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In this episode, YVES GOURMEUR shares how he approached scoring this film before having seen a single frame of film and the results after his pre-liminary scoring work was matched up to the edited film. He also talks about why he chose acoustic instruments over synths … even for a film that features a lot of communication technology. Lastly, he reveals how he stealthily employed some sound processing to provide some subtle audio special effects without sacrificing the organic nature of the instrument.
