Today, to build off of yesterday's paean to authorial fear, Andrea Phillips (author of the above pictured Creator's Guide to Transmedia Storytelling and also of the new serial pirate story, The Dar...
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Scooped by
Sharon Bakar
onto Creative Writers |
Today, to build off of yesterday's paean to authorial fear, Andrea Phillips (author of the above pictured Creator's Guide to Transmedia Storytelling and also of the new serial pirate story, The Dar...
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![]() Perspectives that create connections between the reader and the protagonist in ways that the third person can’t
![]() Lessons in creative writing from a ghostly array of novelists, poets and playwrights.
![]() Writing a diary is a great way to offload – and, if memory fails, it’s a wonderful window on the past
![]() America’s Mad Professor of Fiction Writing, Randy Ingermanson, tackles the thorny question of whether head-hopping should be allowed in fiction.
![]() A true hybrid, the micro-memoir strives to combine the extreme abbreviation of poetry, the narrative tension of fiction, and the truth-telling of creative nonfiction.
![]() The English language is tricky, hence these common writing mistakes. Learn seven English writing mistakes to avoid here!
![]() I have a problem with plot. The problem is not with the craft concept that is “plot.” The problem is with me. Whenever I’ve tried to apply “plot” to my writing process, I can’t get it to do what a …
![]() Lynda Barry and Ray Bradbury on how lists of random words can help you discover new pieces of writing.
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From
lithub
For almost two years after my first book was published, I did not write a single new thing—not an essay, a story, a chapter, an ode, an elegy, nor even a monostich. There were reasons. I was grievi…
![]() Writing about our mothers can cause a good memoir writer to stop writing. Don't stop. Listen up and learn how with Elissa Altman on the QWERTY podcast. |
![]() Understanding theme will help you understand and produce great writing. Learn about common themes in literature, with copious theme examples.
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Sharon Bakar's insight:
A writing programme for the rest of us: Week 2—Learning to ride a bicycle - Silverfish writing
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Astrid Horton's curator insight,
August 13, 2021 6:45 AM
Here is how to do it. 1. Read the Material Thoroughly 2. Write Down the Important Points 4. Create an Outline 5. Write a Strong Introduction, etc. https://perfectessaywriting.com/contrast-essay
![]() A writing podcast for writers and curious readers, featuring interviews with authors, poets, agents and editors. Twice chosen as one of Writer's Digest Magazine's 101 Best Website for Writers
Sharon Bakar's insight:
This podcasts has writers talking about their work and an excellent collection of writing exercises.
![]() You have a choice when it comes to tense in your fiction’s narrative. Here’s an overview of the tenses you’ll most likely be working with, and some guidance on the benefits and challenges of each.
![]() "Hybrid-genre writing, at its best, can catch its readers with their guard down. While we expect to see controversies arise and watch characters develop in traditional literary forms, we don’t expect to see the same happen in a short text conversation or a strategy guide. When a writer working in a hybrid genre balances a simple, well-told story (or in some cases a quick, well-articulated point) with the strangeness of working in a new form, they can create a unique tension uncommon in conventional writing."
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From
lithub
One hundred and one years ago today, Shirley Jackson was born. During her lifetime, she wrote “The Lottery,” and The Haunting of Hill House, and We Have Always Lived in the Castle, the …
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From
medium
Writers sometimes agonize over whether to tell their stories in first person or third person, past or present tense. These decisions affect the obvious. This includes the way first person can limit… |
"Writing is an uncomfortable act. You’re making yourself vulnerable — exposing the softest, squishiest bits of your psyche and putting them out there in public where people will know what is in your deepest heart of hearts, and just might stomp on it with extreme prejudice."
I have yet to meet a writer without fear. It's part of the territory.