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Is the Fujifilm X-T1 a viable camera for music photographers? Alessio Michelini finds out for us. 
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Dallas Dahms talks about his most recent professional assignment using the Olympus E-M1 and a variety of micr four thirds lenses.
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Alright so I don’t have much to whine about. I own two of the finest mirrorless cameras on the market and have a job that constantly puts me in front of interesting things to take pictures of. But none the less a compare and contrast between the Fuji and Sony at this point is something that's warranted. You should know that this isn’t my first foray into the mirrorless wonderland, for the past couple of years I owned, swore at and eventually fell in love with a Fuji X-Pro1. Like many people I loved the handling, look and image but sometimes wanted to throw the bloody thing off a bridge. Focusing speed, shutter lag and a myriad of other issues were a pain at first but after a series of firmware updates things got much better. But I was still yearning for a full frame camera and then along came the Sony A7R.
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This is part two of a series on adopting the Olympus OM-D as your main camera system.
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The older, and the more invested in photography I've become, the more I've noticed the turning of the seasons. The world has a rhythm; it flows from birth to death in a continuum, and for me, everything is intrinsically linked to this cycle.
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Olympus 12-40mm f/2.8 Review. In part one I focus on build quality, fit & finish and overall handling of One of the most anticipated lenses for micro 4/3 in this Olympus 12-40mm f/2.8 review
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Today's post is a mix of situations and subjects. What the photos have in common is that they were made with an Olympus E-M1 mirrorless camera:
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It was some time in 2012 that a friend of mine suggested I should go and have a look at the new Olympus OM-D E-M5 micro four thirds camera that had been brought into stock at a local retailer. At the time I was shooting professionally with two...
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"If I want to play my favorite song, I want to choose my favorite guitar," says Fujifilm designer Masazumi Imai. "It’s the same with cameras. If I want to take a photograph of something important...
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Having my mum with me and experiencing the connection to the land and my heritage inspired me to think outside of my usual photography comfort zone and explore with the Fujfilm X-Pro1, especially as grey cloud colluded with the sky to hide the sun behind it's jealous density.
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A subjective review of Sigma's 60mm f2.8 Art lens for Micro Four Thirds, with photos from Monte Sacro di Varese
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A full wedding shot with a Fuji X-T1 and X100S by UK Wedding Photojournalist Kevin Mullins in April 2014.
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You may not see many of them, but they're there: professional photographers who have dispensed with much, if not all, of their heavy professional gear in favour
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What does Fuji X20 bring as upgrade? Optical VF with metering info, new X-Trans sensor, fast AF speed, better movie mode. Is it enough to buy the Fuji X20?
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Welcome to our series of 100 interviews we will be holding with professional photographers who use mirrorless cameras for work! "Switching to a smaller and lig
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When I reviewed the premium compact Sony RX100 mark II last summer in Wales, I immediately fell in love as it allowed me to carry around great image quality
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Mathieu of MirrorLessons spends the afternoon at the Turin Color Run with the brand new a6000 from Sony, testing its advanced autofocus capabilities.
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I decided after reading Riley’s blog post that I was going to officially make my decision to sell my Canon system based on a few upcoming photo shoots as well as a few personal projects. I wanted to put the Fuji through the paces, and once and for all, decide whether or not I can part with my Canon.
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Welcome to our series of 100 interviews we will be holding with professional photographers who use mirrorless cameras for work! "Switching to a smaller and lig
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In April I took my Sony A7 and Zeiss 50mm Planar to London for a bit of street shooting.
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