Transcode T4i 650D h.264 to Apple ProRes for FCP 6 7 X editing
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Transcode T4i 650D h.264 to Apple ProRes for FCP 6 7 X editing
With every new Camera, comes many new questions about workflow. The term ‘workflow’ can be fairly broad, but today I am looking at importing Canon Rebel T4i (EOS 650D) footage into Final Cut Pro. The Canon T4i uses the same workflow as the Canon EOS series of cameras which includes the 550D (T2i), 600D (T3i), and 1000D (XS), because it records in the same H.264 MOV format. Although the tools for importing the footage have been updated by Canon, it seems not working well when ingesting T4i footage to Final Cut Pro. Below, I will throw a quick tutorial up on how to import videos from Canon T4i/650D into Final Cut Pro (FCP 6/7 and FCP X) without the EOS Movie Plugin-E1.

The impressive video image quality of Canon’s EOS digital SLRs is their use of the sophisticated H.264/MPEG-4 compression method for recording video files to the camera’s memory card. The same with the new-brand Rebel T4i (65D) recording videos in H.264 MOV formats. The H.264 compression format requires that files be transcoded into a format better suited to editing, effects, and color grading; this would usually be Apple ProRes. So, to bring your Canon T4i footage into Final Cut Pro for smoothly editing on Mac, you’re suggested to transcode Canon T4i mov to Apple ProRes, the native editing codec of FCP in advance. Along with some help from a third-party software.

Follow this guide to convert Canon T4i/650D H.264 MOV footages to FCP Apple ProRes 422 encoded MOV file so that you can edit the Canon T4i videos in Final Cut Pro 6/7/X without problems.

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