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Wela: "Messenger Tree", 2018, installation in the garden of Maison-Atelier Daubigny, Auvers-sur-Oise
https://wela.wordpress.com/2018/06/02/art-in-the-garden-auver-sur-oise/
https://wela-art.blogspot.com/2018/06/maison-atelier-de-daubigny-auvers-sur.html
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Wela: "China's tranformation", ephemeral installation, 2012, Shanguyan Art Museum, Beijing
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Alain Delorme: Murmurations series - Ephemeral Plastic Sculptures, 2012-2013. These are actually plastic bags representing birds, the artist seeks to question the fragility of the ecosystem against pollution.
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Alain Delorme: Murmurations series - Ephemeral Plastic Sculptures, 2012-2013. These are actually plastic bags representing birds, the artist seeks to question the fragility of the ecosystem against pollution.
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FILM : "Artist Red Hong Yi has created a living portrait of Aung San Suu Kyi with 2000 white carnations and red dye mixed with water. Courtesy YouTube/ohiseeRED"
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Paul Cocksedge: A gust of wind, 2010, V&A’s Friday Late Night Event, London
Minna Kilpeläinen's curator insight,
December 21, 2012 7:41 PM
I get to see Paul Cocksedge´s work only from the website for now, but it seems to me that he has a very light touch and sparkling ideas in his works of art. A gust of wind is one of them. The Installation Swarowski seems to have that same delicate mood.
My favourite installation is the Auditorium. Cocksedge has created a beatiful, fragile web around a small seminar space which lightens the ideas up in a dreamy way.
I would also like to see the view inside those cones in the installation Sestosenso.
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Jan Kopp: "The curve of the refren", breads, Maubuisson Abbey, Sait-Ouen l'Aumône, 2011
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Xu Bing's 9/11 commemoration, Where Does the Dust Itself Collect? on view at the Spinning Wheel Building, 5 West 22nd Street in New York, Sept. 14-Oct. 9, 2011, under the auspices of the Lower Manhattan Cultural Council
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"Discover the artists working with and in nature in the footsteps of Andy Goldsworthy or Christo ..."
Slides, works of different artist such: Vincent Leray, François Abélanet, Olivier de Sepibus, Zazu, Nikolay Polissky, Urs-Peter Twellmann, Shigeko Hirakawa, Patrick Dougherty, Jean-Pierre Brazs, Roger Dautras, Emmanuel Plume, Wela (Elisabeth Wierzbicka), Elena Paroucheva, François Frechet, Gilles Brusset, Marie-Hélène Richard, Sophie Goyard, Christophe Dumont, Anne Laure, Christophe Gonnet, Cathy Astolfi, Marie-Line Van Vuuren, Made, Pedro Marzorati , Dimitri Xenakis, Edith Meusnier, Didier Ferment, Philippe Cusse, Sylvie Verhee, Marie Denis, Fred Périé, Brigitte Sillard , Eizo Sakata, Olivier Edelin, Myriam Roux, Michel Davo, Jean-Yves Piffard, Marie-Sophie Koulischer, Polska, Laurent Gerbouin.
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Wela: "Messenger Tree", 2018, installation in the garden of Maison-Atelier Daubigny, Auvers-sur-Oise
https://wela.wordpress.com/2018/06/02/art-in-the-garden-auver-sur-oise/
https://wela-art.blogspot.com/2018/06/maison-atelier-de-daubigny-auvers-sur.html
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Slawek Matyjaszewski: Paper boats on the water, 2015, Lagoon Zemborzycki in Lublin, Poland
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Alain Delorme: Murmurations series - Ephemeral Plastic Sculptures, 2012-2013. These are actually plastic bags representing birds, the artist seeks to question the fragility of the ecosystem against pollution.
Scoop.it!
Alain Delorme: Murmurations series - Ephemeral Plastic Sculptures, 2012-2013. These are actually plastic bags representing birds, the artist seeks to question the fragility of the ecosystem against pollution.
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Hong Yi: 2000 dyed carnations, Sutera Magellan Golf and Country Club, 2013
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A carpet made from sugar (over two tons) by artist Aude Moreau, 2013, Smack Mellon Space, Brooklyn According to the artist, the installation is a way of turning people’s attention to a process of production that is undervalued, using the industrial character of the Smack Mellon space to bring out the industrial manufacturing of the sugar.
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Regine Ramseier : "Wunderkammer", ArToll, Summer Lab 2011
Around 2000 withered dandelion flowers alive and easily commute from the ceiling. A symbol of life and birth. A symbol of vanity. A moment to pause. Hold your breath and turn to the transient of a breath. Marvel at the miracle chamber.
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Since the late 1990s Sarah Sze's signature sculptural aesthetic has presented ephemeral installations that penetrate walls, suspend from ceilings and burrow into the ground. The artist creates immense, yet intricate...
