Ai Weiwei: Arch, 2017, Washington
https://news.artnet.com/exhibitions/ai-weiwei-public-art-fund-fences-1112168#
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Art Installations, Sculpture, Contemporary Art
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The diversity of approaches. You can see more at: https://fr.pinterest.com/alternatiview/installation-art-sculpture-contemporary-art/ or at: https://www.pinterest.fr/alternatiview/
Curated by
Anne Bak
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Ai Weiwei's hangs, bamboo + paper kite creatures in Paris' le Bon Marché department store, 2016 
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Ai Weiwei: Circle of Animals / Zodiac Heads
Ai Weiwei: Circle of Animals / Zodiac Heads, FIAC 2015, Jardins de Tuileries, Paris, Lisson Gallery
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Ai Weiwei jumps in front of his sculpture "Forever" at the base of the the "Gherkin" tower in the City of London on September 16, 2015
more at : http://citizen.co.za/afp_feed_article/chinese-dissident-artist-ai-weiwei-opens-major-london-show/
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Ai Weiwei: ‘Stroller’, the Royal Academy of Arts in London, 2015
See more at: http://www.themalaymailonline.com/gallery/view/ai-weiwei-opens-retrospective-in-london#sthash.j1fgvqak.dpuf
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Fox News
Art on Alcatraz: Exhibit by Chinese Artist Ai Weiwei opens at America's most ...
Fox News
A highly anticipated exhibition at America's most famous prison by one of China's most prolific contemporary artists will open to the public Saturday.
Via Giuseppe Galetta
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Ai Weiwei: Forge, 2008-2012, Mary Boone Gallery
the long steel reinforcing bars recuperated from the schools which collapsed during the Sichuan earthquake in 2008
https://artsy.net/post/venicecollateral-ai-weiwei-disposition
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Ai Weiwei: Ordos 100 Model
Ai Weiwei: Ordos 100 Model, 2011, Continua Gallery / le Moulin, Boissy-le-Châtel, France, 2013
http://www.galleriacontinua.com
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As part of the 2013 Venice Art Biennale, Chinese artist Ai WeiWei has created a new installation made of 886 three-legged wooden stools produced by traditional chinese craftsmen. The piece titled "Bang" is inspired by the artistic and cultural traditions of China, where every family had at least one stool, which served all sorts of domestic purposes and was passed on from generation to generation. Here the single stool can be seen as a metaphor for "the individual and its relation to an overarching and excessive system in a postmodern world developing at lightning speed."
Via Jean Francois Diord
Karen Elizabeth Burton's curator insight,
October 23, 2013 2:51 AM
Pull up a stool has a new meaning
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Ai Weiwei: ‘Stacked’, 760 Stacked Bicycles, Galleria Continua, San Gimignano, 2012
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Ai Weiwei: Fragments, 2005. Ironwood (tieli). Tables, chairs, parts of beams, and pillars from dismantled temples of the Qing dynasty (1644–1911). Sigg Collection
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Ai Weiwei: “Think Different (How to hang workers’ uniforms)”, 2015, Örebro, Sweden
https://streetartnews.net/2015/08/ai-weiwei-unveils-new-street.html
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Ai Weiwei's hangs, bamboo + paper kite creatures in Paris' le Bon Marché department store, 2016
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Ai Weiwei: Circle of Animals / Zodiac Heads
Ai Weiwei: Circle of Animals / Zodiac Heads, FIAC 2015, Jardins de Tuileries, Paris, Lisson Gallery
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Ai Weiwei: Circle of Animals / Zodiac Heads
Ai Weiwei: Circle of Animals / Zodiac Heads, FIAC 2015, Jardins de Tuileries, Paris, Lisson Gallery
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Chinese artist Ai Weiwei poses for photographers with his work “Coloured Vases” at the Royal Academy in London on September 15, 2015
http://citizen.co.za/afp_feed_article/chinese-dissident-artist-ai-weiwei-opens-major-london-show/
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Ai Weiwei’s work ‘Straight’ at his exhibition at the Royal Academy of Arts in London, 2015
- See more at: http://www.themalaymailonline.com/gallery/view/ai-weiwei-opens-retrospective-in-london#sthash.j1fgvqak.dpuf
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'An archive' (2015) appears in the 'Go East' exhibition . Gene and Brian Sherman commissioned a new work by Ai Weiwei for 'Go East' and he responded by devel...
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Ai Weiwei: S.A.C.R.E.D. 2011-2013, six-part work composed of (i) S upper, (ii) A ccusers, (iii) C leansing, (iv) R itual, (v) E ntropy, (vi) D oubt. Six dioramas in fiberglass and iron, each 377 x 198 x 153 cm Installation view, Chiesa di Sant' Antonin, 55th Venice Biennale, 2013. Courtesy, the artist and Lisson Gallery
Ai Weiwei’s installation in conjunction with the Lisson Gallery, and installed in a church, consists of six, 1.5metre high x 3.5metre long iron boxes, peered into through small openings to reveal model dioramas recreating disturbing scenarios from the artist’s 81-day detention by the Chinese authorities in 2011.
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Ai Weiwei creates giant map of China from baby formula at Para Site art space in Hong Kong, 2013
"We know that on the mainland food safety is a very serious problem. It largely related to a lack of supervision and moral decay within industry," said Ai Weiwei
