Live entertainment discovery platform and technology company Fever has acquired fellow discovery platform and independent ticketing business, Dice.

The move was announced after Fever secured more than $100m (£74m/€88m) in funding, headed up by private equity firm L Catterton and Point72 Private Investments. The cash injection is the result of an equity funding process including existing investors.

Fever said the capital will be used to support the company’s continued growth in music and sports, as demonstrated by its acquisition of Dice.

Paul Piticco has a new, trans-Tasman title with Live Nation.

With the announcement Wednesday, June 4th of the concerts giant’s ambitious new venue in Western Australia, another piece of news that was simply waiting to be spotted: Piticco is now director of touring and venue development, Live Nation Australasia. 

Born in Miami, and raised between the Magic City and Spain, Hans Schafer’s life soundtrack blends everything from Sublime’s sun-soaked rock to the romantic ballads of José José. Immersed in the business of music from an early age — his stepfather is Jesús López, chairman and CEO of Universal Music Latin America and Iberian Peninsula, and his mother was a label manager at BMG Latin — Schafer developed a global outlook on the industry overall. That perspective would become his edge, helping him rise as a key architect in Latin music’s expansion across international markets.

TicketManager has acquired Ovations, a corporate ticketing solutions and hospitality platform that serves Fortune 500 companies across a number of industries.

The move follows Valeas Capital acquiring a majority stake in TicketManager, which was announced last week.

The National Independent Venue Association (NIVA) says that U.S. performing rights are broken and is demanding change. The comments came in a new letter filed with the Copyright Office which is investigating U.S. Performing Rights Organizations (PROs).

The investigation of ASCAP, BMI, SESAC and other PROs is at the behest of Congress and organizations representing venues and songwriters. “The current PRO system is broken,” writes NIVA, ”and it’s hurting independent venues, promoters, and the very artists we exist to support.”

WME is once again kicking off CMA Fest Week with Losers Live, a free, three-night outdoor concert series at Losers Bar & Grill in Midtown. Featuring an exciting mix of country icons, chart-toppers and rising stars, the event will run Monday, June 2 through Wednesday, June 4, with doors opening at 5 PM each night.

The 2025 series begins on Monday, June 2, with platinum-selling country mainstay s taking the stage to get the week started. The show also includes Travis Denning, Matt Stell, Dillon Carmichael, Payton Smith, Mae Estes, Frank Ray, CeCe, Will Jones and Payton Howie. On Tuesday, June 3, the hits keep coming with a powerhouse lineup of country favorites, including Lee Brice, Craig Morgan, Mark Wills, Timmy McKeever, Kaitlin Butts, Meghan Patrick, Logan Crosby, Myles Morgan, Bottomland and multi-genre, Grammy Award winner Colbie Caillat.

It’s time to party like we’re extras in She’s the Man. That’s what the All-American Rejects want us to do, anyway, with their current tour giving the middle finger to big venues that charge a lawsuit-inducing amount of ticket fees. The band is embarking on what they call the House Party Tour, crowdsourcing stops directly from fans and playing in backyards, bowling alleys, and any other spaces that will have them. Front man Tyson Ritter, the voice behind aughts-era bangers such as “Dirty Little Secret” and “Gives You Hell,” isn’t doing this for the money. Just look at the videos from the gigs and you’ll understand why. “We took $50,000 out of our own pockets, booked a bus, put the crew salary on, and started this wild sort of ride,” he says. “I recently read something about people financing festival tickets, the complete inaccessibility of the concert experience in 2025, and how it’s juxtaposed against these wild and weird economic times. It blows my mind that our shows can still work.”

Seated founders David McKay and John Griffin have re-acquired the ticketing platform from Sofar Sounds after four years.

Multiple shows at Boston’s Fenway Park were abruptly canceled this week, apparently over concerns about the temporary concert stage erected at the storied stadium.

Shakira’s May 29 performance was canceled on Thursday just hours before it was scheduled to begin, as was the May 30 show featuring Jason Aldean and the country duo Brooks & Dunn.

TicketManager has received major financial backing to support its strategic growth plans.

Private equity firm Valeas Capital Partners has invested $110m (£81.6m/€97m), while co-founder and chief executive Tony Knopp and chief operating officer Ken Hanscom will retain a minority interest in the company.

The National Independent Venue Association (NIVA) has revealed the content lineup for its fourth annual national conference, NIVA ’25, which takes place in Milwaukee from June 23–25.

For 2025, the conference will spotlight the contributions of NIVA’s Milwaukee chapter, with programming held at independent venues across the city, including the Miller High Life Theatre and Turner Hall Ballroom.

The NIVA ’25 signature event, the Brew City Bash, will take place at The Rave / Eagle’s Ballroom. Evening shows will be hosted at other Milwaukee venues, including Falcon Bowl, Shank Hall, and X-Ray Arcade.

Longtime Nashville fixture 3rd & Lindsley has signed a new lease extension, with owner Ron Brice reaffirming his commitment to the Nashville community with the new agreement. Since opening its doors over 30 years ago, 3rd & Lindsley has been a cornerstone of the city’s independent music scene. The venue has nurtured emerging talent and served as a platform to countless artists who have gone on to global acclaim and has also provided jobs for numerous local hospitality workers and a welcoming home for fans of all ages and backgrounds, making it one of Nashville’s most beloved cultural institutions.

During the past 45 years the 9:30 Club has hosted more than 11,000 artists and nearly 8 million fans. The beloved Washington, D.C. venue – which recently picked up its 15th Pollstar Nightclub of the Year Award – is celebrating its anniversary with a special photo exhibit and by releasing a limited edition expanded reissue of the long sold-out coffee table book “9:30 – A Time and a Place.”

Veteran photographer Jim Saah has been capturing shows at the 9:30 Club since October 17th, 1982 and when The Atlantis, a near replica of the original 9:30 Club, opened in 2023, he was there for nearly all of the 44-show run of underplays that launched with the Foo Fighters.

Last year, a UK parliamentary report on grassroots music venues recommended a ‘fan-led review’ of live and electronic music, modelled along the lines of a similar initiative for football. At the time, the British government knocked the idea on the head, saying it wanted to focus on an already-announced ticketing consultation instead.

However, now the Culture, Media and Sport Committee that made the original recommendation has announced plans to launch the fan-led review after all. It will be chaired by politician Lord Brennan, who you may remember from his days as Kevin Brennan MP – trying to launch a streaming-reform bill and also doing some policy work on AI and music.

The live music industry will “remain an attractive market with a solid growth outlook” in the next decade, according to Goldman Sachs’ Music in the Air 2025 report.

In the 91-page research paper, released yesterday (June 3), the investment bank and research firm lowered its global music market forecasts but stressed that it still sees healthy growth for the industry in the years ahead.

The report drops the global music market’s (across recorded music, publishing, and live) 2025-2030 CAGR forecasts to +6.8% (+7.5% prior) and introduces its 2031-2035 CAGR forecast of +4.8%.

Phish have tacked on a run of late summer dates to their 2025 US tour. The newly announced shows in September include two nights at Coca-Cola Amphitheater in Birmingham, AL; a pair of gigs at Ameris Bank Amphitheatre in  Alpharetta, GA; and three concerts at Hampton Coliseum in Hampton, VA.

Seat Unique is set to host the Official Premium Afterparty at Co-op Live in Manchester following headline shows from Drake, Chris Brown and Mary J. Blige.

The premium ticketing platform will take over the venue’s Hideaway lounge in July, where guests can enjoy a private dance floor, live DJ sets and luxury drinks, in partnership with Armand de Brignac and Moët Hennessy.

Coldplay has topped Billboard’s Boxscore chart once again, touring across Hong Kong and South Korea in April. The British band played four shows at Hong Kong’s Kai Tak Stadium and six at Goyang Stadium in South Korea, raking in a total of $67.4m (£54m/€59m) and selling 502,000 tickets. The performances formed part of their Music of the Spheres World Tour, which launched back in 2022.

With 180,000 in attendance across four performances, and a $43.2m total, Kendrick Lamar and SZA were second.

After six years of working at famed Minneapolis venue First Avenue, Sonia Grover, Nate Kranz and the rest of the staff got phone calls one November morning in 2004 telling them to come get their stuff — the nightclub was closing. The legendary venue, best known as Prince’s stomping grounds and the site of his 1984 Purple Rain film, would be shuttering its doors for good. 

“We were just kind of told the doors are going to lock, so if you have anything in the building, get your s— and get it out of here,” says Kranz, who serves as First Avenue’s GM. 

 Creative Artists Agency (CAA) has announced the hiring of industry veteran and former UTA partner Brent Weinstein, who joins the agency as part of its senior leadership team. At CAA, Weinstein will oversee multiple aspects of the agency’s business, including Digital Media, Podcasts, Games, Talent Business Ventures, and Speakers. He will also contribute his expertise to the agency’s M&A and investment activities.

Want to keep up with when your favorite artists are playing in your city? Or why you should get to the venue early to catch the opening act? You’re gonna want to subscribe to What To See by Ticketmaster on Substack.

What To See is a newsletter made by folks who have written for Billboard, Forbes, Consequence, Vulture, NYLON, PAPER, Paste and many more. We’re out here going to shows every night of the week in New York, Los Angeles and even some places in between. Great news: We’ll tell you about these shows ahead of time so you can go, too.

Oak View Group has announced that the 2025 edition of the VenuesNow Conference will take place in Las Vegas—one of the world’s premier entertainment destinations—from September 9–11, offering three days of panels, keynotes, networking, and entertainment.

Presented by Lockton and Oracle, the eighth annual VNC will feature sessions on a wide range of venue-related topics, including content and bookings, hospitality, premium experiences, venue operations, and emerging trends in security, data technology, and women’s sports, among others.

Festivals company Wannasee Ltd has collapsed citing a “difficult trading environment” and a sudden decline in “customer confidence”. It means ten UK festivals due to take place this summer are now cancelled, while the future of two other events depends on ongoing negotiations behind-the-scenes