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12 Things to Think About Before Committing to the Blackmagic Cinema Camera for Your Film. By Micah Van Hove (3 Videos)

12 Things to Think About Before Committing to the Blackmagic Cinema Camera for Your Film. By Micah Van Hove (3 Videos) | FASHION & LIFESTYLE! | Scoop.it

Posted by Micah Van Hove on April 4, 2013 • 

 

"When news of the Blackmagic Cinema Camera

dropped, I got that warm, giddy feeling. Everything I need in a camera and nothing I don’t! A few months of research later, I decided: this will be the camera I will shoot my feature film with. The quality of images this camera produces is superb. I love the dynamic range, the sharpness, the texture, and the richness in the blacks. I feel closer to shooting on film than I ever have. However, when it comes to peace of mind on set, it can leave a lot to be desired. There’s plenty of praises to sing, but I want to talk about some of the issues I’ve had with it, hidden expenses, and quirks to be aware of that are pertinent to the independent filmmaker. Click through for a list I’ve compiled after shooting two indie features with it, along with some comments from Dan May, the president of Blackmagic Design."

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NoFilmSchool.com


Via Thierry Saint-Paul
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Blackmagic Cinema Camera, Sony FS100, and Canon 5D Mark II Face off in a Hair and Skin Tone Test. By Joe Marine (03:14)

Posted by Joe Marine on January 17, 2013 • 

 

"Color is just about the most subjective aspect of any visual creation. Everyone sees color a little differently, so it’s no surprise that we talk endlessly about color science and about which cameras we prefer. Certain looks are too much for some people, and others are not enough. Blackmagic spent a great deal of time developing their color science with Australian Director of Photography John Brawley, and I think working with an actual shooter in developing their camera has made a significant difference in the visuals of the final product. Adam Roberts got a hold of the BMCC and performed a thorough test to compare the camera’s skin tones to that of the FS100 and the Mark II. Click through to check it out."

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Read more on NoFilmSchool.com


Via Thierry Saint-Paul
Gary Pageau's curator insight, February 5, 2013 9:13 PM

color tests on some high-end cinema cams...