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Scooped by Christopher Coleman
March 3, 2023 3:06 PM
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INTO THE SPIDER-VERSE Live In Concert Ticket Giveaway

INTO THE SPIDER-VERSE Live In Concert Ticket Giveaway | Soundtrack | Scoop.it
Follow our playlist or subscribe to our YouTube Channel to enter for a chance to win:A pair of tickets for Spider-Man: Into The Spider-Verse Live In Concert[2 winners] FOLLOW PLAYLIST ON SPOTIFY Subscribe on YouTube By entering, you agree to receive email communications from Sony Music...
runtzwraps's curator insight, December 18, 2023 7:30 PM
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Scooped by Christopher Coleman
August 27, 2019 8:21 AM
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FIRST LISTEN!  The Dark Crystal: Age of Resistance - Original Soundtrack - Daniel Pemberton - Music.Film

http://Music.Film is the new online Film Music search, licensing and community portal brought to you by the Cutting Edge Group. Music.Film is the world’
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Scooped by Christopher Coleman
April 26, 2019 12:00 PM
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Interview: Daniel Pemberton - M Magazine

Interview: Daniel Pemberton - M Magazine | Soundtrack | Scoop.it
‘At the end of the day, it’s still about the emotion of the story or the impact of the music.’ Says 2019 Ivor Novello Award nominee Daniel Pemberton.
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Scooped by Christopher Coleman
January 12, 2019 10:35 AM
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Spider-man: Into the Spider-verse by Daniel Pemberton (Ep. 128) | The Soundcast

Spider-man: Into the Spider-verse by Daniel Pemberton (Ep. 128) | The Soundcast | Soundtrack | Scoop.it

There's a new verse to be explored!  Erik Woods, Dane Walker, Kristen Romanelli and Christopher Coleman dive headlong into SPIDER-MAN: INTO THE SPIDER-VERSE with original score by Daniel Pemberton.  As an appetizer, the four first share their reactions to this year's off-kilter, Golden Globe awards program.  Once free from that awards-web, they share their thoughts about Sony's stand-out, animated effort and explore Pemberton's unique, hip-hop-infused original score.  Each discuss their favorite pieces from the soundtrack and finally insert this latest incarnation of Spidey-films into their own personal Spidey-rankings.

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Scooped by Christopher Coleman
December 14, 2017 1:51 PM
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The Annotator — Daniel Pemberton - “Assassins Breathe” (Bonus Track)

The Annotator — Daniel Pemberton - “Assassins Breathe” (Bonus Track) | Soundtrack | Scoop.it

In this first-ever, Annotator Bonus Track episode, DANIEL PEMBERTON returns to deliver some insight into one of the most memorable pieces from the score, ASSASSINS’ BREATHE (KING ARTHUR: LEGEND OF THE SWORD). He talks about his weirdest moment in his composing career and director Guy Ritchie’s desire for unusual elements in his scores drove him to new lengths when writing.

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Scooped by Christopher Coleman
June 1, 2017 1:51 PM
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Listen to Daniel Pemberton discuss his score for King Arthur: Legend of the Sword (The Annotator Podcast)

Listen to Daniel Pemberton discuss his score for King Arthur: Legend of the Sword (The Annotator Podcast) | Soundtrack | Scoop.it

In this episode, composer DANIEL PEMBERTON shares 5 tracks from his KING ARTHUR SCORE and talks about researching medieval instruments long before starting any of his writing and how he visiting renaissance fairs resulted in finding several unique instruments to employ in his score. Lastly, he talks about the challenge of writing a Medieval yet contemporary score and how KING ARTHUR brought him to the point of heavy breathing and whiskey enabled vocalizations.

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Scooped by Christopher Coleman
October 17, 2013 12:33 PM
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Exclusive First Listen: 4 Tracks From 'The Counselor' Score Plus Michael Fassbender Buys Lingerie In Viral Footage

Exclusive First Listen: 4 Tracks From 'The Counselor' Score Plus Michael Fassbender Buys Lingerie In Viral Footage | Soundtrack | Scoop.it
While Daniel Pemberton prepares to make his biggest splash yet as a feature film composer, with Ridley Scott's "The Counselor," he's been popping up on the right radars elsewhere for a while now.
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Scooped by Christopher Coleman
September 17, 2020 1:52 PM
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Enola Holmes Soundtrack Details: First Listen to Daniel Pemberton's Score

Enola Holmes Soundtrack Details: First Listen to Daniel Pemberton's Score | Soundtrack | Scoop.it
Get the soundtrack details for Daniel Pemberton's score for the Netflix movie Enola Holmes, starring Millie Bobby Brown, Henry Cavill, and Sam Claflin.
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Scooped by Christopher Coleman
August 22, 2019 3:36 PM
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Two-Volume Soundtrack Set coming for Netflix's The Dark Crystal: Age of Resistance by Daniel Pemberton and Samuel Sim

Two-Volume Soundtrack Set coming for Netflix's The Dark Crystal: Age of Resistance by Daniel Pemberton and Samuel Sim | Soundtrack | Scoop.it
The Soundtrack Volumes 1 & 2 for The Jim Henson Company’s fantasy adventure series The Dark Crystal: Age of Resistance are being released digitally on Friday, August 30 (the same day as the series launch on Netflix), and on CD and vinyl in the coming months, exclusively through Music.Film Recordings. Volume 1 of the soundtrack features original music by composer Daniel Pemberton, while Volume 2 consists of tracks by Pemberton and by Samuel Sim.
 
“I approached the music the same way I approached the filming and the puppetry,” explains executive producer and director Louis Leterrier (Now You See Me, The Incredible Hulk). “I wanted somebody to come on this journey that would be willing to take big risks. I wanted something that was almost tribal. I wanted to hear the strings being plucked and the skin wrapped over the drum. At the same time, I wanted somebody who could write beautiful melodies, understood music, and was a lover of beautiful music. I wanted someone who would approach it in a very organic way and who would tell the story through the score. My search led me to Daniel.”
 
The 10-episode show is a prequel to the groundbreaking 1982 fan favorite The Dark Crystal, and takes place many years before the events of the film. Leading the voice cast in the series will be Kingsman star Taron Egerton, The Witch actress Anya Taylor-Joy and Game of Thrones’ Nathalie Emmanuel, as ‘Gelfling’ heroes Rian, Brea and Deet. Star Wars’ Mark Hamill, Harry Potter’s Helena Bonham-Carter, Tomb Raider star Alicia Vikander and Outlander’s Caitriona Balfe provide additional voice performances in the new fantasy epic. The series was shot in the U.K., and stars an ensemble of fantastical, state-of-the-art creatures brought to life by Jim Henson’s Creature Shop™ and designed by Brian Froud, the original feature’s conceptual designer.
 
Composer Daniel Pemberton reveals: “I wanted the music to be as magical as Thra itself – organic, imperfect, strange, mystical, otherworldly and wonderful. I wanted to create new sounds that felt like they came from the world itself, as well as using thematic large scale orchestral elements to bring an emotion to the journey of the characters. I wanted music and sounds that would fill you with wonder, but also terrify you. It was very important to me that all the sounds felt like they could only be from Thra itself – no grand pianos or overtly electronic elements. Every sound had to feel organic and visceral, from the dark detuned glissando cello sounds made for the Skeksis, to the upbeat flutes from the Podling’s bar. We created noises out of wine glasses, metal chains, wooden drums, metal sculptures on a snow covered mountain and old creaky medieval instruments to try and make a sonic world as unique as the visual one.”
 
“The Dark Crystal is set in a unique world of magic, adventure, threat and danger. The music had to capture that majestic wonder, as well as its dark, sinister underbelly,” describes composer Samuel Sim. “Although nearly all the sounds in the score come from an acoustic or ‘real’ source, a huge amount of time was spent twisting, morphing and detuning them to create something completely new and surprising. For example, there are places in the score where flutes and clarinets were pitched down 5 octaves to sound like tubas and bass trombones. Nickel harps and cellos were put through guitar amps and at one point we even took the sound of chirping crickets and slowed it down so much that it created weird otherworldly pads and drones. It was important to us that the music should be both bold and epic but also unique, strange and mysterious to become the beating heart of the land of ‘Thra’ itself.”
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Scooped by Christopher Coleman
February 16, 2019 4:19 PM
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Hennessy, The Seven Worlds - Music by Daniel Pemberton

Stunning new campaign by Ridley Scott for the iconic brand Hennessy. A four minute VFX-heavy spot ‘The Seven Worlds’ with original music by composer Daniel Pemberton

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Scooped by Christopher Coleman
December 17, 2018 7:46 PM
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Daniel Pemberton - Spider-Man: Into the Spider-Verse (Ep. 55) | The Annotator

Daniel Pemberton - Spider-Man: Into the Spider-Verse (Ep. 55) | The Annotator | Soundtrack | Scoop.it

In this episode, Daniel Pemberton unties his musical web of themes; instruments and "Technics" he used for Into the Spider-Verse. He dives deep into his unique utilization of the hip-hop staple of record-scratching, where HE employs Londoner DJ Blakey and his multifaceted scratching abilities in a multi-layered recording process that may also be a first. He also talks about writing this score both in London but also, due to the ongoing collaborative nature of the project, in Los Angeles. There, he found himself in a small bit of space in the Sony Animation studio, from where he would complete the score as the production period of the film wound to a close.

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Scooped by Christopher Coleman
June 15, 2017 7:18 PM
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The Annotator — Daniel Pemberton - King Arthur: Legend of the Sword

The Annotator — Daniel Pemberton - King Arthur: Legend of the Sword | Soundtrack | Scoop.it

In this episode, composer DANIEL PEMBERTON shares 5 tracks from his KING ARTHUR SCORE and talks about researching medieval instruments long before starting any of his writing and how he visiting renaissance fairs resulted in finding several unique instruments to employ in his score. Lastly, he talks about the challenge of writing a Medieval yet contemporary score and how KING ARTHUR brought him to the point of heavy breathing and whiskey enabled vocalizations.

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Scooped by Christopher Coleman
August 20, 2015 3:07 PM
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How Composers Are Using (or Tossing) Classic TV Themes in Film Reboots - Variety

How Composers Are Using (or Tossing) Classic TV Themes in Film Reboots - Variety | Soundtrack | Scoop.it
There’s no rule about whether or not a movie based on a classic TV show should incorporate the series’ original musical theme. For example, 1991’s “The Addams Family” and 2010’s “The A-Team” used m...
Christopher Coleman's insight:

It's great that Christophe Beck is remaining faithful to Vince Guaraldi's work on The Peanuts, where the music and personality of the property are tied tighter together than most.

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Scooped by Christopher Coleman
May 20, 2012 9:12 AM
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Ghost Recon Alpha - Official HD Film - Original Score by Daniel Pemberton

Check out this very cool prequel to the video game, TOM CLANCY'S GHOST RECON FUTURE SOLDIER.

 

Composer Daniel Pemberton (right, the same who brought you Little Big Planet), delivers a menacing and compelling score for the webisode.

 

 

Official Network: http://www.ghostrecon.com/network Facebook page: https://www.facebook.com/ghostrecon Twitter: http://twitter.com/GhostRecon Tom Clancy's Gh...

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