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The History Teacher, published by the Society for History Education

The History Teacher, published by the Society for History Education | SSCHistory | Scoop.it
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Conservation in the Shadow of Vesuvius: a Review of Best Practices/ Conservazione all’ombra del Vesuvio: un esame delle migliori pratiche | World Monuments Fund

Conservation in the Shadow of Vesuvius: a Review of Best Practices/ Conservazione all’ombra del Vesuvio: un esame delle migliori pratiche | World Monuments Fund | SSCHistory | Scoop.it
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The History Teacher, published by the Society for History Education

The History Teacher, published by the Society for History Education | SSCHistory | Scoop.it
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Historic Stories, Fictional Accounts: Achieving Multiperspectivity | Teachinghistory.org

Historic Stories, Fictional Accounts: Achieving Multiperspectivity | Teachinghistory.org | SSCHistory | Scoop.it
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Mummies keep alive the tourism in Urbania

Mummies keep alive the tourism in Urbania | SSCHistory | Scoop.it

Without its mummies, Urbania would be dead to tourists, and the economy might be moribund.

URBANIA, Italy — The mummies of Urbania are all about keeping up appearances.

Pinned to the wall in awkward standing positions, the 18 dessicated bodies have yellowed skin that hangs off them like deflated and torn paper balloons encasing dehydrated organs.

Without lips, the corpses have no choice but to grin as camera flashes bounce off the glass that separates living from the long dead.

These mummies are the celebrities of Urbania, bringing in more tourists than any other attraction in the town of 7,000. Last year, 10,539 tourists visited the home of the mummies, La Chiesa Dei Morti, or the Church of the Dead, according to the Tourist Information Office.

That’s about 36 percent of all tourism in Urbania. Without the mummies, Urbania would not receive nearly the amount of attention it now gets, nor the 2 euro admission from each visitor.

“Tourism is important for this little town as it is for the rest of Italy, of course,” said Dr. Feliciano Paoli, director of Urbania’s library and civic museum, through an interpreter. “Even more so in a moment of economic crisis, attracting tourists can be something valid to integrate the economy.”

Tour guide and custodian of the mummies, Giovanni Maestrini, 30, believes this attention comes from mankind’s unique curiosity.

Read full article by MADDALINE LIOTTA


Via Mariano Pallottini
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