Soundtrack
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Soundtrack
All things film, tv, and video game soundtracks
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Should Film Music Stand Alone? - PopMatters

Should Film Music Stand Alone? - PopMatters | Soundtrack | Scoop.it
PopMatters
Should Film Music Stand Alone?
PopMatters
In his recent interview with Jose Solís for PopMatters, Owen Pallett made an interesting remark that cuts right to the heart of what it means to write great film music.
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All the good tunes - Unscientific thoughts on the strange demise of the iconic movie theme.

All the good tunes - Unscientific thoughts on the strange demise of the iconic movie theme. | Soundtrack | Scoop.it
I’ve spent the last few days at a science conference for my day job, so I should know better than to cherry pick data to make a point. But all the same, here’s a shaky hypothesis to throw some objections at.

 

Film soundtrack composition has arguably never been stronger, more varied or imaginative. Alexander Desplat, Dario Marianelli, John Powell, Hans Zimmer, Max Richter, David Arnold – just a few favourites at the top of their game. And although minimalist and moody sometimes tops melody – think The Hours or Inception – there’s still life in the hummable tune, from The Artist to the X-Men. (Sorry, couldn’t think of a recent film starting with Z.) But, and this is my proposition, after a golden age lasting from the 1950s to the late 1980s, the last couple of decades have seen the demise, or at least the significant diminishing, of the iconic theme tune.

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[Podcast] Music Criticism as Contact Sport | WQXR - New York's Classical Music Radio Station

Great conversation about online music reviews and fan comments.

 

As almost anyone with a Facebook account knows, classical music criticism is going from spectator sport to participatory activity. Some people read the comments on articles or news feeds just as avidly as the actual reviews that precede them. Meanwhile, as newspaper arts coverage is cut back in many cities, blogs and Twitter feeds are a growing force in shaping conversations about the art form.

But where does this leave classical music? Is the Internet giving us a more democratic form of commentary – or a more shrill, unfiltered one?

 

This issue recently hit home for violinist Lara St. John, who publicly criticized Facebook commenters who were "piling on" by reposting and joking about a scathing New York Times review of a fellow violinist. In this podcast, St. John explains what she found so distressing. 

 

http://www.wqxr.org/#!/articles/conducting-business/2012/jul/12/music-criticism-contact-sport/

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