Art Installations, Sculpture, Contemporary Art
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Kim Adams: Auto Lamp

Kim Adams: Auto Lamp | Art Installations, Sculpture, Contemporary Art | Scoop.it

Kim Adams: Auto Lamp, illuminated Scotiabank, Nuit Blanche Toronto, 2012


http://www.diazcontemporary.ca/Artists_Adams.html

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Olivier Kosta Théfaine: "Garden"

Olivier Kosta Théfaine: "Garden" | Art Installations, Sculpture, Contemporary Art | Scoop.it

Olivier Kosta Théfaine: "Garden",  "Nuit Blanche 2011", Jay Cognaq Museum, Paris

 

http://www.olivierkostathefaine.com 

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Light Installation by: Robert Stadler

Light Installation by: Robert Stadler | Art Installations, Sculpture, Contemporary Art | Scoop.it

Light Installation by: Robert Stadler at Saint-Paul Saint-Louis cathedral in Paris / Nuit Blanche Paris 2007
Visitors enter the church through a lateral door and first see a scattered group of luminous spheres hovering in the choir. As one approaches the center of the entrance, the spheres form a giant question mark. They become a punctuation mark superposing religious symbols. As one moves through the church, the question mark decomposes. The figure becomes abstracted again in order to echo the figures of hanging cathedral lights. Contrasting the symmetry of the edifice, these luminous suspension points are like a sort of musical notation or holes punctuating the architectural volume. The question (or doubt) is absorbed by the space.

 

www.robertstadler.net/

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Jacqueline Dauriac: Follow my pink plume

Jacqueline Dauriac: Follow my pink plume | Art Installations, Sculpture, Contemporary Art | Scoop.it

Jacqueline Dauriac: Follow my pink plume, 2012, Nuit Blanche, Paris

 

http://jacquelinedauriac.net 

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Light Installation by: Robert Stadler

Light Installation by: Robert Stadler | Art Installations, Sculpture, Contemporary Art | Scoop.it

Light Installation by: Robert Stadler at Saint-Paul Saint-Louis cathedral in Paris / Nuit Blanche Paris 2007
Visitors enter the church through a lateral door and first see a scattered group of luminous spheres hovering in the choir. As one approaches the center of the entrance, the spheres form a giant question mark. They become a punctuation mark superposing religious symbols. As one moves through the church, the question mark decomposes. The figure becomes abstracted again in order to echo the figures of hanging cathedral lights. Contrasting the symmetry of the edifice, these luminous suspension points are like a sort of musical notation or holes punctuating the architectural volume. The question (or doubt) is absorbed by the space.

 

www.robertstadler.net/

No comment yet.