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Working with Log material can be difficult at times, so we have put out a couple of different LUTs for use when using the Sony F3′s S-Log or Canon Log from the Canon C300. You can download the F3 LUTs here and the C300 LUTs here, as many of you have already done. Arri has their online LUT Generator, and the Technicolor CineStyle LUTs are available when using the CineStyle profile on the 5D Mark II. 
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Posted by ARRI on August 10, 2012
..."Jean-Jacques Neira, who served as producer on the film, felt that in addition to cinematic images, the ALEXA delivered efficiencies throughout the production. "In addition to images being recorded to hard drives, the ALEXA also gave us a very light, easy-to-handle down conversion that allowed us to keep our producing partners in France, Belgium and Germany informed about what was happening on the set in New York," says Neira. "It was much handier than DVD dailies and overnight packages. And when it came to postproduction, the ProRes files were extremely flexible and easy to translate from one machine to another, which saved us a lot of time." ... Via Thierry Saint-Paul
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Simulador de Alexa. Está aplicación de entrenamiento es interactiva y te permite conocer y familiarizarte con la navegación del menu de las Cámaras Arri Alexa
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The ARRI MMB-1 is designed for use with smaller HD camera bodies.
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The Matte Box-20 (MB-20) series easily adapts for use with lightweight support, bridge plate support rods, or clamped onto and supported by the camera lens. ...
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