Yefim Maizel, Artistic Director of Opera Academy of California and Stage Director at the Metropolitan Opera, is interviewed about the upcoming production of ...
Soprano Dominique Labelle (pictured left, photograph by Lino Alvarez) is currently singing with Philharmonia Baroque Orchestra. She spoke with The Opera Tattler on April 17, 2012 after rehearsal in Berkeley.
A properly pitched and engineered version of this wonderful record. Metzger-Lattermann was one of the finest contralto's of the 20th Century, created the 1st...
Get full concert, event and ticket information for Sonoma Bach: Musica Poetica: The Baroque Before Bach at San Francisco Classical Voice. Find related events, concert reviews, previews, news and more at SFCV.org.
The music business, to say the least, ain't what it used to be. To be precise, the industry has shrunk by about 50% since Napster's heyday, and virtually nobody expects it to fully bounce back.
Peter Gelb, the Met Opera’s general manager, discusses his $16 million “Ring” production, coming together in full cycles for the first time, and future projects.
Bruno Giacometti, who has died aged 104, was the last surviving member of a notable family of artists and sculptors — among them his brother Alberto Giacometti — but chose to follow a different vocation, becoming a leading architect in...
SUBLIME. Boring. Elitist. Popular. Or, to use Dr Johnson's memorable terms, "exotick and irrational". Opera is all of these things, an art form that seems to divide opinion like no other.
Charles Anthony, who has died aged 82, was the longest-serving member of the company at the Metropolitan Opera House, New York, appearing in a record 2,928 performances between 1954 and his retirement in 2010.
This day in opera history, April 21, 1889, marks the premiere of Puccini’s Edgar in Milan, Italy, an opera that I’ve never seen on anyone’s season schedule here in the U.S.
Ms. Chookasian, praised for her immense and velvety voice, was a principal singer with the Metropolitan Opera, appearing there 290 times from 1962 to 1986.
About six months after Michael Tilson Thomas began his tenure with the San Francisco Symphony in 1995, I asked him what he hoped people would think about the orchestra in years to come.
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