Peer2Politics

In the next industrial revolution, will we manufacture goods, or will they construct themselves? architect and computer scientist Skylar Tibbits talks about 4-D printing, programmable matter, and the future of things.

The recent development of open-source 3-D printers makes scaling of distributed additive-based manufacturing of high-value objects technically feasible and offers the potential for widespread proliferation of mechatronics education and participation. These self-replicating rapid prototypers (RepRaps) can manufacture approximately half of their own parts from sequential fused deposition of polymer feedstocks. RepRaps have been demonstrated for conventional prototyping and engineering, customizing scientific equipment, and appropriate technology-related manufacturing for sustainable development. However, in order for this technology to proliferate like 2-D electronic printers have, it must be economically viable for a typical household.

This essay narrates, from a creator-observation perspective, the production of two works of fiction, a book of short stories and a play, based on the principles and technologies of Commons-based peer production (CBPP). This is potentially interesting from both the CBPP and the literary perspective. Even though both seem well-matched by their prima facie lack of profit orientation, CBPP case studies rarely deal with fiction, and regarding plays, artistic creativity is still mostly associated with one, maybe two. After tracing and analysing the CBPP phenomenon, the case studies show concretely the fate of the specific projects as well as how, nowadays, people can involve in collaborative artistic projects inspired and catalysed by Commons-oriented principles and technologies.

This entry is about the theory of the four future scenarios for a collaborative economy, firstly developed by Michel Bauwens. It is important to mention that Vasilis Kostakis and Michel Bauwens are working on a research monograph that explores the relation of capitalism and the Commons. The book Network Society and Future Scenarios for a Collaborative Economy is contracted by Palgrave Macmillan.

This entry is about the theory of the four future scenarios for a collaborative economy, firstly developed by Michel Bauwens. It is important to mention that Vasilis Kostakis and Michel Bauwens are working on a research monograph that explores the relation of capitalism and the Commons. The book Network Society and Future Scenarios for a Collaborative Economy is contracted by Palgrave Macmillan.

Through the case of the RepRap-based, Lego-built three-dimensional (3D) printing-milling machine, this paper sets out to discuss and illustrate two points: First, on a theoretical level, that modularity, not only in terms of development process but also of hardware components, can catalyze Commons-based peer production’s (CBPP) replication for tangible products enabling social experimentation and learning. Second, the hybrid 3D printing-milling machine demonstrates the digitization of material and the potential of digital fabrication. We show how the synergy of a globally accessible knowledge Commons as well as of the CBPP practices with digital fabrication technologies, which are advancing and becoming more and more accessible, can arguably offer the ability to think globally and produce locally.

= an open, non-hierarchical, collaborative community of humans, including tech developers, citizen scientists, activists, artists ... interested in and working towards social change.

For those that are not familiar with it, open hardware is a practice where designs are shared through open licenses in a community, and those designs can then be used by manufacturers, who can make and sell the product, eventually making a profit, but they cannot rely on any rents deriving from intellectual property. We will see later why open design and free hardware are also linked to new modalities of production, i.e. open and distributed manufacturing

The recent development of open-source 3-D printers makes scaling of distributed additive-based manufacturing of high-value objects technically feasible and offers the potential for widespread proliferation of mechatronics education and participation. These self-replicating rapid prototypers (RepRaps) can manufacture approximately half of their own parts from sequential fused deposition of polymer feedstocks. RepRaps have been demonstrated for conventional prototyping and engineering, customizing scientific equipment, and appropriate technology-related manufacturing for sustainable development. However, in order for this technology to proliferate like 2-D electronic printers have, it must be economically viable for a typical household.

"We are a Chilean group called “Red de Evolución Colaborativa” (Collaborative Evolution Network), RedEC. We work in the study, analysis, implementation and promotion of alternative production models.

Creating Self-Building, Self-Tooling, Semi-Autonomous, and Self-Replicating Manufacturing Plants.

This essay set out to show, through the case of the RepRap-based, Lego-built 3D printing-milling machine, two points: First, on a theoretical level, that modularity, not only in terms of development process but also of hardware components, can catalyze CBPP’s replication for tangible products enabling social experimentation, learning and innovation. Second, that the synergy of a globally accessible knowledge Commons as well as of the CBPP practices with digital fabrication technologies, which are advancing and becoming more and more accessible, can arguably offer the ability to think globally and produce locally. 

This essay narrates, from a creator-observation perspective, the production of two works of fiction, a book of short stories and a play, based on the principles and technologies of Commons-based peer production (CBPP). This is potentially interesting from both the CBPP and the literary perspective. Even though both seem well-matched by their prima facie lack of profit orientation, CBPP case studies rarely deal with fiction, and regarding plays, artistic creativity is still mostly associated with one, maybe two. After tracing and analysing the CBPP phenomenon, the case studies show concretely the fate of the specific projects as well as how, nowadays, people can involve in collaborative artistic projects inspired and catalysed by Commons-oriented principles and technologies.

This research project attempts to examine to what extent the technological capabilities of open source 3D printing could serve as a means of learning and communication. The learning theory of constructionism is used as a theoretical framework in creating an experimental educational scenario focused on 3D design and printing. In this paper, we document our experience and discuss our findings from a three-month project run in two high schools in Ioannina, Greece. 33 students were tasked to collaboratively design and produce, with the aid of an open source 3D printer and a 3D design platform, creative artifacts. Most of these artifacts carry messages in the Braille language. Our next goal, which defined this project's context, is to send the products to blind children inaugurating a novel way of communication and collaboration amongst blind and non-blind students. Our experience, so far, is positive arguing that 3D printing and design can electrify various literacies and creative capacities of children in accordance with the spirit of the interconnected, information-based world.