Lesley A. Martin, publisher of Aperture’s books, sat down to discuss selections from the submission pool, the details that compel a juror to spend time with a book, and thoughts on the form of the photobook in relation to the images within.
To mark the publication of his much-awaited new monograph Asylum of the Birds, photographer Roger Ballen, with director Ben Crossman, has produced this psychologically powerful, unforgettable film that follows Roger into a world synonymous with his photographs, as never before seen on film.
Jury chair and founder photographer VII Photo Agency Gary Knight (UK) talks about the World Press Photo of the Year 2013, a photo by American photographer John Stanmeyer.
Silicon Valley poses something of a photographic problem. Documenting its physical topography is one thing, but visually describing its culture is another entirely. How do you represent what makes this nerve center of technological innovation tick?
Adam Magyar talks about using industrial cameras and computers to photograph and process urban images that capture a moment of time and then visually expand it. He calls it the “transformation of reality by the camera.”
In conjunction with the release of John Berger’s collected writings on photography,Understanding a Photograph (Aperture, 2013), Aperture hosted a panel discussion on November 13 on the subject of Berger’s work and influence. Edited and with an introduction by Geoff Dyer,Understanding a Photograph assembles previously uncollected pieces written for exhibitions or catalogs, discussing a wide range of artists.
One Little Hammer brings the viewer through National Geographic Photographer Randy Olson’s acclaimed work and his quest to create photographs that make a difference…
In his photographs, Gowin has threaded together seemingly disparate subjects—his wife, Edith, and their extended family; American and European landscapes; aerial views of environmental devastation—that reflect his ongoing interest in issues of scale, the impact of the individual, and notions of belonging.
Guest artist Chuck Close brought 20 Hollywood luminaries into his studio for a photo shoot with unusual and strict rules. He talks to us about how he gets everyone comfortable, even without a hair and makeup team, on the other side of his lens.
As part of a larger 6-hour round robin style conversation, Photographer Ashley Gilbertson spoke on RISK and war photography. Span is a conversation series partnering PS122 artists with luminaries from other fields in a dialogue of ideas addressing the intersection between the artist, artistic practice and the larger world.
John Stanmeyer, World Press Photo winner for contemporary issues, is our photographer this week on About A Photograph. John talks you through his award winning photograph…
For his latest exhibition, Un moment si doux, at the Grand Palais in Paris, Raymond Depardon revisited his beginning as a photojournalist, his travels in Ethiopia and South America, the farm where he grew up and the colors of his childhood.
Zanele Muholi is a photographer and self-described “visual activist” who sees her work as a lifetime endeavor aimed at redefining the face of Africa both within and outside the continent, and fighting violence against LGBTI people.
In an attempt to understand why artists create the work they make, we decided to launch Artist Talk in September of 2008, a video series which allows the viewer to hear, from the artist, the reasons behind making each piece on exhibit.
Meet the renowned Indian photographer Dayanita Singh, in this interview about her night photography project 'Dream Villa'; a place where reality and imagination meet.
Portrait artist Martin Schoeller captures the essence of the individual with a photo essay on how our growing diversity is literally changing the face of America.
When Baudoin Lebon asked me to organize an exhibition on the Bauret family, we considered bringing the works together around the theme of the studio. The idea, for me, was to show the photographs Jean-François Bauret had taken at the end of the 1950s in the studios of artists our father used to visit.
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