Mike Seymore: "The net result is one of the most adaptable modern ‘transmedia’ pipelines able to render TVCs, press, game cinematics, animated features or TV series work."
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Transmedia: Storytelling for the Digital Age
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a look at the creative and technical worlds of immersive storytelling
Curated by
The Digital Rocking Chair
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Weta Digital’s CTO talks about the technological challenges of producing some of the most compelling and captivating performances in cinema today. 
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One of the paradoxes of animation says that if you make a character too lifelike, it crosses a line from cute to creepy. Does Spielberg's Tintin movie cross that line?
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The boy reporter's journey from cartoon panel to big screen is complete. Adam Dudding goes behind the scenes at Weta Workshop to find out how they did it.
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Andy Serkis [talks] up the future of video games as a mode of storytelling to rival the cinema
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James Iliff: "While on the second night of the incredible 5D Flux Conference on transmedia at USC two weeks ago, Henry Jenkins moderated a discussion with a number of luminaries from the previsualization and motion capture industries [...] The topic was on digital design and world building in the narrative media landscape – a topic that is vitally relevant to virtual reality, and couldn’t have been more timely."
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Innovative interactive features in a special-edition iTunes release of Avatar will reveal the techniques used by James Cameron in creating h...
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Bill Desowitz finds out how Digital Domain and Giant Studios took virtual production to the next level.
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A new clip for The Adventures of Tintin shows that the film's creators are making motion capture magic.
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A very technical look at House of Move's 'transmedia' pipeline.