr en el vídeo. Esta cámara de video de diseño.
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Film and Digital Times es el boletín y guía para la técnica, tecnología, herramientas, cámaras, iluminación, y arte para Cinematógrafos, Fotógrafos, Directores, Productores, Jefes de Estudio, Asistentes de Cámara, Operadores de Cámara, Grips, Electricistas, Equipos de Producción, Casas de Renta, y Fabricantes.
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The FS700 has much the same dynamic range as the FS100 (11.5 stops), but with the addition of Cine gamma modes
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Dirigido a Todos aquellos interesados en realizar un cortometraje.
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Schneider-Kreuznach amplía su línea de objetivos para cinematografía y vídeo (MPTV) Cine-Xenar con la incorporación de los nuevos 18 mm T2.2, 25 mm T/2.2, 35 mm T/2.1, 50 mm T/2.0, 75 mm T/2.0 y 95 mm T/2.0 Los nuevos objetivos cubren una diagonal...
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Vision Research announced a new version of the recently expanded Phantom Miro lineup, the M320s. The new M320s joins the recently updated Miro family alongside the M310, M120 and M110, all of which offer variations in connectivity and sensor sizing to suit a variety of industries.
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5 consejos prácticos restantes que debes conocer sobre la iluminación en televisión
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SONY FS700 - $7999
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The Sony F3 with the S-LOG option uses its 35mm chip to shoot 4:4:4 RGB with 13.5 stops, for a picture so good it's scary. Here's a report from the very first feature shot with it.
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Interesante recopilacion detras de cámaras de la Pelicula Battleship del Director Peter Berg
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From
vimeo
Tutorial basico de iluminacion para entrevista a tutorial on interview lighting.
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Cine Gear Expo Los Angeles The Studios at Paramount Exhibition and Premiere Seminars Film Series at Cine Gear Expo
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Scott Duncan & The Arri Alexa: In the Moment. Testimonio de Scott Duncan sobre su trabajo con la ARRI Alexa y sobre porqué se ha convertido en su principal opción al migrar hacia un flujo de trabajo digital.
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Key Features of the Miro M320S: Max recording of 1500 fps at 1920 x 1080 resolution
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The 12mm is great for wide vistas but is even better when you get up close to your subject. As an f1.4 lens, you have heaps of control over how much of your scene is in focus. The 12 bladed iris provides smooth, creamy bokeh. As the aperture control has no click stops, all transitions are very smooth. This is great for video work but also enables fine tuning for stills.
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Jugar a “Un Serio” es lo que hacen muchas veces mis hijos y lo hemos utilizado de excusa para ver como responden las Sony PMW-F3 y la Canon 550D dos cámaras de sensor de Super 35 mm. y que están muy de moda ...
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La cámara Panasonic AG-AF100 puede utilizar todos los lentes de 35 mm del mercado...
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The AG-AF100 series Interchangeable Lens Guidebook...
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Seminario Técnico de Radio y Televisión, AMITRA Delegación Jalisco Asociación Mexicana de Ingenieros y Técnicos en Radiodifusión Conferencia LEDs para Televisión
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When recording in 1920 x 1080 pixels you can master directly to HD-cam, HD-cam SR or any other full HD-formats that you have available. If you need to print your footage to film you can use the native 1.78:1 aspect ratio without any loss of pixels.
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