During his 27 years in Hollywood, Hans Zimmer has produced hundreds of film scores, sometimes five or six in the span of one year. But what’s interesting about his work is that it’s become more eclectic and undefinable, not less, as his career has progressed. Listening to his more recent work on films such as “Inception” and “Sherlock Holmes,” there are few traces of the synthesizer-heavy material he made his name with in the 1980s, and remarkably, few similarities even between those two recent examples. But even with expectations for his score for “The Dark Knight Rises” looming large over his work for the forthcoming film, Zimmer told The Playlist that he’s not sure how much the score will share in common with its atonal predecessor.