Download Here: http://tinyurl.com/ouqx3bw Since the advent of the camera, there have been photographers whose mission is to record and interpret the public s...
Most come to see Mawlynnong’s drop-dead gorgeousness: its tropical gardens, waterfalls and ancient living root bridges, not to mention sweeping mountain views, landscaped cobblestone streets and thatched-roof cottages. Travel articles bolster its nickname, “God’s Own Garden,” calling it “the pride of India” and “the cleanest village in Asia.”
Meet Larry Hallegua, a teacher in a primary school at China and on the other hand masters street photography to the extreme. Larry remembers that he once sold his huge DSLR to the likes of handling a simpler and stealthy weapon like Fuji X100 which is definitely handy in terms of street photography.
Speaking about Larry’s Photographs, there is abundant scope of composition and marvelous characters in each and every frame he shoots. The Colors and intense scenarios with crafted decisive moments make them really special. Just like how Larry quotes, its all about having your own eye to find and appreciate a beautiful thing happening on the streets.
It’s been almost a year since I last wrote to you. Over the last year I made the switch from digital to film and have since been shooting exclusively on film for my street works. Would like to share with you some images taken during the past few months in various parts of the world. I’m looking at getting a masters degree in photography in the US next year (I don’t have an art background) so I would really appreciate if you guys can give me some feedback on these. I’ve got both 135 and 120 shots and it’s definitely going over the 3 shots limit so please bear with me :)
While not all these photographers are strictly street photographers, they are, I believe, photographers that street photography fans should be acquainted with and know by name. These photographers do all have one thing in common - they are great masters. Additionally, I have also selected documentaries which are good quality and appropriate length. Enjoy!
to say more or to say less – still impossible to express what i have to say about this city. i don’t like the overcrowded by tourists central places but one can move only one hundred meters aside and to find silent sunny streets and passages. after my second visit i got much bigger desire to return back for more days.
i used 35mm Sigma Art lens for all the digital photography this time. another camera – Horizon 202 was in my bag for film photography. an exposed rolls are waiting in my fridge for the chemical bath. more post are coming in a few days.
Part 9 – The Rule Making Epoch: Brassaï to Lisette Model
We are back, after an approximately 6-week break, due to the frenetic pace of life, and, frankly, the lukewarm reception of Part 8. We intend for this series to appeal to more than those simply looking for interwebs shots from the photographers involved. Indeed, I might stop including those shots if that’s the only purpose. As we’ve hit the photographers that influenced, and continue to influence modern street photography, we will increasingly discuss the photographers styles, and importantly why they shot the way the did.
I hope you follow the series and tell your fellow shooters to join in.
I was anxious for the arrival of Day & Night, a joint DIY photo book from the two Minneapolis photographers, Kevin Horn and Kevin “Shakes” O’Meara. Very anxious. I was already turned on to Shakes’ work via the Elephant Gun collective and found out about this project from keeping an eye on his feed. And from a few “teaser” shots I saw, his work in this project was going to be in color.
A brilliant master photographer, Craig Cutler reveals his work, his life, and the mindset and techniques of his unique creative process that enable him to capture timeless images that explore transcendent realities.
Here is the captivating tale of how a young Australian advertising and fashion photographer on assignment for an insightful client created a transcendent and heartfelt documentary on the ancient tradition of rug making in rural India.
I’ve been practicing street photography for the past forty years, and have done it with practically every brand and type of camera there is. I’ve used rangefinders, SLRs, DSLRs, 35mm, medium-format, and pocket cameras. Some have had interchangable lens mounts, others have had fixed lenses. I’ve even used large format and Polaroid, although not for street photography. I can therefore state with assurance that, if you’re motivated enough, you can use practically any type of camera for street photography, as long as it’s quick and easy to operate and does not require a tripod.
In this video Veteran Documentary & Street Photographer John Free giving some amazing tips for aspiring photographers. Please check his Youtube Channel for more amazing videos.
A typical brazilian delight of street photography with magnanimous play of light and shadows inscribed with sceptical colors all over the frame. This is Gustavo Minas photography for you, a very pa...
Tony has his own unique religion that he preaches on the streets of Chicago. Tony is currently working to complete a set of new "Commandments" which he claims God has instructed him to write down. Tony believes that "God will allow" him to "live indoors" once he has "repented,"and has finished writing "God's new Commandments."
La "street photographie" est née en France à la fin du XIXème, lorsque Eugène Atget documentait en images les métamorphoses urbaines de Paris. Le genre s'est ensuite développé avec les clichés d'Henri Cartier-Bresson qui capturent l'instantanéité des rencontres humaines dans la rue. Aujourd'hui, le collectif "Helsinki Street" contribue à son exportation en Finlande, et nous pu avons rencontrer l'un de ses co-fondateurs, Sami Kero, dans le cadre du festival HKI2015 organisé par l'Institut finlandais samedi dernier, le 30 juin 2015.
Some places are just ripe for photography. Coney Island Beach in Brooklyn, New York, is one of those places. Many famous photographers have trekked over the sand there to make their iconic photographs - Weegee, Robert Frank, and Bruce Gilden, to name but three. So it was no surprise to me that I too would find this place so alluring. Little did I know, however, that I would become almost obsessed with it.
Neenad Arul - I must personally admit initially when i started out expolring my passion for street photography i was very shy as a person and i always thought it's not polite to photograph unknown people.
Most photographers take a lot of years finding their identity behind the camera – it is an inventive milestone that is sometimes guided by sheer luck and most of the time a trial and error process. For photographer Rui Veiga, the artistic progression he needs to zero-in on a particular photography style all happened within the course of 365 days. In this short period of time, he was able to discover his visual expression through these black and white images highlighting impressive streaks of light and subject silhouettes, as they contrast with graphic shapes in the background. “I like taking pictures in black-and-white because it travels through time and adds a touch of supernatural,” says Veiga, who is based in Lausanne, Switzerland. “It is a style that allows me to go straight to what inspires me.”
Dear streettogs, I am excited to announce my new free book: “The Street Portrait Manual.” If you’ve ever wanted to learn how to build your confidence approaching strangers, how to direct your subjects, and not make photos that look “posed” — I think you will enjoy this one!
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