KÖNIG BERLIN13 SEPTEMBER – 11 NOVEMBER 2023For THE WALL BEHIND THE WINDOWS, Chiharu Shiota has turned the former Chapel at St. Agnes into one of her intricately threaded sculptures, on a scale that fills every inch of the exhibition space. Rather than entering the space perambulatorily, Shiota has devised a way for the
Chiharu Shiota has transformed EMMA – Espoo Museum of Modern Art's concrete gallery space into an immersive labyrinth of red yarn, inviting visitors on a journey into personal memories and hidden depths.
Chiharu Shiota: “May to Day”, The Gwangju Biennale, 2020
As part of a special exhibition, the installation “The Language of God” is presented at the Former Armed Forces’ Gwangju Hospital . The work was inspired by the Japanese relation to Christianity. As the bible and Christianity were forbidden, this did not stop people from spreading the contents verbally. The Bible itself was not as important for the people as the act of adapting its meaning in order to make it their own personal guide book. Pages flow in the air like lost words ending up in each individual’s mind.
" I wanted to visualise the many connections we share as humans. We do not exist alone in this world but are all connected. These connections may be invisible to our naked eye but if we were to glance at them we would see them as a whole." Ch.Sh.
Chiharu Shiota: “Me Somewhere Else”, 2018, Blain|Southern, London, UK
‘I feel that my body is connected to the universe but is my consciousness as well? When my feet touch the earth, I feel connected to the world, to the universe that is spread like a net of human connections, but if I don’t feel my body anymore where do I go? Where do I go when my body is gone? When my feet do not touch the ground anymore.’ (Sh.Ch.)
Chiharu Shiota is a Japanese performance and installation artist haunted by the traces that the human body leaves behind. She is best known for collectin
Le Grand Palais, monument emblématique de Paris, a rouvert ses portes après plusieurs années de rénovation. Un événement très attendu qui marque la reprise de l'activité culturelle dans ce lieu majestueux, souvent considéré comme un véritable sanctuaire de l’art. À l’occasion de cette réouverture, le musée a choisi d'accueillir l’exposition Chiharu Shiota : "Les frémissements de l'âme", une première exposition qui s’impose comme un dialogue fascinant entre l’espace, la matière et l’immatériel.
À l'instar de l'araignée qui tisse sa toile, l'artiste japonaise Chiharu Shiota s'empare du Musée Guimet à Paris. Ainsi drapé de rouge, le musée national
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