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Scriveners' Trappings
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+11 today
Aids and resources for creators and teachers of writing, interactive fiction, digital stories, and transmedia
Curated by
Jim Lerman
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The Digital Rocking Chair's curator insight,
August 9, 2013 2:35 AM
Ben Woods: "Research group Latitude has been looking at the way that the Web and digital evolution has, and will, change the way people tell stories in the future, focusing specifically on how people want technology to play a part." 
malek's curator insight,
August 9, 2013 8:22 AM
Technology can make the ultimate fantasy come true: we live in the stories we watch on the screen. That will re-invent the way we think about brands. 
Lindsay Wilson's curator insight,
August 15, 2013 1:10 PM
How would you feel to listen to stories that interact with the GPS of your smartphone/tablet/computer to include appropriate sound cues and character introductions?
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Jasper Visser: "To address the most important issue first: there is no such thing as digital storytelling. There’s only storytelling in the digital age, and frankly speaking this isn’t much different from storytelling in the age of hunters, gatherers, dinosaurs and ICQ" ... Via The Digital Rocking Chair, Digital Maverick, Louise Robinson-Lay
ChelseyMarie's curator insight,
January 18, 2013 8:10 PM
What the video! It's amazing. Book Burn Pary!!! YESSS. |
Scoop.it!
The Digital Rocking Chair's curator insight,
September 12, 2013 3:30 PM
Story Horizon: "For web series, we can often see the effect of the studio audience in the analytics/statistics on the video itself. Oftentimes, viewers will give a video more of a chance when seeing the high view count or thumbs up, modelling the behaviour of the audience that preceded them and not unlike responding to the canned laughter of the now dead “audience” as Orson so morbidly pointed out in the clip" .... 
Andrea Rossi's curator insight,
September 14, 2013 3:16 AM
"Audiences, in the real sense of the word, are disappearing" (Orson Welles, 1979)
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Frank Rose: "It's never been easy to market an indie film—but in a blockbuster universe, getting people to care about a low-budget production devoid of stars and lacking the enormous, built-in fan base of The Dark Knight or The Hunger Games can seem all but impossible." Via The Digital Rocking Chair, Digital Cinema in Transition, Alexandre Pierrin
Bart van Maanen's curator insight,
May 25, 2013 4:28 AM
Het promoten van 'kleine', onafhankelijk geproduceerde films is vaak moeilijk. Hier een schets van een andere weg naar een groter publiek. Productie en promotie van films kunnen door internet en IP tv sowieso niet meer op de oude manier. |
Simon Staffans: "Today, we’re looking at not so much the death of the author as at the possible extinction of the author. And it’s all the fault of the audience!" Keynote, X Media Lab 2013, Lausanne, Switzerland.