YouTube está que arde, todos quieren ser "youtuber". Pero las cosas se han ido complicando, no sólo por la competencia sino también a nivel legal.
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Ignacio Jaramillo's curator insight,
July 18, 2014 10:44 AM
Gestión de derechos de autor en plataformas e-learning
Alfredo Corell's curator insight,
December 29, 2012 11:42 AM
Excelent way of showing what to do about copyrights
Víctor Xepiti Eme's curator insight,
January 1, 2013 3:48 PM
Schools rely on a vast pool of resources and this site is here to help you make full use of copyright material such as books, television, music, films, and websites. To start, simply click on the icon of the resource or activity that best describes what you want to do and follow an option to see how to use that material legally and where to find more information. |
Guillaume Decugis's curator insight,
September 4, 2013 12:34 PM
I'm not a lawyer and I don't know how British law will rule that. But the mere existence of a lawsuit shows some believe enough in the value of content curation - what the Ministry of Sound effectively provides when producing their famous compilation albums - to think it should be protected by copyright or trademark law. Seems a bit meta? Probably. And it also shows the limits of copyright law growingly challenged by the remix culture.
A. Brian Dengler's comment,
September 5, 2013 3:14 PM
This is a fascinating issue. The names of songs listed in alphabetical order would be mere facts, and facts are not protected by copyright law, at least in the US. However, compilations that include editorial judgment in its selection of songs (the songs may fit a certain genre, reached a certain point of sales and appeal to a specific market), just may be protected by copyright. However, then you get into other analysis: did the postings on Spotify "copy" the Ministry of Sound's compilations, and how much originality did Ministry of Sound use to create the compilation? The outcome will be fascinating.
Alejandro Tortolini's curator insight,
September 28, 2013 11:55 AM
Debate: curaduría de contenidos y leyes de copyright (caso Ministry of Sound versus Spotify) |