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Peer2Politics
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on peer-to-peer dynamics in politics, the economy and organizations
Curated by
jean lievens
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Furtherfield's Marc Garrett provides a P2P/Commons oriented overview of the goings-on at Transmediale 2016 and the necessary conversations we have off-cloud 
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Copylove is everything we produce and reproduce that can take us closer to "good living", to a sustainable living, and not simply in monetary terms.
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Conversationpiece enables dialogues and participatory setups to talk about the most burning topics in post-digital culture today.
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A new anthology of essays, Build the City: Perspectives on Commons and culture,powerfully confirms that the “city as a commons” meme is surging.
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What would individualism and collectivity look like outside the logic of equivalence, i.e. comparing individuals based on external criteria, which was introduced in western modernity ? This book looks at the working of individuality and collectivity amongst Amazonian natives. * Book: Under a Watchful Eye: Self, Power, and Intimacy in Amazonia By Harry Walker. University …
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Copylove is everything we produce and reproduce that can take us closer to "good living", to a sustainable living, and not simply in monetary terms.
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'Patterns of Commoning' describes dozens of lively, innovative commons that are pioneering exciting new forms of production, governance and ways of living.
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There is a lot of talk about the difference between a "real movie" and a "back yard Indie." In this article we explore modern, no-budget filmmaking.
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The European Cultural Foundation and it’s partners the Connected Action for the Commons Network brought 50 idea makers together to Subtopia in Stockholm last month for their annual Idea Camp. Michel and I among others were invited to discuss and contribute ideas to creative projects of activists and artists from across Europe.
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Expanded concepts of agency allows us to question what or who can be an active participant and allowing for new perspectives on the debate on authorship.
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A rundown of all that's happening in #Gijón this fall at Somero 2015
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In 1996 I started working with Marc Garrett, an artist with a background in street art, bulletin boards and pirate radio in Bristol. Backspace, an early London cybercafe provided the inspiration for loosely organised, free artistic experimentation. It’s hard to imagine now, in the age of web2.0 (where the major web platforms are provided to offer a smooth exchange, in quiet service of commercial interests) the thrill of creating new platforms for art in the early days of the web. We engaged different kinds of people according to a specific artistic intent. Artists conciously crafted particular social relations with their platforms or artwares. [1] These things, connected with cultures of openness and freedom in the world of software and engineering, and undermined the idea of the individual genius artist; allowing us to reconnect with contemporary social and political contexts.[2]
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The Peer Production License (PPL) allows cooperatives and solidarity-based collectives, but not corporations, to monetize cultural works.
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I arrived at the Transmediale festival late Friday afternoon, which was hosted as usual at Das Haus der Kulturen der Welt (The House of World Cultures) in Berlin. The area where the building is sited was destroyed during World War II, and then at the height of the Cold War, it was given as a present from the US government to the City of Berlin. As a venue for international encounters, the Congress Hall was designed as a symbol of ‘freedom’, and because of its special architectural shape the Berliners were quick to call the building “pregnant oyster” [1] The exterior was also the set for the science fiction action film Æon Flux in 2005. Both past references link well with this festival’s use of the building. I remember during my last visit, in 2010, standing outside the back of the building watching an Icebreaker cracking apart the thick ice in the river. The sound of the heavy ice in collision with the sturdy boat was loud and crisp. This sound has stayed with me so that whenever I hear a sound that is similar I’m immediately transported back to that point in time. Unfortunately, this time round there was no snow, instead the weather was wet, warm and slighty stormy.
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Some enterprising commoners in Spain and Latinamerica have launched an crowdfunding campaign to translate and publish Think Like a Commoner in Spanish.
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Originally published on Shareable, Ann Marie Utratel of Guerrilla Translation and the P2P Foundation describes the thoughts that led to developing the #ThinkGlobalPrintLocal project.
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P2P Plazas: one year of research looking for interesting, challenging and inspiring autonomous experiences in Southern Europe
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Copylove is everything we produce and reproduce that can take us closer to "good living", to a sustainable living, and not simply in monetary terms.
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Creative Commons allows people to grant others freedom, but with very specific and often mutually exclusive conditions. And that’s only sort of freedom.
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Part research institute, part relational laboratory, part activist artwork, Ubiquitous Commons is hard to categorize.
jean lievens's insight:
i
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Human Ecosystems (HE) is an international city based project running from 2013. Its main goal is to explore the mutation of public spaces in cities, designing performative strategies to promote citizen participation and ubiquitous, peer-to-peer innovation processes, in which citizens and other types of urban dwellers are able to use the city’s infoscape: its informational landscape. The project …
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The Laboratory for Insurrectionist Imagination gathers artists and activists to co-create more creative forms of resistance and civil disobedience.
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For many centuries, the most important thing in an artistic work wasn’t beauty but its message and functionality.
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The sustainability and legitimacy of our global systems are called into question, our network cultures point to possibilities for mutual prosperity.
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BUILDING THE OPEN SOURCE CIRCULAR ECONOMY COPYRIGHT/IP CULTURE & IDEAS FEATURED PROJECT P2P ART AND CULTURE P2P TECHNOLOGYbui