Westshore Open Jam - Somebody Get Me a Doctor - feat. Darren Smith Stone Cold Crazy - feat. Phil Naro - Mark Dobis - Guitar JD Bass - Bass Darren Smith - Vocals Phil Naro - Vocals - January 2014
Newlyweds Elizabeth and Alvin are enjoying settling into their new, ordinary life together, but keep inadvertently involving their friends and neighbours in their daily antics.
Directors: Duke Goldstone, William Berke Writers: Milt Kahn, Roxy Roth, George Tibbles Starring: Betty White, Del Moore, Jack Narz
Here is my full interview with Brian May that was done in preparation for "What Makes This Song Great? QUEEN" where I broke down Bohemian Rhapsody. Check out the original video here: https://tinyurl.com/z9wshc5f
Queen Night at The Opera, my first album purchase, at Shoppers Drug Mart next to the check out, and first concert, at Maple Leaf Gardens. Also, first time smelling weed ..
Boogie Blues Study Oscar Peterson (piano) Barney Kessel (guitar) NHO Pederson (bass) Ronnie Scott's London 1974
Mark Dobis's insight:
Ed Thigpen lived in my grandparents 4-plex apartment building in Don Mills , and was invited to my parents wedding in 1961; Oscar came to the wedding as a guest of Ed; I retrieved and still have the wedding present from Oscar, which my mother almost had garage sale'd .. affectionately referred to as "the Oscar".
In partnership with the French National Audiovisual Institute (INA), FUNK IN FRANCE: From Paris to Antibes (1969-1970) is the first official, previously unissued live recordings of legendary guitarist Grant Green in over a decade. This deluxe 2CD & 3LP set brings together a collection of recordings of Green captured at the ORTF studios in Paris on October 26, 1969 with bassist Larry Ridley and drummer Don Lamond, also including jazz guitar legend Barney Kessel comping behind Green on the beautiful “I Wish You Love;” plus full concert recordings from June 18 and 20, 1970 at the Antibes Jazz Festival featuring saxophonist Claude Bartee and organist Clarence Palmer, who both played on Green’s classic 1969 Blue Note album Carryin’ On, and drummer Billy Wilson. The ORTF studio session was taped for a radio broadcast produced by legendary French producer André Francis, and the Antibes recording was taped less than a month before Green’s first live release Alive! on Blue Note Records. Both performances showcase Green’s early transition to a heavier, funkier sound as he entered the 1970s. This is the first time any of these songs from the Carryin’ On and Iron City albums are being made available as live performances and represent his earliest live recording as a leader. The 48-page booklet for Funk in France includes essays by the renowned Blue Note Records discographer, writer and executive producer of this album Michael Cuscuna, along with producer Zev Feldman of Resonance and Pascal Rozat of Ina; interviews with Soulive guitarist Eric Krasno, the legendary organist Dr. Lonnie Smith, Grant Green’s eldest son Greg Green (aka Grant Green Jr.) and the organist from the Antibes concerts, Clarence Palmer; plus memorabilia and previously unpublished photos by French photographers Christian Rose and Jean-Pierre Leloir taken at the ORTF studio 104 and Antibes Jazz Festival, as well as jazz photography icon Chuck Stewart.
SLICK! - Live at Oil Can Harry’s is a never-before-released recording from jazz guitar great Grant Green captured live on September 5, 1975 at a popular club in Vancouver, BC Canada called Oil Can Harry’s. Featuring a primarily Detroit-based band with Emmanuel Riggins (father of drummer Karriem Riggins) on electric piano, Ronnie Ware on bass, drummer Greg “Vibrations” Williams (Jack McDuff, Lou Donaldson) and Gerald Izzard on percussion, Slick!’s centerpiece is the over 30 minute funk exploration medley of Stanley Clarke’s “Vulcan Princess,” “Skin Tight” by the Ohio Players, Bobby Womack’s “Woman’s Gotta Have It,” “Boogie On Reggae Woman” by Stevie Wonder and “For the Love of Money” by the O’Jays. This recording was originally broadcast on CHQM-FM and has been transferred from the original 10” reels to reveal a sterling sonic experience. Aside from Resonance’s companion release Funk in France, being released simultaneously with this recording, this is only the 4th live recording released of the under-appreciated jazz guitar hero. Recorded 3 years after the classic Live at the Lighthouse album that came out on Blue Note in 1972, this marks the latest known official live Grant Green recording on CD and LP. For Slick!, Resonance has assembled an exhaustive 48-page booklet including essays by noted music journalist A. Scott Galloway, Vancouver DJ and Gary Barclay and Resonance producer Zev Feldman; interviews with Detroit jazz guitar legend Perry Hughes (in conversation with guitarist Jacques Lesure, a fellow Detroit native), Grant Green’s eldest son Greg Green (aka Grant Green Jr.), drummer Greg “Vibrations” Williams, as well as excerpts from archival interviews conducted by Gary Barclay with Grant Green and Emmanuel Riggins in September of 1975. The package also features a number of previously unpublished photos taken during the Oil Can Harry’s engagement by Vancouver- based photographer Gerry Nairn.
Mark Dobis's insight:
A truly original great guitarist... you've likely heard... but probably never heard of
New chill track “Let It Go” – Listen Here LOUNGE 10 A stylistically delinquent downtempo collaboration between Stanislaw and Radoslaw, the Schmenki Brothers, otherwise known as Ma…
Mark Dobis's insight:
Time to work up some new chill tracks with my bro Radoslaw
Take Five (Improv) ~ Dave Brubeck Brother Louis (Improv) ~ Stories Photography & video courtesy of Tomitheos Saxophone ~ Mac Lund Bass ~ JD Bass Drums ~ Irac…
Mark Dobis's insight:
Sunday afternoon jamming on Take Five - Dave Brubeck with JD Bass, Iraclis, and Mac at Westshore Bar & Grill, Pickering ON
Wes Montgomery (guitar) Hans Koller (alto saxophone) Johnny Griffin & Ronnie Scott (tenor saxophones) Ronnie Ross (baritone saxophone) Martial Solal (piano) Michel Gaudry (bass) Ronnie Stephenson (drums)
It was a dark and stormy night, rain kept falling and turning to glass, the blue lightening looked really cool .. or was that power line transformers blowing? Inspired by necessity, being that the …
Much Music Special Presentation | El Mocambo Toronto 52 Division is an Alt-Funk band from Toronto, Ontario, Canada. Founded in 1987, 52 was a staple on the Toronto club scene through 1993. Current …
I do not own copyright of the songs. Copyright belongs to artists and company. For More Jazz / Blues / Rock / Soul / Greek Music, check my channel
Vinyl Rip From The Original LP (1967)
1.JUNE IN JANUARY [0:00] 2.LOVER MAN [3:10] 3.BEAUX ARTS [9:40] 4.SNOWFALL [14:14] 5.MONTEREY BLUES [20:59] 6.BARBADOS [25:06] 7.ANGEL EYES [27:35] 8.JINGLES [31:52]
WES MONTGOMERY : guitar MONK MONTGOMERY : bass BUDDY MONTGOMERY : vibes & piano PAUL HUMPHRIES : drums MARABLE LAWRENCE : drums
Off the heels of record guitar-playing interest in 2020, Fender Musical Instruments Corporation (FMIC) is entering its 75th anniversary year stronger than ever.
Spellbinding jazz, funk and fusion guitarist dedicated to the art of improvisation who played with Soft Machine and Gong in the 1970s
Mark Dobis's insight:
My friend David Barrett loaned me his Tony Williams Lifetime album years ago (still have it :) First played before an afternoon nap being totally beat, I fell asleep immediately, but remember waking feeling I'd dreamt of this most incredible, indescribably blissful guitar playing. Discovered on a next listen to the same album it wasn't a dream, it was Allan Holdsworth.
For many guitarists, the rich, warm sound of an overdriven valve amp – think AC/DC’s crunchy Marshall rhythm tones or Carlos Santana’s singing Mesa Boogie-fuelled leads – can’t be beaten.
Mark Dobis's insight:
Tube amps versus solid state, is like vinyl records to cd's. No matter how high the sample rate, it is never a continuos straight line, as in dropping the needle on the record.
Since getting my EL34 powered Mesa Boogie Stiletto Trident several years ago, I've never seriously shopped for amp gear since :)
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