#MartialSolal & #DaveLiebman : bonnes ondes à la Maison de la Radio #jazz #chronique
Martial Solal & Dave Liebman Studio 105. Maison de la Radio Paris, Ile de France, France Samedi 29 octobre 2016. 20h. Concert enregistré pour l'émission " Jazz sur le vif " sur France Musique. Martial Solal: piano, compositions Dave Liebman
J.S. #Bach Toccata E minor BWV 914 Бах Токката ми минор #ValentinaLisitsa
Recorded at home ;-) On my old/new Bösendorfer 275 that's probably looks familiar from "old" home recordings - like Chopin Etudes etc. Now it looks bran
Après une année d’absence, MC Mélenchon signe son retour dans le rap game politique avec un titre assez engagé dans lequel il dénonce l'hypocrisie des partis politique dominants
#CristinaPato & The Migrations Band 2013 #jazz #Galicia #folklore #gaita #bagpipes
Ajoutée le 1 avr. 2013
Cristina Pato and The Migrations Band performs "Muiñeira for Cristina" LIVE from NJ. "Muiñeira for Cristina" is a composition by accordionist and composer Victor Prieto, and is part of Cristina Pato's new album MIGRATIONS, Sunnyside Records 2013 The Migrations Band consists of: Victor Prieto, accordion. Eric Doob, drums, John Hadfield, percussion. Edward Perez, double bass.
Video directed and edited by Andres Rosende. Thanks to Bruce J. Sherman and the Hudson Performing Atrium Series at Lincoln Harbor, NJ.
clip du nouvel album de #SergeLama -Les muses (composée par #FrancisCabrel ) #GrandeChansonFrançaise
Ajoutée le 10 nov. 2016
Serge Lama – Les Muses (Clip officiel) Réalisé par Igreco pour Hi Five Productions "Où sont passés nos Rêves", nouvel album déjà disponible : http://bit.ly/OuSontPassesNosReves - Nouvel album écrit par Serge Lama et composé par les plus grands noms de la chanson française (Francis Cabrel, Julien Clerc, Calogero, Pascal Obispo, Carla Bruni, Salvatore Adamo, Christophe Maé, Maxime Le Forestier, Bénabar, Patrick Bruel, Gérard Lenorman, Yves Gilbert & Davide Esposito) http://www.sergelama.com
1. "Concerning the UFO Sighting Near Highland, Illinois": 0:00 2. "The Black Hawk War" 2:09 3. "Come On! Feel the Illinoise!": 4:23 4. "John Wayne Gacy Jr.": 11:08 5. "Jacksonville": 14:27 6. "A Short Reprise for Mary Todd, Who Went Insane, but for Very Good Reasons": 19:51 7. "Decatur, or, Round of Applause for Your Stepmother!": 20:38 8. "One Last 'Whoo-Hoo!' for the Pullman": 23:41 9. "Chicago": 23:47 10. "Casimir Pulaski Day": 29:51 11. "To the Workers of the Rock River Valley Region, I Have an Idea Concerning Your Predicament": 35:45 12. "The Man of Metropolis Steals Our Hearts": 37:25 13. "Prairie Fire That Wanders About": 43:42 14. "A Conjunction of Drones Simulating the Way in Which Sufjan Stevens Has an Existential Crisis in the Great Godfrey Maze": 45:53 15. "The Predatory Wasp of the Palisades Is Out to Get Us!": 46:12 16. "They Are Night Zombies!! They Are Neighbors!! They Have Come Back from the Dead!! Ahhhh!": 51:35 17. "Let's Hear That String Part Again, Because I Don't Think They Heard It All the Way Out in Bushnell": 56:44 18. "In This Temple as in the Hearts of Man for Whom He Saved the Earth": 57:24 19. "The Seer's Tower": 57:59 20. "The Tallest Man, the Broadest Shoulders": 1:01:53 21. "Riffs and Variations on a Single Note for Jelly Roll, Earl Hines, Louis Armstrong, Baby Dodds, and the King of Swing, to Name a Few": 1:08:56 22. "Out of Egypt, into the Great Laugh of Mankind, and I Shake the Dirt from My Sandals as I Run": 1:09:42
SCHOOLLY D - Saturday Night - YouTube #rap #oldschool
Schoolly D- PSK, What Does It Mean? 'came first in 1985, this came in 86 from the album of the same name, Saturday Night. P.S.K is regarded as the first gangster rap cut to be released on wax, putting philly well and truly at the top of the tree in the (who was the first gangster rapper) debate, well first to release it to the public. But for me, Saturday Night is the cut, as it's years ahead of it's Time, it's true gangster, but with a smile.
After nearly a decade spent living in the city, Cristina Pato is a full-fledged New Yorker. But her first home is the place where Spain meets the Celtic world: Galicia.
Pato's instrument is the gaita, a Galician bagpipe, and her roots lie in traditional Galician music — though she also boasts graduate degrees in classical piano, music theory and electronic composition. And if you happen to think that bagpipes automatically equal St. Patrick's Day parades or Austin Powers movies, Pato would like to disabuse you of those notions: The only green she sported on the day of her Tiny Desk Concert was on the punkishly tipped ends of her hair.
Pato sets her musical vantage points far from tradition, aided by her thoroughly simpatico collaborators in this trio: accordionist and composer Victor Prieto (who, like Pato, is a native of the town of Orense in Galicia) and American percussionist Shane Shanahan (who, like Pato, is also a longtime member of Yo-Yo Ma's Silk Road Ensemble).
After the trio's set, one of our colleagues likened Pato's wailing melodies to those of Ornette Coleman. Is this world music? Is it jazz? Does it matter? Whatever you call it, it's wild and entirely wonderful. --ANASTASIA TSIOULCAS
Set List Victor Prieto: "Mundos Celtas" Traditional/Cristina Pato: "Alalá Re-rooted" Victor Prieto & Emilio Solla: "Muñeira For Cristina"
Credits Producers: Denise DeBelius, Anastasia Tsioulcas; Editor: Parker Miles Blohm; Audio Engineer: Kevin Wait; Videographers: Parker Miles Blohm, Denise DeBelius, Gabriella Garcia-Pardo
#HerbieHancock - A Tribute to Miles [Full Album] 1991 #jazz
The Music Songs Herbie Hancock full albums A Tribute To Miles Ambient Jazz Fusion Best Jazz Instrumental.A Tribute to Miles is a tribute album by Herbie Hancock, Wayne Shorter, Tony Williams, Ron Carter and Wallace Roney to pay homage to the their recently departed mentor, Miles Davis, who died in September 1991. Playing the part of Davis was young trumpet player Wallace Roney. Two of the songs were recorded live, during their national tour honoring their fallen mentor.This album won all five men a Grammy award for Best Jazz Instrumental Performance, Individual Or Group. This marked Hancock's third overall Grammy award. Tracklist 1. So What (Live) (Miles Davis) (00:00) 2. RJ (Carter) (10:16) 3. Little One (Hancock) (14:14) 4. Pinocchio (Shorter) (21:38) 5. Elegy (Williams) (27:19) 6. Eighty One (Davis, Carter) (35:56) 7. All Blues (Live) (Davis) (43:25)
Herbert Jeffrey "Herbie" Hancock (born April 12, 1940) is an American pianist, keyboardist, bandleader and composer.[1] As part of Miles Davis's Second Great Quintet, Hancock helped to redefine the role of a jazz rhythm section and was one of the primary architects of the "post-bop" sound. He was one of the first jazz musicians to embrace music synthesizers and funk music (characterized by syncopated drum beats). Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success among pop audiences. His music embraces elements of funk and soul while adopting freer stylistic elements from jazz. In his jazz improvisation, he possesses a unique creative blend of jazz, blues, and modern classical music, with harmonic stylings much like the styles of Claude Debussy and Maurice Ravel.
#MauriceRavel - Gaspard de la Nuit - 23 mn #piano #SoloPiano #music #MusicalPoetry #Bavouzet
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Ajoutée le 1 sept. 2012
"Gaspard de la nuit: Trois poèmes pour piano d'après Aloysius Bertrand" is a suite of pieces for solo piano, composed in 1908 by Maurice Ravel. It has three movements, each based on a poem by Aloysius Bertrand, and it was premiered on January 9, 1909, in Paris by Ricardo Viñes. The name "Gaspard" is derived from its original Persian form, denoting "the man in charge of the royal treasures": "Gaspard of the Night" or the treasurer of the night thus creates allusions to someone in charge of all that is jewel-like, dark, mysterious, perhaps even morose. "Gaspard de la nuit" is an old French expression for the Devil. Movements: 1. "Ondine": an oneiric tale of a water fairy singing to seduce the observer into visiting her kingdom deep at the bottom of a lake. It is reminiscent of Ravel's early piano masterpiece, the Jeux d'eau (1901), with the sounds of water falling and flowing, woven with cascades. This piece contains technical problems for the right hand such as the fast repetition of three-note chords. 2. "Le gibet": the observer is presented with a view of the desert, where the lone corpse of a hanged man on a gibbet stands out against the horizon, reddened by the setting sun; the sound of a bell tolls from inside the walls of a far-off city, creating the deathly atmosphere that surrounds the observer. Throughout the entire piece is a B-flat octave ostinato, imitative of the tolling bell, that must remain distinctive and constant in tone as the notes cross over and dynamics change. 3. "Scarbo": this movement depicts the nighttime mischief of a small fiend or goblin, making pirouettes, flitting in and out of the darkness, disappearing and suddenly reappearing. Its uneven flight, hitting and scratching against the walls, casting a growing shadow in the moonlight, creates a nightmarish scene for the observer lying in his bed. With its repeated notes and two terrifying climaxes, this is the high point of technical difficulty of the three movements. Technical difficulties include repeated notes in both hands, and double-note scales in major seconds in the right hand.
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