As Homestead, a new festival in Somerset, announces it can’t go ahead due to tough economic factors, AIF has again called for more government support for festivals, switching its main demand from a VAT cut on tickets to a new tax relief scheme for smaller events

New York legislation that would have placed some restrictions on resellers in the state has been delayed until next year, with an extension on existing ticketing laws put in place.

The National Independent Talent Organisation (NITO) previously called for the passing of Assembly Bill A8659 and Senate Bill S8221.

The National Independent Talent Organisation in the US has urged the passing of two ticketing-related bills in New York to protect consumers from exploitative ticketing practices.

Assembly Bill A8659 and Senate Bill 8221 would help to establish tighter restrictions on speculative ticketing. Additionally, the bill includes authority to establish resale price and fee caps,  which would help to put an end to extreme fees.

State legislation that would put resale restrictions on New York ticket resellers has been stalled until next year. In the meantime, an extension of existing ticketing laws has been introduced.
Bills that would place new restrictions on New York State ticket resellers have been postponed until next year at the earliest. In the interim, an extension of existing ticketing laws through the end of June 2026 were introduced over the weekend.

Through a rich and diverse line-up, including art installations, performances, debates, and workshops, the programme shines a light on some of the most important topics of our time.

Tickets for Travis Scott’s debut India show in New Delhi in October sold out in a few minutes, prompting promoter BookMyShow to add another date. Now the organiser has shared a few details of where the demand came from. Fans from more than 500 cities bought tickets, with Gen-Z – specifically those under 25 – comprising two-thirds of the attendees looking to have a “FE!N” time.

XP, the ticket resale marketplace founded by former Grubhub exec Michael Saunders, has raised $6.2 million in funding led by Blockchange, with participation from L1D, Reflexive, and others.

Why it matters:

As per its press release, XP currently offers more than 50 million tickets to major concerts, sporting events and shows nationwide.

XP claims the funding will accelerate its "mission to build the most fulfilling ticketing experience for fans, which starts with transparent, fair-market pricing, and a platform centered around fan identity."

It intends to harness AI and blockchain technology to invest in identity-driven features that will enhance personalization and create smarter, more trustworthy interactions.

A Canadian entertainment company The Feldman Agency (TFA), headquartered in Toronto, Canada, announced a series of internal promotions of longtime team members to senior roles at the agency.

Joel Baskin – Senior Vice President
A longtime team member of TFA for more than 14 years, Joel Baskin has played a key role in building a roster that includes global icons Avril Lavigne and Shania Twain, country stars Josh Ross and Owen Riegling, rock sensations The Beaches and Three Days Grace, and entertainment brands like Letterkenny and Shoresy.

During the past 45 years the 9:30 Club has hosted more than 11,000 artists and nearly 8 million fans. The beloved Washington, D.C. venue – which recently picked up its 15th Pollstar Nightclub of the Year Award – is celebrating its anniversary with a special photo exhibit and by releasing a limited edition expanded reissue of the long sold-out coffee table book “9:30 – A Time and a Place.”

Veteran photographer Jim Saah has been capturing shows at the 9:30 Club since October 17th, 1982 and when The Atlantis, a near replica of the original 9:30 Club, opened in 2023, he was there for nearly all of the 44-show run of underplays that launched with the Foo Fighters.

Last year, a UK parliamentary report on grassroots music venues recommended a ‘fan-led review’ of live and electronic music, modelled along the lines of a similar initiative for football. At the time, the British government knocked the idea on the head, saying it wanted to focus on an already-announced ticketing consultation instead.

However, now the Culture, Media and Sport Committee that made the original recommendation has announced plans to launch the fan-led review after all. It will be chaired by politician Lord Brennan, who you may remember from his days as Kevin Brennan MP – trying to launch a streaming-reform bill and also doing some policy work on AI and music.

The live music industry will “remain an attractive market with a solid growth outlook” in the next decade, according to Goldman Sachs’ Music in the Air 2025 report.

In the 91-page research paper, released yesterday (June 3), the investment bank and research firm lowered its global music market forecasts but stressed that it still sees healthy growth for the industry in the years ahead.

The report drops the global music market’s (across recorded music, publishing, and live) 2025-2030 CAGR forecasts to +6.8% (+7.5% prior) and introduces its 2031-2035 CAGR forecast of +4.8%.

Phish have tacked on a run of late summer dates to their 2025 US tour. The newly announced shows in September include two nights at Coca-Cola Amphitheater in Birmingham, AL; a pair of gigs at Ameris Bank Amphitheatre in  Alpharetta, GA; and three concerts at Hampton Coliseum in Hampton, VA.

Live Nation will invest $1 billion to build 18 “new and revitalized live music venues” across the United States over the next 18 months, the company announced June 10.

According to a study cited by Live Nation, construction, engineering and development of the projects — which range from small clubs to large amphitheaters — will spur $2.9 billion in econonic impact with $1.4 billion in annual impact once the venues are online.

Glastonbury organisers opted to sell a few thousand less tickets for this year’s edition of the UK’s flagship festival, in order to avoid overcrowding.

The festival, which traditionally has a capacity of 210,000, will take place later this month in Somerset, with headline performances from The 1975, Neil Young and his band the Chrome Hearts, and Olivia Rodrigo.

Votes on bills that would put modest new restrictions on New York State ticket resellers have been delayed until at least next year. Instead, an extension of existing ticketing laws thru June 30, 2026 was introduced on Sunday.

The original New York Senate ticketing Bill S8221 and Assembly Bill A8659 were introduced by Democratic Representatives Carroll, Kelles, Rosenthal, and Gallagher. In the State Senate, it was introduced by Democratic Senator Skoufis.

The bills would have established refund rights and put strong restrictions on speculative tickets. Also included were some artist controls on resale and a cap on ticket fees in larger venues.

The International Festival Forum (IFF) has announced details of its 11th edition. The event will host 1000 agents and festival leaders, and will take place in London between 9-11 September 2025.

The event will feature agency pop-up offices, numerous speed meeting sessions, genre-specific mixers, and acts as a showcase for the global music festival industry.

Never ask Halsey to be just one thing at a time, whether it’s on record or in person. The singer’s current outing, dubbed the “For My Last Trick” Tour, is one of this year’s most impressive pop road shows — a must-see for veteran tour-watchers, even if you don’t think you care about Halsey (although you should), just for its high level of creative ambition and innovation. But ask any two fans what the overriding nature of the show is, and you might get two distinctly different answers.

The 2025 Event and Venue Marketing Conference (EVMC) hosted the 10th anniversary of the EVMC Awards at Atlanta’s iconic Fox Theatre, celebrating the accomplishments of leading venue and event marketing professionals.

This year’s EVMC Award winners include:

Most Creative Artist Welcome: Notes to Noah – Scotiabank Arena

Grassroots Campaign of the Year: AJR Love’s Ice Cream – Van Andel Arena

The UK’s Competition and Markets Authority (CMA) has given the green light for Viagogo to reacquire certain StubHub trademarks and domain names outside of the UK and Europe from Digital Fuel Capital.

Viagogo was given the go-ahead in 2021 to complete its takeover of fellow ticket resale platform StubHub by the UK CMA after the latter agreed to sell its international business to the Digital venture capital group. Viagogo had initially agreed to purchase StubHub for around $4bn (£2.9m/€3.5bn) from eBay in early 2020.

Live entertainment discovery platform and technology company Fever has acquired fellow discovery platform and independent ticketing business, Dice.

The move was announced after Fever secured more than $100m (£74m/€88m) in funding, headed up by private equity firm L Catterton and Point72 Private Investments. The cash injection is the result of an equity funding process including existing investors.

Fever said the capital will be used to support the company’s continued growth in music and sports, as demonstrated by its acquisition of Dice.

Paul Piticco has a new, trans-Tasman title with Live Nation.

With the announcement Wednesday, June 4th of the concerts giant’s ambitious new venue in Western Australia, another piece of news that was simply waiting to be spotted: Piticco is now director of touring and venue development, Live Nation Australasia. 

Born in Miami, and raised between the Magic City and Spain, Hans Schafer’s life soundtrack blends everything from Sublime’s sun-soaked rock to the romantic ballads of José José. Immersed in the business of music from an early age — his stepfather is Jesús López, chairman and CEO of Universal Music Latin America and Iberian Peninsula, and his mother was a label manager at BMG Latin — Schafer developed a global outlook on the industry overall. That perspective would become his edge, helping him rise as a key architect in Latin music’s expansion across international markets.

TicketManager has acquired Ovations, a corporate ticketing solutions and hospitality platform that serves Fortune 500 companies across a number of industries.

The move follows Valeas Capital acquiring a majority stake in TicketManager, which was announced last week.

The National Independent Venue Association (NIVA) says that U.S. performing rights are broken and is demanding change. The comments came in a new letter filed with the Copyright Office which is investigating U.S. Performing Rights Organizations (PROs).

The investigation of ASCAP, BMI, SESAC and other PROs is at the behest of Congress and organizations representing venues and songwriters. “The current PRO system is broken,” writes NIVA, ”and it’s hurting independent venues, promoters, and the very artists we exist to support.”