Jamiroquai are an English acid jazz and funk band from London. Formed in 1992, they are fronted by vocalist Jay Kay, and were prominent in the London-based funk and acid jazz movement of the 1990s. Kay has remained as the only original member through several line-up changes.
Don Mock plays his solo guitar arrangement "Variations on Round Midnight." The piece, which was inspired by the great Jimmy Wyble, demonstrates two-line chord-melody mixed with traditional jazz guitar chordal moves. Mock performs the piece on a 2007 Chambered '59 Les Paul reissue.
Mark Dobis's insight:
Was only looking for chord voicing for Round Midnight.. but then this beautiful counterpoint chord melody arrangement appeared...
Don is well known among guitarists for his amazing technique and total command of the instrument. His improvising concepts have been documented in several instructional books, Growing up in Seattle, Washington, Don played in several of the areas top rock and jazz bands.
Back on Indiana Avenue: The Carroll DeCamp Recordings
℗ 2019 Resonance Records
Released on: 2019-04-19
Composer, Writer: Bernard Hanighen Composer, Writer: Cootie Williams Composer, Writer: Thelonious Monk
Auto-generated by YouTube.
Mark Dobis's insight:
Back on Indiana Avenue: The Carroll DeCamp Recordings is a collection of previously-issued recordings from jazz guitar legend Wes Montgomery captured live and in studio in his hometown of Indianapolis, Indiana in the mid-to-late 1950's by renowned arranger/pianist Carroll DeCamp (Stan Kenton, Les Elgart), who played and hung out with Wes around that time.
David Morales (born August 21, 1961)[1] is an American disc jockey (DJ) and record producer. In addition to his production and DJ work, Morales is also a remixer.
Here is a classic to end Pride Month and for the upcoming Canadian National Holiday and US 4th of July celebrations! Sorry it took so long to complete....The intro is Sunday morning, the rest is Saturday night. This song took what Donna Summer did with "I Feel Love" added some gospel vocals and became the new direction of disco and pop music with the incredibly tuneful and rhythmic "You Make Me Feel (Mighty Real)". Patrick Cowley transformed a slow burning gospel like track by speeding up the beats and created this cushy and lush electronic atmospheric energy that still resonates today. Other remixes have blanched the electrified sounds by remixers putting their personal stamp on it, changing out the drums and what not to make it sound more contemporary. I think they kill the vibe of the tune. My mission is to keep the original vibe but open it up to extend it and display the dazzling array of synths and add a breakdown segment. I respect the hell out of the original so much so that adding "my sound" to it never crossed my mind. I just dusted it off and figured out how to make the feeling last longer...Sylvester and Patrick created a disco classic that spent eight energy fuelled weeks at #1 disco and the dancefloor was never the same after that. I was able to locate the original music tracks and was ecstatic to find out that the reprise version of the song is what was originally the intro to the disco version. The slow tempoed intro gracefully moves into high gear with hand claps, with Sylvester and his two tons o'fun, Izora Rhodes and Martha Wash scatting and improvising bringing even more heat to the percussive intro and then giving it up when the rhythm track comes in and the song takes off into the stratosphere...excellent choice for that late night last dance. The song was recorded and released in late 78, and entered the pop chart in January of 1979 at #79 and peaked at #36. I never realized how warm the electronic instrumentation feels, no strings, just all the synths you can handle along with that frickin bassline that pumps followed by the synths that bring a new dimension in building and building until Sylvester wails in his signature falsetto that reaches such incredible peaks only a synth sweep could finish the musical phrase. Incredible! I hope they do a life story of Sylvester, a true innovator and icon who really cared about his people. Who do you think would be Did you know all the royalties from his music goes to Project Open Hand and the AIDS Emergency Fund. He passed away in 1988 in debt from the royalty advances he received, but by 1993, the debt had been paid off and a royalty check of $140,000 was split between the two charities and they still receive regular checks from his music today. The gift that keeps on giving....Recently, "You Make Me Feel (Mighty Real)" was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant". Music critic Robert Christgau has said this song is "one of those surges of sustained, stylized energy that is disco's great gift to pop music"....
Mark Dobis's insight:
Recently, "You Make Me Feel (Mighty Real)" was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant". Music critic Robert Christgau has said this song is "one of those surges of sustained, stylized energy that is disco's great gift to pop music"
Classic Wes Montgomery's tune with a touch of Funk. If you want to buy the standard notation and tabbed transcription($5) or the backing track($5) of this song ($8 both) please email me at mattblackparis@outlook.com
JTQ Love the Life Noel McKoy. 1993 single charting at #34 in the UK in April 1993. From the album 'Supernatural Feeling', this version of the tack is the Revisited Edit. Official music video HQ 90s 90's acid jazz James Taylor Quartet if you love the life that you live. ohnoitisnathan
Deep Purple Mark 2 perform 'Mandrake Root' live for their Southbank TV performance on the 28th July 1970 at South Bank Queen Elizabeth Hall UK.
With a phenomenal extended improv ending giving it all the antics of a true rock band - trashing the equipment and leaving the stage in a cacophony of noise - rock n roll!
Ian Gillan spoke to Melody maker at that time "The Southbank thing was great, we got top billing above Blue Mink and the Settlers. The other groups played to back tracks, but we took all our gear and played live. Of course, as usual, the audience was made up of a lot of older people. Anyway we played "Child in Time", which is a pretty quiet one for us. It was funny - when we finished we said we were going to do a loud one, and half the audience walked out. Still, we were pleased to do it, the producer, Brian Izzard, gave us a lot of freedom and a half hour set. We didn't give a monkey about the people who walked out."
BAND Mark Lettieri - guitar Cory Wong - guitar Sonny Thompson - bass Kevin Gastonguay - keys Nêgah Santos - percussion Petar Janjic - drums Eddie Barbash - alto sax/soprano sax Kenni Holmen - tenor sax/flute Sam Greenfield - bari sax/bass clarinet Jay Webb - trumpet/flugelhorn Jon Lampley - trumpet/flugelhorn Michael Nelson - trombone/horn arranger
MUSIC Produced by - Cory Wong Mixed by - John Fields Engineered by - Jake Hartsfield and Caleb Fisher Mastered by - Will Quinnell
VIDEO Executive Producer - Cory Wong Director - Ben Kadie Director of Photography Matt Burke Producers - Cory Wong, Michael Bowden Video Editor: Cory Wong Camera - Matt Burke, Dakota Diel, Trent Millspaugh, Michael Bowden Lighting Director - Jacob Padgett Set Production Designer - Tricia Robertson and Cory Wong
Welcome to the Official Prince YouTube channel - celebrating the life, creative works and enduring legacy of Prince Rogers Nelson. Prince’s fearless creative vision, musical virtuosity, and wildly prolific output graced the world with one of the most universally beloved bodies of work of all time. Prince’s hit songs ‘Purple Rain’, ‘When Doves Cry’, ‘Kiss’, ‘Raspberry Beret’, and ‘Little Red Corvette’ are just a small sample of his revolutionary blend of rock, funk, R&B and new wave pop that shattered barriers and empowered millions. In the 1980s, Prince made history by being one of the first black artists to have their videos in heavy rotation on MTV. The Prince Estate is proud to present these groundbreaking videos alongside all of Prince’s releases to inspire and educate fans and celebrate Prince in his totality. Subscribe to the channel and check back for new additions, including music videos, performance clips, official Prince playlists, announcements, and more!
Westshore Open Jam - Somebody Get Me a Doctor - feat. Darren Smith Stone Cold Crazy - feat. Phil Naro - Mark Dobis - Guitar JD Bass - Bass Darren Smith - Vocals Phil Naro - Vocals - January 2014
Only vintage analog and fm gear from the 70s/80s in my live band! No computer, no sequence, just fantastic musicians!
Mark Dobis's insight:
Roche Musique is an independent electronic music label based in Paris and founded in 2012 by DJ and producer Jean Janin, also known as Cezaire. In 2014, Cezaire got acquainted with Dabeull in Paris, an artist marked by Funk, Zouk and Disco influences.
14 minutes of Van Halen goodness using my Kramer 1984 guitar and my cranked Germino Lead 55! Make sure to crank it up loud in good headphones/speakers and enjoy!
Sponsored by Germino Amplification Gibson/Kramer Celestion Ernie Ball
01. Dearly Beloved 00:00 02. I've Grown Accustomed To Your Face 04:03 04. Misty 13:23 05. Come Rain Or Come Shine 17:15 06. But Beautiful 23:41 07. All The Things You Are 28:44
Créditos Bass – Jimmy Woode (tracks: 01; 02; 03), John Heard (tracks: 04; 06) Drums – Alvin Queen (tracks: 01; 02; 07) Guitar – John Collins Piano – Dolo Coker (tracks: 07) Trumpet – Harry Edison (tracks: 05; 07)
Notas Recorded at Sysmo Studio in February 1982, Paris & at Radio Tokyo Studio May / October, 1984, Los Angeles.
Mark Dobis's insight:
I heard John Collins was Not King Cole's guitarist... that lead me here..
JTQ See a Brighter Day Noel McKoy. 1993 single charting at #49 in the UK in July 1993. From the album 'Supernatural Feeling'. Official music video HQ 90s 90's acid jazz James Taylor Quartet. ohnoitisnathan
AC/DC performing live at Golders Green Hippodrome, London, England, UK, on October 27, 1977 during the Let There Be Rock Tour.
Definitive restoriation of the pro-shot recording, upscaled with artificial intelligence and with soundboard audio upgrade.
00:00 - 1) Let There Be Rock 06:00 - 2) Problem Child 10:39 - 3) Hell Ain't a Bad Place to Be 14:56 - 4) Whole Lotta Rosie 20:31 - 5) Bad Boy Boogie* 26:02 - 6) Rocker 34:35 - 7) TNT*
*Audio from the original broadcast T.N.T. video is a bit of a mess, maybe some bits of the broadcast were lost and someone tried to fix. I didn't find any source with the original version.
David Bowie live performance of the Song "It's Gonna Be Me". Recorded 5th of September, 1974 from Universal Amphitheatre, Los Angeles, USA.
Enjoy!
Mark Dobis's insight:
‘It’s Gonna Be Me’ was one of three songs, recorded during the Young Americans sessions in 1974, which were dropped to make way for David Bowie’s collaborations with John Lennon.
Taped under the working title ‘Come Back My Baby’, it remains a hidden gem in Bowie’s back catalogue: a piano-led sparse soul epic with Bowie on top vocal form, perfectly complemented by backing vocalists Luther Vandross, Ava Cherry, and Robin Clark. Whereas some of the Young Americans tracks suffer from overproduction, ‘It’s Gonna Be Me’ is perhaps the sessions’ most pared-down moment, languidly-paced in 6/8 time, with each musician given space to breathe and flourish.
With a mix of smooth beats, unbelievable guitar riffs and a dash of soul, the London-based multi-instrumentalist Tom Misch has become a hell of a shooting star. In 2017, he brought his toe-tapping smooth beats to our living room Ferropolis as part of his first European festival run and ahead of the anticipated release of his first album, Geography.
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