Visual Culture and Communication
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Visual Culture and Communication
Questions and observations concerning visual culture,
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Rescooped by Nicholas Ripley from Transmedia: Storytelling for the Digital Age
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The Film Made by More Than 5000 People: Nicolás Alcalá Talks About His Transmedia Project ‘The Cosmonaut’

The Film Made by More Than 5000 People: Nicolás Alcalá Talks About His Transmedia Project ‘The Cosmonaut’ | Visual Culture and Communication | Scoop.it

V Renée:  "Have Nicolás Alcalá and his team at Riot Cinema Collective discovered the future of filmmaking?" ...


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The Digital Rocking Chair's curator insight, April 13, 2013 12:54 AM

A great read, especially towards the end of the interview when the film's distribution strategy is discussed.

Carmenne Kalyaniwala-Thapliyal's curator insight, April 13, 2013 4:52 AM

About creative freedom and distribution strategy. Would love to go for this one

Henrik Safegaard - Cloneartist's curator insight, April 13, 2013 10:26 AM

The Cosmonaut is an epic story.

Rescooped by Nicholas Ripley from Transmedia: Storytelling for the Digital Age
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Storytelling through Composition for Filmmakers

Storytelling through Composition for Filmmakers | Visual Culture and Communication | Scoop.it

Shane Hurlbut: "Many of you have expressed an interest in composition: what makes a good frame or a bad one. There are a few classic frames that I customize to give them flare. I think this will help all of you find your compositional voice."


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Rescooped by Nicholas Ripley from Transmedia: Storytelling for the Digital Age
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‘Zero Dark Thirty’ and the new reality of reported filmmaking

‘Zero Dark Thirty’ and the new reality of reported filmmaking | Visual Culture and Communication | Scoop.it
The film about the hunt for Osama bin Laden mixes entertainment and reporting.

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The Digital Rocking Chair's curator insight, December 14, 2012 12:14 AM

An interesting look at the storytelling genesis of Zero Dark Thirty.  Does it represent a new genre, the "reported film"?

Palabras digitales's curator insight, December 14, 2012 11:49 AM

El problema con  este tipo de películas es que les cuesta mucho ser aceptadas debido a su alto contenido político. Es una forma originalde realización, pero tiene problemas a la hora de mantenerse en un terreno neutral.

Rescooped by Nicholas Ripley from Transmedia: Storytelling for the Digital Age
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In Filmmaking Now, Directors Become Programmers And Programmers Become Gods

In Filmmaking Now, Directors Become Programmers And Programmers Become Gods | Visual Culture and Communication | Scoop.it

Mark Wilson: "With just an SLR and a Kinect, these striking, 3-D avatars come to life. So what does tech like this herald for the future of film-making?"


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