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Art Installations, Sculpture, Contemporary Art
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The diversity of approaches. You can see more at: https://fr.pinterest.com/alternatiview/installation-art-sculpture-contemporary-art/ or at: https://www.pinterest.fr/alternatiview/
Curated by
Anne Bak
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Patrick Dougherty: Na Hale ‘o waiawi [*]. The Contemporary Art Museum, Honolulu, Hawaii (2003)
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Aleksandra Lawicka-Cuper: "Insubordination", 2011, Gdansk, Festival "Rozdroza Wolnosci"
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An enviromental installation: "Forest of Photosynthesis", One person show Shigeko Hirakawa, Kanaz Forest of Creation in Japan, 2011
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Wela (Elisabeth Wierzbicka): “Multiplication” comprises an ensemble of black and white drawings on tubular supports hanging from a plane tree. Installation made for The Street Arts Festival, Sotteville-lès-Rouen, 2006, mixed media
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Giorgos Gyparakis: "Yin-Yan", 2011 Giorgos Gyparakis visualizes the fulfilment of the ‘fable’ that positively commands the mutation of the biological human, that is, the arrival of the next human kind, in the form of a new, non-human, super creature.
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Shigeko Hirakawa, One person show, "Air in Peril " at Kanaz Forest of Creation, Awara City, Japan, 2011
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Ludwika Ogorzelec, “Mist” from the Space Crystallization Cycle, 2007, Toronto, Ontario, Canada
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Jonathan Brilliant, "Have Sticks Will Travel World Tour", installation 2009, Lightwell Gallery Brilliant has been working on the installation using a creative process where he weaves together 60,000 wooden coffee stir sticks. The entire structure is supported only by tension.
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Giorgos Gyparakis: "I have news for you", Medussa+1 Art Gallery, Athens, 1995
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Wela (Elisabeth Wierzbicka): Sculpture-Installation "The pedestal for a tree" made for the Museum of Contemporary Sculpture "Europos Parkas, 2000, Vilnius, Lithuania The philosophical tribute to the tree as a creation, which may be more complete, more complex than the creation of an artist? The viewer can physically and mentally take his own position towards the work of a creator and the work of nature. The stairs are oriented towards the four cardinal points, as an input and an output to the world.
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Bob Verschueren: "The vegetable kingdom", 2010. The artist uses trees and branches from the garden of Chaumont-sur-Loire to create impressive sculptures depicting the beauty but also the decay of things. An invitation to meditation.
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Wela (Elisabeth Wierzbicka): “Multiplication” comprises an ensemble of black and white drawings on tubular supports hanging from a plane tree. Installation made for The Street Arts Festival, Sotteville-lès-Rouen, 2006, mixed media
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Wela (Elisabeth Wierzbicka), an enviromental installation: "Crown of Thorns", 2011, Paris International Golf Club, Baillet-en-France Crown of thorns, borrowed from Christianity, Wela symbolizes both the vivacity of nature, considering it as a creation much more complex than can be that of an artist, and the image of a nature suffering, what we need to defend and protect.
Merlin alejandra Diaz Guisao's curator insight,
September 20, 2022 1:03 PM
analogías profundas, ejemplificando el sufrimiento que un día se vivió y ahora, comparando con la naturaleza que sufre y debemos cuidar.
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François Méchain: "The tree scales", The International Garden Festival of Chaumont sur Loire, 2009 Reference to the novel by Italo Calvin, "The Baron in the Trees", whose hero took refuge in trees to escape the constraints of ordinary life, this "tree scale" of the sculptor and photographer François Méchain is an invitation to look at the poetic world from another point of view, further, to above.
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Claire Morgan: "Clearing", Exhibited at Life. Blood., Galerie Karsten Greve, Paris, 2009 Her installations incorporate natural organisms and manmade materials. Insects, leaves, fruit and seeds, but also glass shards and torn bits of polythene are suspended in mid-air by their thousands, each entity attached to one thread.
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"Cityscape"-Created for the duration of two years the Quartier Louise in Brussels was enlightened by wooden sculpture created Arne Quinze. September 2009.
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