Nominate Industry Leaders in Innovation
If you know of any companies or products that exemplify innovation, submit nominations by email. We will also be accepting nominations at booth #C12129 during the show. Nomination entries should include:

Name of company
Specific product name and model number
How it's improving the production industry

Booth C161 @Fluotec Will have the Sony FS7II PXW-FS7M2 recording new #Cinelight & #Vegalux #Lighting #NABshow #Ligtwariors #WeLight via@Cinescopophilia

Imagen TV
Location:Mexico City, MexicoAffiliation:Network

An expanded version of @thefilmbook interview (Benjamin B ) with the cinematographer Stéphane Fontaine, AFC, published in the January issue of American Cinematographer, about his work on Jackie, directed by Pablo Larrain, with additional illustrations and comments that we couldn’t fit in the print version.

THE AMERICAN SOCIETY OF CINEMATOGRAPHERS
LOYALTY • PROGRESS • ARTISTRY

Explore photos of Excelsior TV's set design in this interactive gallery of the studio.

After Michael Mann set out to direct Collateral, the story's setting moved from New York to Los Angeles. This decision was in part motivated by the unique visual presence of the city -- especially the way it looked at night. Mann shot a majority of the film in HD (this was 2004), feeling the format better captured the city's night lighting. Even the film's protagonist taxi needed a custom coat to pick up different sheens depending on the type of artificial lighting the cab passed beneath. That city, at least as it appears in Collateral and countless other films, will never be the same again. L

CINEMATOGRAPHY SCHOOL: LIGHTING RATIOS 101

Soluciones Integrales de Iluminación para Fotografía Cine Video y Televisión