KILUVU

PSCHUUU est un objet d’Arts Plastiques Vivants.
C’est un monolithe de 1m70 de côté, par 3m20 de haut.

Sous la forme d’un spectacle, il convie le public à une représentation plastique de 20 minutes.

Christoph Guillermet manipule les jets de sable, ouvrant la porte des imaginaires, conviant petits et grands à une rêverie étonnante.

L’objet est en proximité avec le public. Il n’y a pas de vitres. Le public est en prise directe avec la matière en mouvement.

http://karistouf.free.fr

The topic of this essay is artistic work. I am not, of course, an artist. But in spite of being quite specific in some respects, artistic work is not fully autonomous. It relies on the more general—social, economic, technical, and political—conditions of art production, distribution, and presentation. During recent decades these conditions have changed drastically, due first and foremost to the emergence of the internet.

In the period of modernity, the museum was the institution that defined the dominant regime under which art functioned. But in our day, the internet offers an alternative possibility for art production and distribution—a possibility that the permanently growing number of artists embrace. What are the reasons to like the internet, especially for artists, writers, and so forth? ...