Composer John Ottman shares about returning to the X-Men franchise after a decade-long absence. He shares about his new theme for Professor X, composing the score for the opening action sequence twice, the apparent relationship between Magneto's theme in X-Men: First Class and his theme for Wolverine in X2: X-Men United. He also talks about how using source cue/song can be more effective in a scene than an original piece.
Good deal on pre-order the CD version of the upcoming soundtrack for X-Men Days of Future Past. Artwork is much more colorful than one might have anticipated, too.
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Composer John Ottman shares about returning to the X-Men franchise after a decade-long absence. He shares about his new theme for Professor X, composing the score for the opening action sequence twice, the apparent relationship between Magneto's theme in X-Men: First Class and his theme for Wolverine in X2: X-Men United. He also talks about how using source cue/song can be more effective in a scene than an original piece.