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How do I know that all of this was real? : The dark side of being a digital stranger in a digital learning environment – Part 1 | Peter Bryant

How do I know that all of this was real? : The dark side of being a digital stranger in a digital learning environment – Part 1 | Peter Bryant | 21st Century Learning and Teaching | Scoop.it

PETER BRYANT
Higher Education. Creative Industries. Thoughts. Opinions. You get the drift!

 

I have been debating the idea of the digital stranger for a quite a while, both on this blog and in other online learning contexts. Previously I had defined the digital stranger as;

‘Digital strangers are people we interact with, people we are inspired by, people we understand (even a little) about their views and their position in a specific network, but know very little about. We can still learn from and with them. We can create and share. We can innovate and solve problems. We can increase awareness and affect change. We can engage, entertain and provide comfort or inspiration.’

 

At the heart of the concept of the digital stranger is the belief that online interaction affords both the opportunity to represent ourselves in different and (sometimes) untraceable and hidden ways as well as the ability to express ideas, opinions and emotions that because of the apparent anonymity of the virtual environment, we might be unwilling to do face to face. There is a unique manifestation of the digital stranger in the area of online learning that has significant and far-reaching impacts on the effectiveness of student learning and teaching. This post (which will be published in two parts) will look at how the darker side of the digital stranger poses challenges for designers and facilitators of online learning (in all its guises – I use the phrase online learning to mean everything from component based blended learning through to complete online programmes).

 

Read more:

http://peterbryant.smegradio.com/?p=256

 

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Aesthetic Thinking: The Forgotten Dimension in Higher Education

Aesthetic Thinking: The Forgotten Dimension in Higher Education | 21st Century Learning and Teaching | Scoop.it
Science and art, as dimensions of creative thought, are universal in nature and develop to the full in freedom.

 

 

 

 

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http://miguelescotet.com/2012/aesthetic-thinking-the-forgotten-dimension-in-higher-education/

 

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How do I know that all of this was real? The dark side of being a digital stranger in an online learning environment – Part 2 | Peter Bryant

How do I know that all of this was real? The dark side of being a digital stranger in an online learning environment – Part 2 | Peter Bryant | 21st Century Learning and Teaching | Scoop.it

PETER BRYANT
Higher Education. Creative Industries. Thoughts. Opinions. You get the drift!

 

Introduction

 

In part 1 I started to explore some of the darker aspects of online engagement, particularly the process of disinhibition, which can be facilitated by the anonymity, fantasy, openness and freedom that engaging online affords. In this post, I want to take that analysis a little further and perhaps a little deeper into our practices as both digital citizens and academics. More specifically, I am going to unpack some of the notions around authenticity and realness. Lying at the heart of an educational experience is the ability to understand why something is authentic or real. Without that, we are left with a bunch of words sans context. Repeated, spoken but not contextualised or understood. Remembered, resourced but without meaning or resonance.

 

The use of e-learning as an instrument of replication and repetition is a theme I have explored in a number of earlier blog posts. The concept of the digital stranger throws a specific light on why using web 2.0 platforms and social media specifically as didactic, broadcast-led instruments firstly may isolate learners who have been moved significant components of their interactions and relationships to an on-line environment and secondly miss an opportunity to explore different modes of authenticity and realness, facilitated by a learners disinhibited to varying degrees, being interactive and collaborative.

 

Read more:

http://peterbryant.smegradio.com/?p=266

 

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