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“The industry looks at Disney with envy,” Reif Cohen says. “It is a highly successful and unique strategy, well-executed and hard to duplicate.” 
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Scoop.it!
Fujifilm won a Sci-Tech Oscar this year for its contribution to motion pictures, but Deadline hears the division of the company that produces motion picture film is set to close by December 31. A Fuji spokesperson said they were unauthorized to answer any questions. However, industry sources say they are aware of the plans. “They clearly are going around telling people,” one says. Fuji film is used for about 20% of studio business with Kodak repping the other 80%, I’m told. While there remain stalwarts, fewer movies are shot on film today and eventually, a source opines, no one will be manufacturing it. However, film is still considered the best medium for archival preservation given the unknowns surrrounding the future of digital archives. In that regard, there’s a bigger general question facing the industry as it tries to work out what will be the best long-term solution.
http://www.deadline.com/2012/01/oscars-eight-sci-tech-awards-announced/#more-210404
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Film Stocks is a unique filter that simulates 288 different color and black and white still photographic film stocks, motion picture films stocks and historical photographic processes. Using our experience in creating special effects for hundreds of feature films as well as expertise in film scanning and recording techniques, we have laboriously researched and analyzed different film stocks to come up with a set of interesting analog photographic, motion picture and vintage looks. Make any digital image look interesting by applying some of our film magic.
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En pocas palabras, el formato Super 16 es una variación del formato de 16 mm original que aumenta el área de imagen de negativo expuesto y extendiéndose sobre el área de la película que estaba reservada para la banda de sonido óptico en el formato de 16 mm estándar.
SIGNAL GROUP's insight:
¿Qué es el formato de #Cine Super 16? ahora tan de moda gracias a la #BMPCC Blackmagic Pocket Cinema Camera El Super 16 es un formato relativamente nuevo de película de cine que se aprovecha de la zona de la pista de sonido sin utilizar en la película de 16 mm para aumentar la calidad de la imagen en un 20% y un 65% dependiendo de la relación de aspecto. El formato Super 16 fue desarrollado originalmente en Suecia en 1969 como un medio para filmar películas de bajo presupuesto para que luego se amplíaban opticamente hasta 35 mm (Blow-UP) en la relación de aspecto Europeo de Cine 1.66:1
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Walter Bach demonstrates his latest camera, the Auricon Pro 1200, next to his swimming pool in Hollywood. The Kodachrome original was badly damaged -- shrunken, torn perfs, vinegar syncrome, cupped -- but it was scanned without any repairs at about 10 fps using a Kinetta Archival Scanner. The original scan was at 3296 x 2472, 12-bit. The optical track was extracted from this picture scan using AEO-Light software from the University of South Carolina MIRC (thanks Greg and Borislav). No EQ or other work was done on the audio. This is just a test scan, rough graded. Thanks to Martin Hill for the loan of the footage -- get well soon, Martin!
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“The industry looks at Disney with envy,” “It is a highly successful and unique strategy, well-executed and hard to duplicate.”