What: Stella Jean S/S 2013 Collection. Where: Milan Fashion Week Inspiration: Full skirts, form fitting midi dresses and 60s inspired numbers using wax print fabrics. [nggallery id=1513]
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Organized by the Fashion Foundation with the support of the Moscow Government, the second Moscow Fashion Week was held from March 2nd to 7th. As part of the bilateral cooperation agreements signed at the BRICS+ Fashion Summit, directors of fashion weeks and councils from Brazil, Russia, India,...
A new podcast that expands on the African Art Market today. On this podcast, we delve into the stories of Key Industry Players in different art ecosystems on the continent. We speak to Gallerists, Art Historians, Curators, Advisors & Art Directors to get insight on their markets domestically.
Prepare to receive tips on investing in art, Valuation & Preservation, The business of Galleries, Museums & Residencies and more.
This podcast is brought to you by Art Report Africa (@Artreport.africa) & Pond Collective (@Pondcollective) .
Nairobi Design Week stands as the premier African Design Week, originally started to spotlight Kenyan designers and creativity. This year's showcase celebrates our rich traditional culture and heritage..
With a strong focus on engaging the public and fostering industry collaborations, the festival aims to cultivate a vibrant sense of community spirit.
It is hosted at Opportunity Factory/ Sandstorm Kenya, and it draws designers, artists, visionaries, professionals, and enthusiasts from across the globe.
Under the theme 'We Got This', this year's edition runs from March 9th to 17th, promising an inspiring celebration of creativity and innovation.
"Our goal is to keep striving to become a world-class Design Week and to continue inviting people to Nairobi so they can experience how incredible it is," remarked Adrian Jankowiak, Director of Nairobi Design Week.
Should you attend, I'd love to hear your feedback in the comments section upon your return.
📩 DROP ME A LINE👇🏽 For inquiries, please email me at nelimawanyonyi7@gmail.com
Alison Boyd | “Art with a Capital A: Competing Systems of Value for Dr. Barnes’s African Sculpture Collection in the 1920s and 1930s” Thursday, March 14
About the Talk As Dr. Barnes assembled his collection, he framed its ensemble displays around two key pillars: Euro-American modern paintings and African sculpture. Artists and thinkers as diverse as Alain Locke, Charles S. Johnson, Countee Cullen, Aaron Douglas, Ernest Mancoba, and Léopold Sédar. Senghor positioned their “discovery” of African sculpture around visits to the Barnes galleries or encounters with its related publications, which based the value of the objects on their influence on the development of European modernism.
In this lecture, Barnes director of research and interpretation Alison Boyd will trace how these important figures, nevertheless, used Dr. Barnes’s ideas for their own purposes and to create different meanings. The walls of the Barnes collection may appear static, but the artwork and its display sparked a dynamic conversation about the status of African art that reverberated across the African diaspora through Europe, the US, and Africa and still resonates today.
About the Speaker Alison Boyd is director of research and interpretation at the Barnes. She studies the intersection of multiple modernisms in American and European art in the first half of the 20th century, with a focus on the arts of the African diaspora and the politics of museum display. Boyd contributed to the 2023 publication The Barnes Then and Now: Dialogues on Education, Installation, and Social Justice.
Art education is at the core of our mission at the Barnes Foundation. New online and on-site adult education classes enrolling monthly. Learn more and register: https://bit.ly/3zIVfAc
About the Barnes Foundation: The mission of the Barnes is to promote the advancement of education and the appreciation of the fine arts and horticulture.
Our founder, Dr. Albert C. Barnes, believed that art had the power to improve minds and transform lives. Our diverse educational programs are based on his teachings and one-of-a-kind collections.
Philadelphia art collector, Albert C. Barnes (1872–1951), chartered the Barnes Foundation in 1922 to teach people from all walks of life how to look at art. Over three decades, he collected some of the world’s most important impressionist, post-impressionist, and modern paintings, including works by Renoir, Cézanne, Matisse, and Picasso. He displayed them alongside African masks, native American jewelry, Greek antiquities, and decorative metalwork.
On this episode of "Art Professionals Africa Unplugged, we speak to Art Consultant and Gallery Manager Morenike Adeagbo on the relationship between Gallerists and Artists, What Galleries want to see and How you can gain access to galleries in the Nigerian Local Market. Sit Back, relax and enjoy this interesting chat!
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Morenike Adeagbo is an accomplished art professional, writer and curator with over seven years of experience within the international art sector. Having worked between London and Lagos, she has accumulated a wealth of knowledge in the industry and gained a great understanding of the local and international art market. She holds a BA in History of Art & Museum Studies from the University of Manchester and an MA degree in Cultural & Creative Industries from King’s College London.
Morenike has a deep appreciation for the Black British art scene, having been born and raised in London however, she remains strongly tied to African art due to her Nigerian descent. She is currently based and living full-time in Lagos, Nigeria where she works as gallery manager at kó. She previously worked at Camden Arts Centre, SMO Contemporary Art & Kate MacGarry. She is a founding member of the Gallery Climate Coalition (GCC), an initiative started in 2020 to develop integrated and impactful networks for driving environmental awareness within the commercial art sector. She is also a PEER London ambassador, delivering a keynote speech during the 2020 BLM protests on Race and Inclusivity within the Contemporary UK Art world.
00:00 The Context of the Conversation 01:35 Lets find out about Morenike Adeagbo 03:30 The toughest transition into the Lagos Art Market 05:28 Relationship between Galleries in The UK in comparison to Nigeria 07:39 What does the Programs Officer Role Entail 08:53 Primary purpose of an Art Gallery & How do we navigate the relationship between an artist and gallerist 13:30 Understanding How to find artists 14:50 Why is there a quickness in finding and showcasing of new artists 16:36 The Rise of Social Media sales and Lack of Education on Art Market Trajectory 20:15 How do Galleries Maintain personal and professional relationships with artists 22:58 The Most important thing about dealing with Artists 25:00 The Beauty of Witness Artists Growth 26:58 "Trust" in Gallery Representation 27:46 One piece of advice 29:40 Final Few words for Artists
With tens of thousands of African artworks in French museums, curators face a huge task in trying to identify which of these were plundered during colonial rule in the 19th and 20th centuries and should be returned.
SIGHTLINES increases the visibility of African art, bringing metal arts from the 19th and 20th centuries together with works by contemporary African artists.
Writer, graphic designer, and scholar Cheryl D. Miller on a trove of new books about design diversity and by Black graphic design scholars.These books …...
SFMOMA is the second stop for “Pacita Abad,” the artist’s first retrospective featuring more than 40 major works, rarely seen in public–many monumental in scale.
From Accra to Dakar, Marrakech to Lagos, Nairobi and now, Cape Town, art residence programs are on the rise, often initiated by successful African artists and now also by public-private partnerships.
Artist Abdoulaye Konate from Mali offers perspective on his participation in the 1-54 art fair hosted in Marrakech, serving as a platform for African artists to showcase their talents on a global scale.
“When you ask an artist living on the continent, or what we call artists from Africa, 1-54 Art Fair is like a piece of diamond. Because it's a platform, it's a market, It's an opportunity,” he stated.
The 1-54 Contemporary African Art Fair is a significant event held in New York, London, and Marrakech, aiming to offer artists international exposure.
---- Morocco World News is an English language e-newspaper with its headquarters in Rabat and Washington, D.C. It publishes news about Morocco and MENA region on a wide range of topics, including politics, economics, international relations, lifestyle, technology, culture, sports, and Western Sahara.
Discover how African art catalyzed a revolution in 20th-century European art, particularly influencing giants like Picasso, Matisse, and Derain. Join us as we unravel the enthralling story of how West and Central African sculptures found their way into the hands of avant-garde artists, reshaping the very essence of artistic expression.
Discover how early 20th century artists, driven by a quest for new forms and meanings, embraced the spiritual depth and unique stylizations of African art, leading to the birth of Cubism and the Modernist movement.
This is when Africa's rich artistic heritage converges with the avant-garde spirit of early 20th-century Europe, forever altering the course of art history.
If you appreciate and want to hear more, don’t forget to like, comment, and subscribe!
Cultural assets portray a given community's or society's way of life. Sculpture, manuscripts, monuments, and artifacts are some of the legendary artistic works of Africans that articulate the continent's ancient civilization.
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