Transmedia Seattle
1.6K views | +0 today
Follow
Transmedia Seattle
adventures in immersive storytelling technique with a NW twist
Curated by Brad Tollefson
Your new post is loading...
Your new post is loading...
Rescooped by Brad Tollefson from Transmedia: Storytelling for the Digital Age
Scoop.it!

The Science Of Comic Strips

The Science Of Comic Strips | Transmedia Seattle | Scoop.it

Via The Digital Rocking Chair
more...
The Digital Rocking Chair's curator insight, December 19, 2013 3:31 AM


Eric Jaffe:  "[Psychologist Neil Cohn of University of California at San Diego] says any language has a "holy triumvirate" of elements: expressive form, grammar, and meaning. Comics, he argues, meet all three requirements."

Giuseppe Fattori's curator insight, January 8, 2014 5:16 PM

Language is more than just a series of words strung together. A sentence must have some essential structure, some system of rules governing words and clauses--a grammar. You don't have to be Strunk or White to recognize this system at work; it's automatic in the brain. In Noam Chomsky's famous example, people know that the meaningless sentence "colorless green ideas sleep furiously" is grammatically correct the very first time they see it.

Carolyn Guertin's curator insight, July 20, 2014 3:14 AM

comic strips

Rescooped by Brad Tollefson from Transmedia: Storytelling for the Digital Age
Scoop.it!

Why You’re Addicted to TV

Why You’re Addicted to TV | Transmedia Seattle | Scoop.it
Newsweek talks to the creators of today’s most addictive shows about what they’re doing to make sure we just can’t stop.

Via The Digital Rocking Chair
more...
Dorothea Martin's curator insight, May 20, 2013 3:30 AM

Absolute Leseempfehlung! 

Das Phänomen des "Binge-watching"s (Komakucken?!) und "Hyperserien"


“I’ve always said that I don’t see my show as serialized so much as hyperserialized,” explains Vince Gilligan, creator of AMC’s Breaking Bad. “That is something that, honestly, I wouldn’t have been allowed to do 10 or 15 years ago.”

Während Serien wie Sopranos, The Wire oder Deadwood zuerst ihre Charaktere entwickelten und die Handlung erst an zweiter Stelle kam, entwerfen heutige "Hyperserien" Tableaus, die von einer zentralen Frage vorwärts getrieben werden - und noch größeres Suchtpotenzial haben:


"And that’s ultimately the biggest difference between the Hyperserials and the legendary shows that spawned them: a purer, more intense focus on one linear, series-long plotline. Hyperserials tend to do away with recaps, teasers, and exposition of any kind. They make even less sense when viewed out of order"

Rogério Rocha's curator insight, May 20, 2013 7:23 AM

IN A certain sense, all television is addictive. This should be pretty obvious, given that Americans watch more than five hours a day, on average. At that rate, a person who lives to the age of 80 will spend 21 percent of his or her adult life—the equivalent of 4,175 days, or nearly 13 years—in front of the tube.

Asil's curator insight, May 20, 2013 3:45 PM

Machinimatographers can take some tips from this thought-piece on how we consume television serials.

Rescooped by Brad Tollefson from Transmedia: Storytelling for the Digital Age
Scoop.it!

The Science Of Storytelling: How Narrative Cuts Through Distraction Like Nothing Else

The Science Of Storytelling: How Narrative Cuts Through Distraction Like Nothing Else | Transmedia Seattle | Scoop.it

Via The Digital Rocking Chair
more...
The Digital Rocking Chair's curator insight, October 16, 2013 7:08 PM


"In the first of a three-part series, author Jonathan Gottschall discusses the science of storytelling--not just escapism, stories have real power to hold human attention and shape our thinking."

Bad Spoon's curator insight, October 26, 2013 3:57 AM

Un autre excellent article exposant l’influence du storytelling sur le public