Chismes varios

If any one painting stands for mid-twentieth-century America, Nighthawks does. In fact, Edward Hopper's 1942 canvas of four figures in a late-night New York City diner may qualify as the most vivid evocation of that country and time in any form. For Evan Puschak, better known as the video essayist Nerdwriter, the experience of Nighthawks goes well beyond the visual realm. "I've always thought of him in a sort of aromatic way," says Puschak of the artist, "because his paintings evoke the same kinds of feelings and memories that I get from the sense of smell, as if he was channeling directly into my limbic system, excavating moments that were stored deeply away."

Claramente influenciado por el color vivo y las atmósferas limpias de los cuadros de Edward Hooper en lo formal, y en la grandísima "Muerte de un viajante" de Arthur Miller en lo conceptual, la obra del noruego Ole Marius Joergensen, titulada "Vignettes of a Salesman", son momentos e instantes de una vida imaginaria.

Mensajes con miles de retuits han popularizado Offices at Night en redes sociales.

If any one painting stands for mid-twentieth-century America, Nighthawks does. In fact, Edward Hopper's 1942 canvas of four figures in a late-night New York City diner may qualify as the most vivid evocation of that country and time in any form. For Evan Puschak, better known as the video essayist Nerdwriter, the experience of Nighthawks goes well beyond the visual realm. "I've always thought of him in a sort of aromatic way," says Puschak of the artist, "because his paintings evoke the same kinds of feelings and memories that I get from the sense of smell, as if he was channeling directly into my limbic system, excavating moments that were stored deeply away."

Cuenta Richard Tuschman que sus Hopper Meditations son una respuesta fotográfica personal a la obra del genial pintor estadounidense Edward Hopper.

Tuschman siempre se ha sentido fascinado por la forma de pintar de Hopper. Con una gran economía de medios, sus pinturas son capaces de hacer frente a los misterios psicológicos y complejidades de la condición humana.

Dirigida por Gustav Deutsch 
Interpretada por Stephanie Cumming, Christoph Bach, Florentín Groll, Elfriede Irrall, Tom Hanslmaier 

Trece pinturas de Edward Hopper cobran vida para contarnos la historia de una mujer que vive una realidad que no acepta.

Shirley es una mujer atractiva, carismática, comprometida y emancipada a la que le hubiese gustado cambiar el curso de la historia a través de su involucración profesional y sociopolítica. Una mujer que no acepta la realidad de la época que le ha tocado vivir - la América de los años 30 a los años 60 - y que se aferrará firmemente a sus convicciones.