This is lovely, strange, and wrenching all at the same time. A teenager whose father passed away when he was just six had pulled out an old Xbox game that he and his dad used to play together, only to discover a part of his father lived on in the game, as a ghost car.

From Glasgow to Brighton the streets of the UK look a little different this week. In 10 cities guerrilla install crews have been swapping 365 ads with art works, creating the largest advertising ta...

Una década después, Internet para la gente de mi generación sigue siendo una especie de patio de recreo. Es un sitio donde divertirse, donde experimentar. Es un sitio que te otorga libertad para hacer practicamente todo lo que quieras, un sitio en el que has crecido y que puedes explorar cómo y hasta donde quieras, un sitio sin límites de espacio ni tiempo en el que jugar a ser quien quieras ser, hasta que te aburras y decidas probar otra cosa.

From discarded wood, welded scrap metal, broken tools, cigarette packets, soda cans and piles of trash, Tim Noble and Sue Webster make assemblages...

“I never used Excel at work but I saw other people making pretty graphs and thought, ‘I could probably draw with that,’” says 73-year old...

Can't wait until the world ends and EVERYTHING looks like this.

YouTube made a big push to get video makers to deliver higher-quality clips. Now some say Google's site isn't delivering on its end.

Instead of emerging from a meditation course enlightened, Megan Vogt exited incoherent, suicidal and in psychosis. Vogt later jumped from the Norman Wood Bridge.

Article found here, unsure of author’s name. The author asked me to change this photo to something less inflammatory, but I just can’t. Sorry. It’s the only photo of him with a dog in it that I can...

Welcome to another edition of Comics Techniques and Tricks, in which we showcase techniques that only comics can do! Click here for the archive!

In today's comics trick, we get our first repeater in Frank King and Gasoline Alley.

Story resists reinvention. As the example of Finnegan’s Wake shows, storytelling is not something that can be endlessly rejiggered and reengineered. Story is like a circle. A circle is a circle. The minute you start fussing with the line you create a non-circle. Similarly, story only works inside narrow bounds of possibility. Imagine narrative transportation as this powerful brain capacity that is protected by a lock. The lock can only be opened with a specific combination. For as long as there have been humans, the ways of undoing the lock have been passed down through generations of storytellers. Going back to the earliest forms of oral folktales and moving forward through stage plays, to printed novels, and modern YouTube shorts, the fundamentals of successful storytelling have not changed at all. Over the last 15 years, perhaps the most spectacularly successful “new” thing in story has been very old. I’m speaking here of the rise of great cable dramas like The Sopranos, The Wire, and Breaking Bad. But there’s nothing new about these shows. They are just very good novels transferred to the screen. (The much ballyhooed anti-hero trend may be new to TV drama, but it’s nothing new to literature.) When it comes to the fundamentals of story, there is not now--and never will be--anything new under the sun.

Lektion III is a 1,5 hour-long journey through music history and beyond build from more than 10.000 sampled pieces of sound lifted off more than 250 old vinyl records from 51 different countries on six continents. A musical odyssey that blends everything from Moroccan traditional songs, Indian hymns and field recordings of Cameroonian Pygmies to forgotten Yugoslav psych, French avant-garde rock and early German electro into a dark and giddy, genre-melting trip. 

When radio was new, it raised all sorts of questions about how it would affect our lives and what its benefits and drawbacks might turn out to be.

It’s human nature to hate things that remind us of how dumb we used to be; Like teenagers who can’t stand their baby pictures, we prefer to ignore the proof of our humble beginnings.

This could be useful for a lot of people in situations far beyond movies and scripts.

The dominant ideology of Silicon Valley today is: what could be disrupted should be disrupted — even death.

As a content marketer, you have probably heard the call for us all to become brand storytellers. While this sounds great in theory, the tricky part for many