Wade Kavanaugh & Stephen B. Nguyen, White Stag, 2009-2010, MASS MoCA
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Art Installations, Sculpture, Contemporary Art
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The diversity of approaches. You can see more at: https://fr.pinterest.com/alternatiview/installation-art-sculpture-contemporary-art/ or at: https://www.pinterest.fr/alternatiview/
Curated by
Anne Bak
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Ludwika Ogorzelec: sculpture from "Space crystalisation" cycle during "Floating Land" art Symposium in Noosa, Queensland, Australia 2005
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Shigeko Hirakawa, Appel d'air/ Intake of Air 2010, Botanical Garden in Rouen, France Production in the framework of the exhibition "Rouen impressionnée".
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Ludwika Ogorzelec, “Mist” from the Space Crystallization Cycle, 2007, Toronto, Ontario, Canada
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Jonathan Brilliant, "Have Sticks Will Travel World Tour", installation 2009, Lightwell Gallery Brilliant has been working on the installation using a creative process where he weaves together 60,000 wooden coffee stir sticks. The entire structure is supported only by tension.
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Giorgos Gyparakis: "I have news for you", Medussa+1 Art Gallery, Athens, 1995
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Wela (Elisabeth Wierzbicka): Sculpture-Installation "The pedestal for a tree" made for the Museum of Contemporary Sculpture "Europos Parkas, 2000, Vilnius, Lithuania The philosophical tribute to the tree as a creation, which may be more complete, more complex than the creation of an artist? The viewer can physically and mentally take his own position towards the work of a creator and the work of nature. The stairs are oriented towards the four cardinal points, as an input and an output to the world.
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Bob Verschueren: "The vegetable kingdom", 2010. The artist uses trees and branches from the garden of Chaumont-sur-Loire to create impressive sculptures depicting the beauty but also the decay of things. An invitation to meditation.
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Wela (Elisabeth Wierzbicka): “Multiplication” comprises an ensemble of black and white drawings on tubular supports hanging from a plane tree. Installation made for The Street Arts Festival, Sotteville-lès-Rouen, 2006, mixed media
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Wela (Elisabeth Wierzbicka), an enviromental installation: "Crown of Thorns", 2011, Paris International Golf Club, Baillet-en-France Crown of thorns, borrowed from Christianity, Wela symbolizes both the vivacity of nature, considering it as a creation much more complex than can be that of an artist, and the image of a nature suffering, what we need to defend and protect.
Merlin alejandra Diaz Guisao's curator insight,
September 20, 2022 1:03 PM
analogías profundas, ejemplificando el sufrimiento que un día se vivió y ahora, comparando con la naturaleza que sufre y debemos cuidar.
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Janet Echelman, She Changes, 2005, Waterfront plaza, Porto and Matosinhos, Portugal, height 50 m X 150 m X 150 meters, Tenara® PTFE architectural fiber, Commission for Praca Cidade Salvador
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Shigeko Hirakawa "The aims of Tree of Photosynthesis visualize the photosynthesis of plants, in which chlorophyll is the catalyst. "Tree of Photosynthesis" was realized for the first time in autumn 2006, two and a half years following its conception, with full support from the French City of Argenteuil, thanks to their understanding of the importance of the project, and every day the tree was allowed to do its work of reviving photosynthesis. The discs which changed color in reaction to changes in the weather were attractive enough to awaken the curiosity of passersby, who ended up watching them for the two-month duration of the show. It would have been worth this artwork being amongst these people if, by their interest in the plastic discs, they had been brought to an awareness of the daily natural metamorphoses of the tree itself." Sh.H.
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Roxy Paine: "Distillation", 2010, James Cohan Gallery, New York The work includes tanks and valves and glass containers housed in a polished raw steel frame that winds its way throughout the space.
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Patrick Dougherty: Na Hale ‘o waiawi [*]. The Contemporary Art Museum, Honolulu, Hawaii (2003)
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Aleksandra Lawicka-Cuper: "Insubordination", 2011, Gdansk, Festival "Rozdroza Wolnosci"
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An enviromental installation: "Forest of Photosynthesis", One person show Shigeko Hirakawa, Kanaz Forest of Creation in Japan, 2011
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Wela (Elisabeth Wierzbicka): “Multiplication” comprises an ensemble of black and white drawings on tubular supports hanging from a plane tree. Installation made for The Street Arts Festival, Sotteville-lès-Rouen, 2006, mixed media
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