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Scoop.it!
The international Left promotes its own image rather than engaging in the bitter reality of resistance against neoliberalism. It does not need to believe in postmodernism because it is postmodernism. 
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Scoop.it!
My paper for the Integral Theory Conference is finished! Here are some experts from Stein, Z. (2015). Desperate measures: the global crises of measurement and their meta-theoretical solutions. Paper prepared for the 4th Biannual Integral Theory Conference, Sonoma, CA. July 2015. [pdf] Humanity must find a way beyond measures of total abstraction. While universalistic and scientific approaches to …
Scoop.it!
Criticisms of postmodernism are intellectually diverse, including the assertions that postmodernism is meaningless and promotes obscurantism. For example ...
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One particularly distressing hallmark of late modernity can be characterized as a cultural loss of the future.
Lee SCHLENKER's curator insight,
February 20, 2015 6:52 AM
As the Long Now Foundation co-founder Stewart Brand describes it, “civilization is revving itself into a pathologically short attention span,” driven by “the acceleration of technology, the short-horizon perspective of market-driven economics, the next-election perspective of democracies, or the distractions of personal multi-tasking.”
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We live in singular times. Some philosophers, like Vilém Flusser, call them postmodernist or posthistoric. Flusser stresses the loss of the dominant role of writing in the society and new ways of creating modes of valuation, perception and acting in the world. Sociologist Zygmunt Bauman refers to them as ‘liquid modernity’.
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Between the Modernists and the Postmodernists were the hippies. As a cultural moment, the 1960s and early ’70s are extraordinarily resonant with our own time—with echoes in organic farming, climate-change debates, digital communication, and the Black Lives Matter movement. It’s no surprise that the countercultural explosion has received attention in the design world recently, from the 2011 MoMA exhibit Access to Tools: Publications From the Whole Earth Catalog, 1968–74 to Maurizio Cattelan and Pieropaola Ferrari’s luscious book 1968: Radical Italian Design (Deste Foundation/Toiletpaper, 2014).
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From my own view, the problem is with the conceptual limitations of the dualistic categories of dialectical mind. For 2000 years, dialectical reasoning has grown in sophistication by creating synthetic (or transcendent or meta-) narratives to reconcile contraries. Postmodernism comes along and points out that meta-narratives aren't really doing the work that we supposed them to do. They don't really solve the dichotomies, they basically take one of three ways out 1) reduce them to conceptually more foundational dichotomies -- such that, for example, you have the ultimate contrasts in Buddhism "emptiness" and "form" and two truths doctrine (relative and absolute) , Schopenhauer gives us "world" and "representation" for Derrida we have "sameness" and "difference" or the ultimate contrast in Hegel "matter" and "spirit" or in Bhaskar "absence" and "identity" …. or 2) hold paradoxes simultaneously-- as "two sides of the same coin" -- this is Wilber's tetra-emergence, or Heidegger's paradoxical thinking, and also Nishida Kitaro's answer to Hegel, or 3) establish a meta-theoretical framework upon which the endless synthetic narratives can be adjudicated -- hence Integral theory is a meta-theory which contextualizes 'green' narratives as "higher" than "blue" narratives -- the problem is, a different meta-theoretical framework such as Critical Realism can, through explanatory critique, counter the Integral meta- framework, and so one is left with the frustrating position of having to formulate a meta-meta framework to contextualize the meta-theoretical frameworks. It is easy to show that this pushes the situation of "grand narratives" up a notch in terms of conceptual sophistication, but it does not solve the problem of grand narratives and as such is still subject to the post-modern critique (IMO).
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In his 1979 book The Postmodern Condition, Jean Francois Lyotard famously described the coming age of postmodernism as a the dissolution of grand narratives, that is, overarching schemes or horizons of thought that move the unifies social forces.
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Interesting times call for interesting books. In Capitalism 4.0: The Birth of a New Economy in the Aftermath of Crisis (2010) (and elsewhere) Anatole Kaletsky, Editor-at-Large of The Times, comes up with a thoughtful analysis of the past, present and future of global capitalism. Putting the events of the 2007-2009 economic crisis, epitomized by the fall of Lehmann Brothers, into a historical perspective, he writes:
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