Gary presents his experience with the Fujifilm XF 30mm f/2.8 Macro lens. He shares his thoughts and opinions on the lens, as well as showing examples of photos he took using it. Gary discusses the lens's compact and lightweight design, its macro capabilities, and its suitability for portraits and other types of photography. He also recommends it as a versatile lens for everyday use due to its focal distance of 45mm.
Will an older Fujifilm lens work on the new X-H2 and X-T5 cameras? Or, do you need to use one of their optimized lenses? I answer that question and much more in today's video.
hpc's insight:
Fujifilm released the new X-T5 and X-H2 cameras with a 40-megapixel sensor, as well as a list of lenses optimized for the new sensor. This has caused confusion about older lenses' compatibility, but the video creator tests and compares older and optimized lenses on the X-T4 and X-T5. The results surprised them, and they provide their practical opinion and summary. They also showcase images taken with the new camera and a variety of lenses.Fujifilm's new 40MP sensor cameras lead to confusion about lens compatibility : Fujifilm released a list of optimized lenses for the new sensor Testing shows older lenses not on the list still perform well on the new camera
a closer look at the Laowa Argus 25mm F0.95 APO lens on the Fujifilm X-T5. We'll explore the lens' key features, including its impressive f/0.95 maximum aperture and APO optical design, which minimizes chromatic aberration and color fringing.
Is the X-H2 with the new Viltrox 75/1.2 Pro really a 1/4 the price Leica SL2 Mini-Me with APO Summicron SL 90/2? Not exactly, but close enough that if I couldn't afford the gear I DO have, I'd be happy with an X-H2 kit with this Viltrox actually being the FIRST lens I'd buy for it.
hpc's insight:
In his review of the Viltrox 75mm f/1.2 Pro Series lens for Fujifilm's XF mount, Hugh Brownstone describes it as a highly performant lens that offers excellent subject-background separation and a shallow depth of field. He finds the lens to be well-built, keenly priced, and super compact, with the added benefit of weather resistance. Brownstone admits that he has been ambivalent towards Fujifilm's latest high-resolution XH2 and XT5 cameras due to their menu system and touch interface, but the Viltrox 75mm lens has convinced him that the XH2 is a "Leica SL2 Mini Me for less than one-third the price," which he considers a big deal given the price of glass.
Brownstone concludes that the lens's performance, price, size, and build quality are superb, and he recommends it to anyone looking for an excellent, affordable portrait lens for their Fujifilm X-Series camera. While he admits that the lens may not be the best for close minimum focusing distance testing, he believes that it is excellent for 95-99% of the time and offers optical performance comparable to lenses four times its price. Overall, Brownstone finds the Viltrox 75mm f/1.2 Pro Series lens to be thoroughly gratifying for what he does and how he does it.
My favorite Viltrox lens ever: the 75mm lens for Fujifilm cameras. Full review, unboxing and ergonomics, image quality, autofocus performance, minimum focus distance, and a comparison with the 90mm and 85mm. Get the lens here: https://geni.us/vEPK
📔 Table of Contents 00:00 | Opening 00:38 | Disclaimer 02:43 | Unboxing and Ergonomics 04:34 | Image Quality 08:32 | Autofocus Performance 10:20 | Minimum Focus Distance 10:58 | Comparison With 90mm 11:47 | About The 85mm 12:39 | Conclusion and Recommendation 13:51 | Goodbye and Outro
Trying to understand if the Fuji 30mm F2.8 lens is for you? Well, check out this review as we examine the sub-par bokeh balls, the price-quality ratio, and more
Quick Facts about the Fujifilm 30mm F2.8 Macro
Who is the Fuji 30mm F2.8 for?
What other XF lenses cover the 30mm (APS-C)/ 45(FF) equivalent?
The FUJIFILM XF 150-600mm f/5.6-8 R LM OIS WR lens is now shipping widely and we were lucky enough to get to visit and see firsthand how this unique lens is made. So grab a cup of coffee, sit back and enjoy our FUJIFILM XF 150-600mm factory tour!
Chapters: 0:00 Welcome to the factory 2:00 Cleaning of clothes with airflow and shoe soles with sticky tape 2:12 Focus group assembly 2:26 OIS assembly 2:30 Zoom helicoid assembly 2:50 Joining of preassembled components 3:06 Focus adjustment 3:14 Final enclosure, cleaning and tripod foot
We've shot the new Fujinon XF 56mm F1.2R WR lens against the original 56mm F1.2R, to check whether we should switch the lens we use for our studio test scene or maintain consistency.
Tongue, who has been using the Fujifilm XF 18-120 mm WR lens for several months. He has found it to be a great all-purpose lens for travel and video production, despite some reviewers calling it the worst lens of 2022. He disagrees and finds that the lens is not as sharp as other Fujifilm lenses, but that it provides a soft and cinematic look that is well-suited for video production. Tongue finds the build quality to be lightweight and weather-resistant and appreciates the lens's internal zooming, making it a good choice for use with gimbals. He overall finds the lens to be a good value for its price and recommends it for video creators and filmmakers. Tongue has some positive and negative things to say about it. He finds that the autofocusing is quick and snappy, but sometimes loses focus when tracking quickly moving cars. He also wishes that the lens had lens stabilization, but since he has a camera with in-body image stabilization, it's not a big deal for them. Furthermore, he also mentions that the lens has an exposure adjustment when doing a zoom and that it's not a firmware issue, but a design flaw of the lens. That the lens is par focal with an asterisk and that they wish it had a wider aperture, but understand that it would increase the weight and cost of the lens. Overall, they enjoy the lens, find it versatile and convenient, but also have some complaints about the quirks and exposure shift. Tongues concludes the lens is a good value for its price.
What's the best alternative to the X100V since it's out of stock everywhere? The X-T5 + 27mm f/2.8 WR is an amazing everyday carry combo. And you can even pair the lens with an older body like the X-E4 or X-Pro3.
While it doesn’t do as well for indoor situations as my X100V due to the f/2.8 aperture, I was surprised that the effective size was comparable to my X100V with a hood on.
If you’ve been striking out with the X100V being out of stock everywhere, the X-T5 will get you better resolution, image quality, and autofocus than the X-E4 (which most people are getting as the go-to alternative).
The original 27mm f/2.8 pancake was actually one of the first lenses that I bought on the Fujifilm system with my X-T20, but I wrote it off because of the f/2.8 aperture. Now that my skills are a bit more sharpened, I’m able to find good directional light even in low-light situations, so the noise doesn’t actually bother me too much.
And outdoors and in bright daylight, this combo can’t be beaten. Here are some of my favorite photos from my first photowalk of the year on 1/1/2023. All are shot in JPEG, straight from the camera.
The Wandering Lensman is a blog about the passion of photography, sharing images as well as thoughts about life, travel, living, etc.
hpc's insight:
Summary
Dennis conducted some tests using his new Fujifilm X-T5 camera with various Fujifilm lenses and found that all of the lenses performed well with the new 40mp sensor except for the XF 10-24mm f/4 OIS (first version) lens at the 10-11mm focal lengths. The edges and corners of the images were not sharp. He decided to buy the newer, second version of the 10-24mm f/4 lens after researching the options and discussing with other Fujifilm photographers. He found that the new lens performed much better than the old version and exceeded his expectations for use with the 40mp sensor. He used editing software to further enhance the images. He is happy with his purchase and believes it will allow him to capture even more stunning and detailed images.
In this video, we will compare three popular Fuji lenses: the XF 55-200mm, the XC 50-230mm, and the XF 70-300mm. We will be taking a close look at the features and capabilities of each lens, and discussing the pros and cons of each in order to help you decide which one is the best fit for your photography needs.
We will start by discussing the focal lengths of each lens and how they compare in terms of range. We will then delve into the aperture sizes and how they impact the low-light performance of each lens. We will also talk about the handling of each lens and any additional features such as image stabilization.
Finally, we will compare the image quality of each lens by analyzing sample photos taken with each one. We will look at sharpness and overall image detail in order to help you determine which lens produces the best results.
By the end of this video, you should have a good understanding of the strengths and weaknesses of each lens, and be able to make an informed decision about which one is the best fit for your photography needs.
In this review, I will show how well the AstrHori handles studio light, fringing, and sharpness at close and macro distances as well as explain what, if any, mechanical issues need to be addressed to make it suitable to studio work.
hpc's insight:
The video explores the lens's features and tests it for its usability in studio work. The lens is capable of tilting and swinging and covers a full-frame circle. The aperture ring is clickless, which makes for seamless video transition. However, the stepless aperture ring is difficult to distinguish by touch, and the focus ring is cramped into too little space, making it hard to focus reliably on anything macro or infinity. The review also notes that the lens returns the most color fringing of any lens in the reviewer's studio. The reviewer concludes that while the lens returns great results, all its issues could be fixed by swapping the current focus helical for one at least twice as long, and mechanically, the lens could use minor changes to make it comparable to first-generation tilt lenses from Canon and Nikon.
Irix is adding Fujifilm X-mount support to its line of seven cinema lenses, expanding its total mount support to eight systems.
hpc's insight:
Swiss lens manufacturer Irix is expanding its range of cinema lenses to include support for the Fujifilm X mount. The addition brings the total number of lens mounts supported to eight, including Canon, Nikon, and Sony, among others. Irix's cinema lenses are designed to provide a consistent look and feel throughout the range, and are built to withstand the rigors of professional filmmaking, with dust, sand, and water protection. The company's latest addition comes as Fujifilm expands its support for Adobe Frame.io's camera-to-cloud functionality. Irix's Fujifilm X-mount lenses will be available from the next few days for €1,195 ($1,265) each.
The Fujifilm 18-120mm f4 lens aims to satisfy videographers, still photographers, and content creators with its versatility.
hpc's insight:
Brittany Smith reviewed the Fujifilm 18-120mm f4 lens, which is aimed at bridging the gap between hybrid and still photographers. She describes the lens as a solid zoom lens with a moderate price, versatile focal length, and weather-resistant design. It performs well in subzero conditions, produces sharp images with beautiful bokeh, and focuses quickly in good lighting conditions. Although it is fully automatic, the lens is lightweight and easy to use. Smith gave the lens four out of five stars, saying it's a great option for those looking for an all-around lens.
Photographer Dustin Abbott shares a thorough review of the existing pro-grade telephoto zoom option on the Fuji X-mount platform - the Fujinon XF 100-400mm F4.5-5.6 R LM WR OIS | Read the Text Review: https://bit.ly/XF100_400da |
0:00 - Intro and Concept 2:00 - Build and Features 8:30 - Autofocus 11:15 - Optical Breakdown 21:40 - Conclusion and Pricing
hpc's insight:
Dustin Abbott reviews the Fujinon XF 102-400mm F4.5-5.6 R LM OIS WR lens, which was released in 2016 and is considered an older lens in comparison to the newer 150-600mm lens. Despite its age, Dustin believes that the lens is still a viable option for those seeking a serious telephoto lens due to its compact size and ease of travel. The lens boasts features such as an aperture ring, weather resistance, dual linear motors, and optical image stabilization. The lens has a good focal range of 100-400mm and although it shows some pincushion distortion and vignette, correction profiles effectively correct them. Chromatic aberrations are well-controlled and the lens was tested on a 40-megapixel body, producing good contrast and detail in the center and mid-frame, with improvement when stopped down to F5.6. Diffraction limits improvements when stopped down to F6.3 and F22 is not recommended as it robs most of the contrast and detail. Overall, Dustin believes that the lens is still worth buying, especially for those looking for a compact lens with a decent aperture range.
Damian Brown discus his experience with the Viltrox F 1.2 pro lens, including its build and handling, weight, aperture, and focal length. Damian compares it to the Viltrox 85mm lens, which he also owns and are happy with. The author notes that the F 1.2 pro is better suited for larger camera bodies, but overall he is happy with their purchase and will continue to use it for a few more months before giving their final thoughts.
Photographer Dustin Abbott shares a thorough review of longest telephoto option on the Fuji X-mount platform - the Fujinon XF 150-600mm F5.6-8 R LM WR OIS | Read the Text Review: https://bit.ly/XF150_600da
hpc's insight:
Dustin conducts a review of the Fujifilm Fujinon XF 150-600mm f5.6-8 lens, praising its matte silver or silver matte finish and its longest focal length on the X-mount platform. With the potential to reach up to 1350 millimeters with the 1.4 times or up to 1828 millimeter at full frame equivalent, the lens is compatible with Fujifilm's 1.4 times and two times teleconverters and is weather sealed with built-in optical image stabilization. He notes that the lens reminds him of his favorite lens, the Sony 200-600mm G lens, and although it is not short, it is 25% lighter than the Sony lens. However, it is designed for APS-c as opposed to full frame. Dustin also highlights the lens's performance in terms of vignette and distortion, and notes that chromatic aberration control is also good. He acknowledges that one of the challenges with testing a lens on a high resolution body is that diffraction starts to play a role at a relatively small aperture, and this affects the lens's performance. He suggests that the lens performs best at apertures of f8, but that stopping down to smaller apertures does not improve image quality.
In this video, I'll give you my thoughts on Fujifilm's XF 16mm f/2.8 lens. It's one of the lenses I didn't have on hand back when I did my wide-angle shoot out and it's a great little lens that deserves its own video.
0:00 - Intro 1:00 - Build Quality and Features 3:02 - Technical Image Quality 4:44 - Creative Image Qualities 6:04 - Compared to the 9mm f/2.8 Zero-D 7:44 - Conclusion and Slideshow
We're rounding up the Best Lenses for the Fujifilm XH2 if you're a prime lens lover. Take a look at this roundup!
hpc's insight:
The article is about the best lenses for the Fujifilm XH2 camera, it is written by Chris Gampat of The Phoblographer. The article lists 5 prime lenses that are suitable for the Fujifilm XH2 camera, they are: 1) Fujifilm 35mm F1.4 R, 2) Fujifilm 23mm F1.4 R WR, 3) Fujifilm 33mm F1.4 R WR, 4) Fujifilm 56mm F1.2 R WR, 5) Fujifilm 90mm F2 R LM WR. The article discussed the pros and cons of each lens and also provided a summary of the review of the lens.
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Gary presents his experience with the Fujifilm XF 30mm f/2.8 Macro lens. He shares his thoughts and opinions on the lens, as well as showing examples of photos he took using it. Gary discusses the lens's compact and lightweight design, its macro capabilities, and its suitability for portraits and other types of photography. He also recommends it as a versatile lens for everyday use due to its focal distance of 45mm.