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NEW VEGALUX 300™ a powerful 12” 300W BiColor Motorized Zoom DMX Dimmable StudioLED Fresnel 
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Sony Digital Cinema firma un acuerdo con Dcinex para fomentar la proyección en 4K de Sony por toda Europa... Dcinex se ha comprometido recientemente a adquirir una gran cantidad de sistemas de proyección de cine digital 4K SRX-R515 de Sony, diseñados para brindar una alta calidad de imagen en pantallas de tamaño pequeño y mediano. El cambio progresivo de los 35 mm a las pantallas digitales 4K (sobre todo en el caso de los cines independientes) permitirá a Dcinex ofrecer a clientes y espectadores mayor libertad de elección, no solo a la hora de ver los estrenos más sonados, sino también la gran variedad de contenidos 3D y 2D que se ofrecen en directo o en grabación.
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The UltraStudio 4K audio i/o interface now represents the top end Thunderbolt device from Blackmagic Dual Link 3G SDI (3 Gb/s SDI) connections, supports SD, HD up to 1080p60, 2K and 4K. Media Express capture and playback software.
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Posted by Juliet McNally on May 21, 2013 •
"4K was the definitive buzzword at NAB this year, as well as CES, with a number of manufacturers releasing 4K televisions, 4K game systems, and 4K cameras. With the consumer demand for 4K content just around the corner, one of the most often asked questions is “How much is this gonna cost us?!” After polling a number of industry sources, I decided to try and break down the costs of shooting, color correcting, and finishing in 4K to show that it isn’t as intimidating as you might think.
Let’s use a typical multi-camera one-hour television drama (such as Game of Thrones) shooting six hours of footage per day with nine cameras. And let’s assume that everything is shot in ProRes 4444 at 24fps, just to make it a little easier to get some figures. Additionally, let’s say they’re using a camera that can shoot both formats, so the production equipment is the same, but the amount of media and storage will differ. This isn’t a magical camera, by the way, there are plenty of cameras that offer 4K and 1080 recording options in the same codec, as well as external recorders like AJA’s Ki Pro Quad or the new Odyssey 7Q from Convergent Design." ... blog.abelcine.com Via Thierry Saint-Paul
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Sony Pictures Entertainment recently finished a 3-year process culminating in a stunning 4K restoration of the 1962 masterpiece Lawrence of Arabia, completed just in time for the film's 50th anniversary.
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Film-Term Glossary: Understanding the Differences Between 2K, 4K, 35mm, 70mm and More. Read this and other movie news, reviews, and more at Movies.com.
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Via @BroadcastBeat #NABshow
NEW VEGALUX 300™ a powerful 12” 300W BiColor Motorized Zoom DMX Dimmable StudioLED Fresnel