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Un projet dédié au détournement de machine à tricoter pour une exploration et une accessibilité au design maille. Un temps d'expérimentation, de recherche, de réflexion et de pratique pour explorer les liens et les interactions possibles entre le textile et le numérique à travers un outil : la machine à tricoter.
Un projet de l'association Sew&Laine, Louis Eveillard, Processing Bordeaux et 2roqs. 
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The Critical Engineer considers Engineering to be the most transformative language of our time, shaping the way we move, communicate and think. It is the work of the Critical Engineer to study and exploit this language, exposing its influence.
The Critical Engineer considers any technology depended upon to be both a challenge and a threat. The greater the dependence on a technology the greater the need to study and expose its inner workings, regardless of ownership or
The Critical Engineer raises awareness that with each technological advance our techno-political literacy is challenged. ...
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Non conventional art, communication guerrilla, radical entertainment. The Influencers explores controversial forms of art and communication guerrilla, presenting independent projects that play with global popular culture, infiltrate the mass media, and transform fashions, consumption and technological fetishism. The key to The Influencers is found in its guests and stories: impostors, pseudo-totalitarian musicians, conceptual hackers, deviant geographers, anarchitects and actors from invisible theatre. In these three days they are going to present their work, show known and less known material and speak with the public about challenges, goals and strategies. With The Influencers, the border between disciplines is erased (since the message really is the message, and the medium is just a tactic), links between apparently distant projects are found, and bold genealogies are drawn between different countries and generations. Ambiguities are also explored and contradictions are discussed. In the manipulation of everyday symbols, as well as within what is excessive and politically incorrect, we will possibly find inspiration for changing the present and imagining the future.
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La 6e édition de Pas Sage en Seine a le plaisir de vous recevoir à Paris, du 26 au 29 juin 2014, à Numa. Rendu possible par un ensemble de partenaires (Bearstech, La Cantine, Ckab, Reflets.info, Toonux, Silicon Sentier, la Région Ile de France, La Fonderie...), il est surtout piloté par des volontaires qui viennent partager avec vous leurs passions, leurs analyses, leurs travaux de recherche... Pas Sage en Seine, c'est un programme de conférences et d'ateliers, l'entrée y est toujours libre, gratuite et ouverte à tous. Les sujets abordés y sont vastes et plus ou moins techniques mais l'objectif de ces rencontres est bien de faire comprendre à tous l'ensemble des disciplines du Hacking, de l'informatique à l'économie en passant par l'art, l'électronique ou la presse, jusqu'à la vie de tous les jours.
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The Hacktory was formed in November 2007 by a group of art and technology enthusiasts who frequented monthly MakePhilly meetings. This group wanted to provide formal instruction in technical topics and a central meeting place with accessible, sophisticated tools. The first course offered, “Microcontrollers for Artists and Makers,” was an instant hit. Stan Pokras, the Executive Director ofNonprofit Technology Resources (NTR), quickly saw how The Hacktory could further his organization’s mission of bridging the digital divide and reducing e-waste and offered space to hold events, store shared equipment, and become The Hacktory’s fiscal sponsor. The Hacktory has continued to provide classes and events that build our mission to inspire and empower people to use technology for their own personal expression. We want to reinforce the idea that our world is malleable – the devices and spaces we interact with everyday can be re-purposed and modified to create new experiences. ...
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From
rhizome
Recent studies have shown that the electrical resistance in soil above a buried carcass has a different resistivity to that of near by soil due to the decomposition of bodily tissue. The body leaves a “real”, quantifiable electrical trace when it is dead. Following this idea that traces of the dead can be measured via electricity it may be possible that these traces can be found elsewhere such as in the electromagnetic field.
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A full weekend of music hacking. Software + hardware + art + web. Come build the future of music. April 20th-21st, 2013
Music Hack Day is an international 24-hour event where programmers, designers and artists come together to conceptualize, build and demo the future of music. Software, hardware, mobile, web, instruments, art - anything goes as long as it’s music related.
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The Recyclism Hacklab is an autonomous and self-funded space, hosted by CTVR (the telecommunications research centre) headquartered in Trinity College Dublin (TCD).
The idea is to offer to members a shared physical space with basic electronic tools (Prototyping tools, soldering stations, hand tools, breadboards, wiring supplies etc…) and storage for ongoing projects. In addition to the use of the workshop, mentoring sessions are available several days a week for electronic (Arduino), programming (Pure Data, Max/Msp, Processing), web, conceptual support, etc… with private mentoring sessions available. Occasional guest speakers and presenters will also be announced. The Hacklab research interests include (but are not limited to): Video, Sound, Programming and algorithmic processes, Interactive and media installation, Physical computing and interface, Art games, Performance.
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The London Video Hack Space is a place to share ideas, thoughts, knowledge, technologies, processes and aesthetics on video. We welcome artists, engineers, students, and everyone interested in any video technology !!!
These are the main areas of interest identified so far, any suggestion/idea is very welcome : - Cinematography- Video / Photo cameras- Filming techniques- Direction and editing- Codecs and compressions algorithm- Real time video (generative and loop based)- A/V synchronization- Motion capturing- Video software (After Effects/Cinema4d/Resolume/Modul8/Arkaos/VDMX/Syphon/Quartz)- Green screen- Interactive design- Installations- Mapping- Midi / Osc with physical or touch interfaces- Gestures, body and facial recognition- Video Journalism
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Le LOL est une émanation du mouvement mondial hackerspace/hacklab et se veut ouvert aux échanges et collaborations avec les autres groupes.
En avril 2011, le LOL a rejoint les Petits Débrouillards de Lyon.
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School of Machines, Making & Make Believe is a uniquely curated School born in Berlin, Germany in 2014, keen on inventing one-of-a-kind hands-on learning experiences in the areas of art, technology, design, and human connection. We embrace art, creativity and exploring the latest technology and ourselves with humility and curiosity.
In bringing together an ever-changing constellation of talented instructors, themselves distinguished artists, designers, makers and other professionals from around the globe, and providing a space where imaginations can run wild, our students come to us ready to expose their creative innards to the world in their own unique ways as they learn to work with new tools and people who can help make it happen.
We teach tangible skills like how to code, work with electronics and use digital fabrication tools while exploring concepts, narrative and play. Our goal is to help people take the fantastical ideas inside their heads out into the physical realm to further their artistic practice or to help wrestle out the confidence to begin one. We teach technology to artists and design, creativity, and art to the technology community.
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(Art)ScienceBLR is a public laboratory at the Srishti Institute of Art, Design and Technology for artists and designers to engage with scientific practices. Residencies, exhibitions, workshops, talks...
We look at the artistic, social and political implications of technologies from computing to biotechnologies. Our work exists at the intersection of art-science and pedagogy, creating spaces of dialogue and interaction between artists, designers and scientists.
Since our inception in 2009 we have focused on using DIY techniques to build low-cost laboratory equipment, so as to offer more accessible forms of engagement with the life-sciences.
We also run a community electronics and BioLab which encourages students and the community to make/hack and prototype.
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22EME SIECLE, LES FILMS D’UN JOUR ET LA BELLEVILLOISE vous invitent à rencontrer « les gardiens du nouveau monde » lors d’une soirée ludique, artistique et gEEK
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Artistes bidouilleurs, techniciens inspirés, le Artlab et les Ekluz vous invitent le samedi 1er mars à venir créer, prototyper, vous faire plaisir, lors du Hack Machine, 3ème édition.
A cette occasion, les équipes du Artlab et des Ekluz ouvrent leurs portes et vous invitent à venir réaliser des prototypes étranges, bizarres, poétiques, ou artistiques. Ce que vous voulez, ce qui vous plaira.
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Brighton Digital Festival 2013 has over 100 events celebrating digital creativity and innovation. What will you be attending this September?
Brighton Digital Festival is a grassroots festival and the majority of events are organised by members of Brighton’s digital and arts communities. This network of independent organisers offers a huge and diverse programme that reflects the richness and variety of what goes on across the City. It also enables a festival at a scale that would be otherwise impossible.
The festival is coordinated by Wired Sussex, who support the network of organisers, provide a single voice for the festival, and look after the joined up communications and PR to help spread the word to audiences and participants.
This coordination takes place in association with Lighthouse, who produce a programme of exceptional art and education activities throughout the festival month.
A volunteer steering group made up of representatives from the wider BDF community guides the festival’s broader, longer-term direction and development. ...
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A la base du THSF il y a les hackerspaces qui sont des laboratoires plus ou moins formels où tous ceux qui le désirent se regroupent sur des projets touchants à la science, aux technologies, aux arts numériques et à l'informatique. Le THSF permet donc de créer une rencontre qui brasse des gens venant d’horizons culturels et techniques très divers, autour de l’utilisation créative des technologies, leur appropriation et la compréhension des enjeux qu’elles suscitent. Cette année le thème sera le « RE » l’évènement s’articulera autour de la REconstruction, REprogrammation, REinitialisation et de la bidouille en général.
Comme chaque année l’évènement s’articulera autour de conférences, ateliers pratiques et propositions artistiques (concerts, performances, installations…). Ce partage de connaissance se déroulera comme chaque année dans une ambiance festive, conviviale et interactive. Comme pour les éditions précédentes, les rencontres seront enregistrés et retransmises en streaming sur internet, avec en plus cette année le plateau de (des)information TV
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Social Hacking is a series of temporary public art commissions for Plymouth by international artists’ groups against a backdrop of urban regeneration. The project reflects the ways in which these changes to the city can be further influenced by creative human intervention.
Featuring commissioned work from The Institute for Applied Autonomy (USA), Mikro Orchestra Project (Poland), and Ludic Society (Austria/Switzerland). The event also includes the pre-launch of c6’s (UK) new Dot Master project Mobility in the art market, a Mikroparty including performances by Tetine (Brazil) and Mikrokilla & Jura (Poland), project newsroom, artists’ run workshops, workshops by The Pirate University, and a public seminar with presentations by Saul Albert (UK) and McKenzie Wark (AUS/USA).
The project is produced by KURATOR in collaboration with i-DAT, and is funded by Arts Council England, South West and Plymouth City Council, with additional support from citylab_plymouth, Deep Blue Sound, Drake Circus Shopping Centre, The Hub, Plymouth Arts Centre, Plymouth City Museum & Art Gallery, Pyramid Presentations, ride cafe/bar and University of Plymouth.
The project is curated by Birgitte Aga, Geoff Cox, Joasia Krysa, Anya Lewin.
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Our workshops offer participants to become familiar with basic hardware and software design while at the same time gaining hands-on experience making an interactive art project. The workshops are open to participants of different backgrounds, and no programming or electronic skills are required. The idea is to start from scratch and create a complete project by the end of the workshop, including concept, design, electronics / interfacing, and functional programming with Arduino, Max/Msp, Pure Data or Processing.
Deconstructing readily-available, cheap electronic devices into interactive tools is more than a lot of fun; the process offers the same visible, hands-on learning and understanding acquired through dissection. By re-purposing second-hand hardware or cheap toys, a commercial, mass-produced product is transformed into a unique device, with potential for new and original means of expression or communication. The boundaries of a device are set by the manufacturer (planned obsolescence); those limits can be redefined by such creative recycling.
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The London Hackspace is a non-profit, community-run hacker space in central London. We provide a space where people who make things can come to share tools and knowledge.
We have a great space in Shoreditch, right next to Hoxton station, which is open to our members 24 hours a day, and we hold regular free hack evenings and workshops which are open to everyone.
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NYC Resistor is a hacker collective with a shared space located in Boerum Hill, Brooklyn. We meet regularly to share knowledge, hack on projects together, and build community. If you’re interested in joining NYC Resistor, come to some of our public meetings (like the study group listed below) or join the NYC Resistor mailing list.
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