Photography

Personal Best Showcase of Hungarian Street Photographer Krisztian Kosa, living in Europe. The Best Urban Contemporary Street Photography Work of Kosa.

Shooting in black and white, he trained his lens on inequality and despair in post-World War II life and became one of the most important visual artists of the 20th century.

“Don’t read the comments” is usually wise advice for writers of internet content. But on occasion, comment sections can yield something spectacular. In the comments section of our “Five More Famous Photographers and the Gear They Used, Part Two” article, one reader mentioned that we should cover more women photojournalists and their gear, and provided …

Throughout his illustrious career, American photographer Jim Marshall (1936-2010) defined the look of rock and roll. His images helped turned the genre into a revolutionary movement which went against the oppressive power structure of the status quo.  “Jim was a very complicated man and anybody who knew him either hated him or loved him,” says... Read more »

Symmetry forms the basis behind pretty much all of [Robert Götzfried](https://www.robert-goetzfried.com/)'s work. We've seen it in his pleasin

In this article, we speak to Israel based, Marina Koryakin, about her personal style and continued success in the street photography genere.

Thabiso Sekgala’s solo show features work taken by the late South African photographer offering nuanced, alternative narratives about life in contemporary South Africa

It is in only its third year, but the LSPF is rapidly establishing itself on the international scene

Red Bull Bowl Rippers 2019, Street Photography, Marseille, Color, Black & White, Candid Pictures, Ricoh GRD4, GR, https://www.jeffchanemouyephotography.com

Photographer Adrian Bradshaw arrived in Beijing in 1984 and spent three decades documenting Chinese culture.

In the street, there are many parameters to take into account. The street is constantly moving. Even if you can anticipate some things, you are going to say that there is too much room left to chance and in the end it’s a bit of a lottery to capture something interesting. I’ll be honest with you : yes luck plays a role. But to reduce the practice to chance does not make sense. There are parameters you control in the streets. Your position to the photographed  subjects and of course the moment you press the trigger. For several months, I have given much importance to this simple rule of being careful not to have overlapping characters in my composition. I photograph everything and anything trying to have a clean composition. You can see it in these few examples below, what I want to talk about. These photos are insignificant. The one and only interest is to work on this separation to have characters that do not overlap.

Pendant un an, Marc Dantan a photographié les victimes de ce traitement.

Leica Camera announced today American photographer Mustafah Abdulaziz as the winner for the 2019 Leica Oskar Barnack Award (LOBA) for his series, ‘Water’ (see pictures above). German photographer Nanna Heitmann was also announced as the winner of the Newcomer Award for her portfolio, ‘Hiding from Baba Yaga,’ which is awarded to up-and-coming photographers under the …

Published in Life Magazine, the images of the sick and impoverished twelve-year-old Flávio da Silva prompted an outpouring of letters and offers of financial assistance.

Throughout his illustrious career, American photographer Jim Marshall (1936-2010) defined the look of rock and roll. His images helped turned the genre into a revolutionary movement which went against the oppressive power structure of the status quo.  “Jim was a very complicated man and anybody who knew him either hated him or loved him,” says... Read more »

A historian has discovered more than 500 images taken by the Hungarian photographer Kati Horna between 1937 and 1938

The Brooklyn Museum Presents Garry Winogrand: Color, the first exhibition dedicated to the artist’s rarely seen color photographs

Abbott aimed her lens at so many 20th-century subjects that her photographs challenge us to rethink modernity itself.

Hua Hsu writes about the photographer Michael Jang and his work in the nineteen-seventies, in which he captured L.A. glitz, San Francisco streets, and his Chinese-American family.