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Scoop.it!
The Digital Rocking Chair's insight:
Judith Aston: "Having just convened our fourth i-Docs symposium, it feels like an opportune moment to reflect on what is meant by ‘interactive documentary’ and why we at i-Docs have always seen it as a way of framing a set of possibilities, as opposed to being a specific medium, genre or platform." 
Scoop.it!
The Digital Rocking Chair's insight:
Jess Linington: "A set of tools and resources for interactive documentary impact & engagement: including measurement guides, tools, research papers and articles."
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Scoop.it!
The Digital Rocking Chair's insight:
Krishna Stott: "Do Not Track is an interactive documentary that will tell you this – and more. This innovative media project examines what happens to your data online and what you can do to protect yourself against the venomous interests of Big Brother, Big Sisters and Big Business."
Scoop.it!
The Digital Rocking Chair's insight:
David Canfield: '"It's like the early days of any medium where artists were inventing the content and the form at the same time."'
Nora Morton's curator insight,
April 22, 2015 4:33 PM
Fascinating new ways to present narratives... "letting us experience stories in a visceral, multi-sensual, personal and participatory way." "Clouds over Sidra" is one of the projects featured in the exhibit created by vrse tools. This virtual reality project immerses the viewer into a Syrian refugee camp through the eyes of a 12 year old girl. Although vrse tools are out of my capacity to navigate, I can only imagine how cool it would be to recreate historical events in a virtual reality to allow students to explore the past in such an intimate way. 
Jeni Mawter's curator insight,
May 4, 2015 10:25 PM
Storytelling gets visceral. Exhibition allows audience to experience stories in a multi-sensual, personal and participatory way. |
Judith Aston: "Having just convened our fourth i-Docs symposium, it feels like an opportune moment to reflect on what is meant by ‘interactive documentary’ and why we at i-Docs have always seen it as a way of framing a set of possibilities, as opposed to being a specific medium, genre or platform."
Judith Aston: "Having just convened our fourth i-Docs symposium, it feels like an opportune moment to reflect on what is meant by ‘interactive documentary’ and why we at i-Docs have always seen it as a way of framing a set of possibilities, as opposed to being a specific medium, genre or platform."